00:00:00:00	00:05:36:00	GOOD AFTERNOON.
00:05:36:00	00:05:37:00	FOR THE RECORD, MY NAME IS
00:05:37:00	00:05:40:00	TANIA ANDERSON, A DISTRICT
00:05:40:00	00:05:40:00	SEVEN CITY COUNCILOR .
00:05:40:00	00:05:43:00	I AM THE CHAIR OF THE BOSTON
00:05:43:00	00:05:44:00	CITY COUNCIL COMMITTEE ON WAYS
00:05:44:00	00:05:44:00	AND MEANS.
00:05:44:00	00:05:47:00	THIS HEARING IS BEING RECORDED
00:05:47:00	00:05:48:00	AS BEING LIVE STREAMED BY
00:05:48:00	00:05:51:00	BOSTON DOGA FOR CITY
00:05:51:00	00:05:52:00	COUNCIL DUSH TV AND BROADCAST
00:05:52:00	00:06:02:00	ON XFINITY CHANNEL EIGHT RCN
00:06:02:00	00:06:03:00	CHANNEL 82 AND FILES CHANNEL
00:06:03:00	00:06:04:00	NINE SIX FOR THE COUNCIL'S
00:06:04:00	00:06:04:00	BUDGET REVIEW PROCESS WILL
00:06:04:00	00:06:06:00	ENCOMPASS A SERIES OF PUBLIC
00:06:06:00	00:06:07:00	HEARINGS BEGINNING IN APRIL AND
00:06:07:00	00:06:10:00	RUNNING THROUGH JUNE.
00:06:10:00	00:06:11:00	WE STRONGLY ENCOURAGE RESIDENTS
00:06:11:00	00:06:15:00	TO TAKE A MOMENT TO ENGAGE IN
00:06:15:00	00:06:15:00	THIS PROCESS BY GIVING
00:06:15:00	00:06:18:00	TESTIMONY FOR THE RECORD YOU
00:06:18:00	00:06:19:00	CAN DO THIS IN SEVERAL WAYS
00:06:19:00	00:06:22:00	ATTEND ONE OF OUR HEARINGS AND
00:06:22:00	00:06:23:00	GIVE PUBLIC TESTIMONY.
00:06:23:00	00:06:24:00	WE WILL TAKE PUBLIC TESTIMONY
00:06:24:00	00:06:27:00	AT THE END OF EACH DEPARTMENTAL
00:06:27:00	00:06:28:00	HEARING AND SOMETIMES IN THE
00:06:28:00	00:06:31:00	BEGINNING AND ALSO AT THREE
00:06:31:00	00:06:32:00	HEARINGS DEDICATED TO PUBLIC
00:06:32:00	00:06:34:00	TESTIMONY.
00:06:34:00	00:06:35:00	THE FULL HEARING SCHEDULE IS ON
00:06:35:00	00:06:38:00	OUR WEBSITE BOSTON GOV BORGHT
00:06:38:00	00:06:39:00	COUNCIL DASCH BUDGET OUR
00:06:39:00	00:06:43:00	SCHEDULE HEARINGS DEDICATED TO
00:06:43:00	00:06:47:00	PUBLIC TESTIMONY ARE TUESDAY,
00:06:47:00	00:06:50:00	MAY 2ND AND AT 2:00 P.M.
00:06:50:00	00:06:51:00	TUESDAY MAY 9TH AT SIX P.M. AND
00:06:51:00	00:06:54:00	THURSDAY MAY 18 AT TWO P.M. OR
00:06:54:00	00:06:57:00	VIRTUAL TESTIMONY YOU CAN SIGN
00:06:57:00	00:06:59:00	UP USING OUR ONLINE FORUM ON
00:06:59:00	00:07:02:00	OUR COUNCIL BUDGET REVIEW
00:07:02:00	00:07:06:00	WEBSITE OR BY EMAILING THE
00:07:06:00	00:07:07:00	COMMITTEE AT C.C.C. DOT W.M. AT
00:07:07:00	00:07:09:00	BOSTON.
00:07:09:00	00:07:10:00	WHEN YOU ARE CALLED TO TESTIFY
00:07:10:00	00:07:14:00	PLEASE STATE YOUR NAME AND
00:07:14:00	00:07:14:00	AFFILIATION AND OR RESIDENTS
00:07:14:00	00:07:17:00	AND LIMIT YOUR COMMENTS TO JUST
00:07:17:00	00:07:21:00	TWO TO THREE MINUTES OR EMAIL
00:07:21:00	00:07:22:00	YOUR WRITTEN TESTIMONY TO THE
00:07:22:00	00:07:25:00	COMMITTEE AT W.M. AT BOSTON DOT
00:07:25:00	00:07:29:00	GOV SUBMIT A TWO MINUTE VIDEO
00:07:29:00	00:07:29:00	OR OF YOUR TESTIMONY THROUGH
00:07:29:00	00:07:33:00	THE FORUM ON OUR WEBSITE AND
00:07:33:00	00:07:36:00	FOR MORE INFORMATION ON THE
00:07:36:00	00:07:37:00	CITY BUDGET COUNCIL BUDGET
00:07:37:00	00:07:37:00	PROCESS AND HOW TO TESTIFY
00:07:37:00	00:07:40:00	PLEASE VISIT THE CITY
00:07:40:00	00:07:41:00	COUNCIL BUDGET WEBSITE AT
00:07:41:00	00:07:44:00	BOSTON DOT GOV FOR
00:07:44:00	00:07:44:00	COUNCIL DASCH BUDGET.
00:07:44:00	00:07:48:00	TODAY'S HEARING IS ON DOCKET
00:07:48:00	00:07:49:00	ZERO SEVEN SIX ZERO TWO ZERO
00:07:49:00	00:07:52:00	SEVEN SIX TWO ORDERS OF THE FBI
00:07:52:00	00:07:53:00	FISCAL YEAR TWENTY FOUR
00:07:53:00	00:07:55:00	OPERATING BUDGET INCLUDING
00:07:55:00	00:07:56:00	ANNUAL APPROPRIATIONS FOR
00:07:56:00	00:08:00:00	DEPARTMENT OF OPERATIONS FOR
00:08:00:00	00:08:01:00	SCHOOL DEPARTMENT AND FOR OTHER
00:08:01:00	00:08:03:00	PEOPLE'S EMPLOYMENT BENEFITS
00:08:03:00	00:08:04:00	OPAP DOCKET ZERO SEVEN SIX
00:08:04:00	00:08:08:00	THREE ZERO SEVEN SIX FIVE TWO
00:08:08:00	00:08:09:00	ZERO SEVEN SIX SIX ORDERS FOR
00:08:09:00	00:08:11:00	CAPITAL CAN TRANSFER
00:08:11:00	00:08:12:00	APPROPRIATIONS DOCKET ZERO
00:08:12:00	00:08:15:00	SEVEN SIX FOUR ZERO SEVEN SIX
00:08:15:00	00:08:16:00	SEVEN ZERO SEVEN SIX EIGHT
00:08:16:00	00:08:16:00	ORDERS FOR THE CAPITAL BUDGET
00:08:16:00	00:08:19:00	INCLUDING LONG ORDERS LEASE
00:08:19:00	00:08:20:00	PURCHASE AGREEMENTS.
00:08:20:00	00:08:23:00	OUR FOCUS AREA FOR THIS HEARING
00:08:23:00	00:08:27:00	WILL BE THE FBI BUDGET FBI
00:08:27:00	00:08:28:00	TWENTY FOUR BUDGET FOR THE
00:08:28:00	00:08:29:00	OFFICE OF ARTS AND CULTURE AND
00:08:29:00	00:08:30:00	OFFICE OF TOURISM, SPORTS AND
00:08:30:00	00:08:31:00	ENTERTAINMENT AND REVOLVING
00:08:31:00	00:08:31:00	FUNDS.
00:08:31:00	00:08:34:00	OUR PANELISTS FOR TODAY'S
00:08:34:00	00:08:35:00	HEARING INCLUDE NATIVE AREA
00:08:35:00	00:08:38:00	DIRECTOR OF ADMINISTRATION
00:08:38:00	00:08:39:00	FINANCE OFFICE OF ARTS AND
00:08:39:00	00:08:42:00	CULTURE CORA ELLIOTT ORTEGA
00:08:42:00	00:08:43:00	CHIEF OF ARTS AND CULTURE CITY
00:08:43:00	00:08:46:00	OF BOSTON JOHN BORDERS THE
00:08:46:00	00:08:47:00	FORMER DIRECTOR OF TOURISM,
00:08:47:00	00:08:50:00	SPORTS AND ENTERTAINMENT OFFICE
00:08:50:00	00:08:51:00	OF TOURISM AND SPORTS
00:08:51:00	00:08:54:00	ENTERTAINMENT.
00:08:54:00	00:08:59:00	I AM JOINED HERE TODAY BY MY
00:08:59:00	00:09:02:00	COUNCIL COLLEAGUE JULIA MHERE.
00:09:02:00	00:09:04:00	SORRY JUST TRYING TO GET THE
00:09:04:00	00:09:08:00	ORDER ARRIVAL.
00:09:08:00	00:09:09:00	THAT WOULD BE
00:09:09:00	00:09:12:00	COUNCILOR MICHAEL FLAHERTY AT
00:09:12:00	00:09:13:00	LARGE CITY COUNCILOR , DISTRICT
00:09:13:00	00:09:16:00	COUNCILOR COUNCILOR LIZ BREADON
00:09:16:00	00:09:17:00	AT LARGE COUNCILOR COUNCILOR
00:09:17:00	00:09:20:00	MEDIA AND OUR DISTRICT
00:09:20:00	00:09:23:00	COUNCILOR PRESIDENT FLYNN FOR
00:09:23:00	00:09:28:00	OUR FORMAT FOR TODAY WILL GO
00:09:28:00	00:09:31:00	DIRECTLY TO THE ADMINISTRATION
00:09:31:00	00:09:32:00	FOR YOUR PRESENTATION.
00:09:32:00	00:09:36:00	WE HOPE TO BE ABLE TO HOLD THE
00:09:36:00	00:09:39:00	CONVERSATION THAT IS HOLISTIC
00:09:39:00	00:09:40:00	UNDERSTANDING HOW THE OFFICE
00:09:40:00	00:09:43:00	OF TOURISM SPORTS ENTERTAINMENT
00:09:43:00	00:09:44:00	AND THE ARTS AND CULTURE IS
00:09:44:00	00:09:47:00	WORKING TOGETHER TO MAKE IT
00:09:47:00	00:09:48:00	MORE ACCESSIBLE TO OUR
00:09:48:00	00:09:52:00	CONSTITUENTS AS WELL AS EXCITED
00:09:52:00	00:09:55:00	TO LEARN ABOUT ALL OF THE
00:09:55:00	00:09:56:00	DIFFERENT PROJECTS AND PLANNING
00:09:56:00	00:09:59:00	THAT YOU HAVE FOR THE CITIZENS
00:09:59:00	00:09:59:00	OF BOSTON.
00:09:59:00	00:10:03:00	SO FIRST FOR PRESENTATION THEN
00:10:03:00	00:10:04:00	WE'LL GO TO RATHER FIRST I'LL
00:10:04:00	00:10:07:00	ALLOW MY COUNCIL COLLEAGUES AT
00:10:07:00	00:10:08:00	30 SECOND INTRODUCTION TIME AND
00:10:08:00	00:10:11:00	THEN INTRODUCTION AND THEN THE
00:10:11:00	00:10:12:00	PRESENTATION FROM
00:10:12:00	00:10:15:00	ADMINISTRATION THEN TO ROUND
00:10:15:00	00:10:16:00	ONE OF QUESTIONING PUBLIC
00:10:16:00	00:10:19:00	TESTIMONY IN THE MIDDLE OF TIME
00:10:19:00	00:10:19:00	ALLOWS A SECOND ROUND QUESTION
00:10:19:00	00:10:23:00	AND IF TIME ALLOWS A THIRD
00:10:23:00	00:10:24:00	ROUND OF QUESTIONING OUR
00:10:24:00	00:10:27:00	HEARING IS SCHEDULED FOR 2:00
00:10:27:00	00:10:31:00	P.M. TO FIVE PM AND WE HOPE TO
00:10:31:00	00:10:34:00	BE ABLE TO ATTEND ON TIME.
00:10:34:00	00:10:35:00	BUT IF WE HAVE ALL THE
00:10:35:00	00:10:35:00	QUESTIONS OUR QUESTIONS
00:10:35:00	00:10:38:00	ANSWERED, HOPEFULLY WE ALL GET
00:10:38:00	00:10:39:00	OUT OF HERE WITHIN A COUPLE
00:10:39:00	00:10:42:00	OF HOURS.
00:10:42:00	00:10:46:00	SO BY ORDER OF ARRIVAL FIRST
00:10:46:00	00:10:46:00	COUNCIL OF FLAHERTY YOU HAVE
00:10:46:00	00:10:47:00	THE FLOOR FOR A 30 SECOND
00:10:47:00	00:10:50:00	INTRODUCTION.
00:10:50:00	00:10:51:00	THANK YOU MADAM CHAIR.
00:10:51:00	00:10:53:00	I'LL WAIT OPENING'S TO GET
00:10:53:00	00:10:54:00	RIGHT INTO THE PRESENTATION.
00:10:54:00	00:11:05:00	THANK YOU, COUNCILOR BREADON
00:11:05:00	00:11:07:00	THAT'S A GREAT AND ARE YOU
00:11:07:00	00:11:15:00	MUTED WILL COME BACK
00:11:15:00	00:11:15:00	COUNCILOR HERE.
00:11:15:00	00:11:16:00	YES.
00:11:16:00	00:11:16:00	GOOD AFTERNOON.
00:11:16:00	00:11:20:00	SORRY I AM NOT ON CAMERA I HAVE
00:11:20:00	00:11:21:00	REALLY BAD ALLERGIES AND I AM
00:11:21:00	00:11:24:00	SPARING YOU ALL OF IT BUT I'M
00:11:24:00	00:11:24:00	REALLY EXCITED.
00:11:24:00	00:11:27:00	I THINK THAT WHEN WE'RE LOOKING
00:11:27:00	00:11:28:00	AT ARTS AND CULTURE, TRAVEL AND
00:11:28:00	00:11:31:00	TOURISM THESE ARE NOT THE
00:11:31:00	00:11:32:00	POLITICAL CONTROVERSIAL
00:11:32:00	00:11:36:00	DEPARTMENTS YOU KNOW BUT I
00:11:36:00	00:11:36:00	REALLY DO BELIEVE THAT ONE
00:11:36:00	00:11:39:00	OF THE MOST IMPORTANT PARTS
00:11:39:00	00:11:40:00	OF THE WORK THAT WE DO HERE IN
00:11:40:00	00:11:41:00	THE CITY BECAUSE IT'S REALLY
00:11:41:00	00:11:43:00	ABOUT CREATING CULTURE AND
00:11:43:00	00:11:44:00	CREATING CLIMATE AND CREATING
00:11:44:00	00:11:45:00	EXPERIENCES FOR OUR RESIDENTS
00:11:45:00	00:11:48:00	SO I THINK THAT YOU ALL PLAY A
00:11:48:00	00:11:51:00	VERY VITAL ROLE IN THAT WORK
00:11:51:00	00:11:52:00	AND SO I'M LOOKING FORWARD TO
00:11:52:00	00:11:54:00	HEARING HOW WE CAN BE
00:11:54:00	00:11:55:00	SUPPORTIVE HERE ON THE
00:11:55:00	00:11:58:00	COUNCIL AND I WANT TO FORMALLY
00:11:58:00	00:12:02:00	AND ENTHUSIASTICALLY WELCOME
00:12:02:00	00:12:03:00	JOHN BORDERS TO THE FAMILY AND
00:12:03:00	00:12:06:00	REALLY LOOKING FORWARD TO
00:12:06:00	00:12:07:00	SUPPORTING YOU ALL IN THIS
00:12:07:00	00:12:07:00	WORK.
00:12:07:00	00:12:09:00	THANK YOU.
00:12:09:00	00:12:10:00	THANK YOU.
00:12:10:00	00:12:11:00	COUNCILOR MEJIA
00:12:11:00	00:12:13:00	COUNCILOR BREADON.
00:12:13:00	00:12:14:00	THANK YOU, MADAM CHAIR.
00:12:14:00	00:12:15:00	IT'S GREAT TO SEE EVERYONE FROM
00:12:15:00	00:12:17:00	ARTS AND CULTURE TOURISM THIS
00:12:17:00	00:12:21:00	AFTERNOON.
00:12:21:00	00:12:22:00	I WORK VERY CLOSELY WITH ARTS
00:12:22:00	00:12:23:00	AND CULTURE OVER THE LAST
00:12:23:00	00:12:25:00	COUPLE OF YEARS ON ISSUES AND
00:12:25:00	00:12:26:00	ALSO IN BRIGHTON PERTAINING TO
00:12:26:00	00:12:28:00	AN ARTS COMMUNITY.
00:12:28:00	00:12:29:00	SO I REALLY VALUE THE GREAT
00:12:29:00	00:12:30:00	WORK THAT'S BEEN DONE THERE AND
00:12:30:00	00:12:34:00	I'M KEEN TO HEAR WHAT WAS IN
00:12:34:00	00:12:34:00	THE WORKS FOR OUR NEXT BUDGET.
00:12:34:00	00:12:37:00	SO THANK YOU SO MUCH FOR BEING
00:12:37:00	00:12:37:00	HERE.
00:12:37:00	00:12:38:00	THANK YOU.
00:12:38:00	00:12:45:00	COUNCIL PRESIDENT FLIN THAT.
00:12:45:00	00:12:45:00	THANK YOU MADAM CHAIR.
00:12:45:00	00:12:46:00	THANK YOU TO THE ADMINISTRATION
00:12:46:00	00:12:49:00	TEAM THAT'S HERE.
00:12:49:00	00:12:49:00	THANK YOU FOR THE IMPORTANT
00:12:49:00	00:12:52:00	WORK YOU'RE DOING IN THE CITY.
00:12:52:00	00:12:52:00	I HAVE NO OPENING STATEMENT.
00:12:52:00	00:12:53:00	THANK YOU, MADAM CHAIR.
00:12:53:00	00:12:54:00	THANK YOU.
00:12:54:00	00:12:56:00	COUNCIL PRESIDENT GLEN
00:12:56:00	00:12:59:00	COUNCILOR MURPHY, FINALLY ONE
00:12:59:00	00:13:00:00	HAPPY TO BE ON THIS CALL.
00:13:00:00	00:13:01:00	LOOKING FORWARD TO THE
00:13:01:00	00:13:04:00	CONVERSATION I FROM QUESTION
00:13:04:00	00:13:05:00	ROUND TWO QUESTIONS BUT THANK
00:13:05:00	00:13:06:00	YOU.
00:13:06:00	00:13:07:00	THANK YOU.
00:13:07:00	00:13:11:00	COUNCILOR MURPHY, WELCOME CHIEF
00:13:11:00	00:13:14:00	FOR ORTEGA CHIPPER'S DIRECTOR
00:13:14:00	00:13:18:00	BARIO.
00:13:18:00	00:13:19:00	I THINK THAT THERE WAS A
00:13:19:00	00:13:20:00	REQUEST FOR CHIEF ORTEGA TO GO
00:13:20:00	00:13:26:00	FIRST AND THEN WE'LL GO TO
00:13:26:00	00:13:31:00	SUPPORTERS BUT AND WE DO HAVE A
00:13:31:00	00:13:32:00	PRESENTATION IT WILL BE VERY
00:13:32:00	00:13:35:00	SHORT OF DIGITAL VISUAL DATA
00:13:35:00	00:13:38:00	VISUALIZATION OF THE BREAKDOWN
00:13:38:00	00:13:43:00	FOR PUBLIC CONSUMPTION TO BE
00:13:43:00	00:13:43:00	ABLE TO GRASP THE NUMBERS A
00:13:43:00	00:13:46:00	LITTLE BIT EASIER.
00:13:46:00	00:13:47:00	SO WITHOUT FURTHER ADO, CHIEF
00:13:47:00	00:13:49:00	ORTEGA, YOU HAVE THE FLOOR YOU
00:13:49:00	00:13:50:00	SO MUCH.
00:13:50:00	00:13:51:00	HELLO EVERYONE.
00:13:51:00	00:13:54:00	WELL, COUNCILORS, GOOD TO BE
00:13:54:00	00:13:55:00	WITH YOU TODAY AND THANK YOU
00:13:55:00	00:13:58:00	FOR YOUR YOUR TIME AND ENERGY
00:13:58:00	00:13:58:00	ON THE BUDGET.
00:13:58:00	00:14:00:00	I'M GOING TO TALK ABOUT THE
00:14:00:00	00:14:01:00	MAYOR'S ARTS AND CULTURE AFTER
00:14:01:00	00:14:02:00	TWENTY FOUR BUDGET AND SHARE A
00:14:02:00	00:14:05:00	LITTLE BIT MORE ALSO ABOUT WHAT
00:14:05:00	00:14:06:00	WE'VE BEEN UP TO AN F TWENTY
00:14:06:00	00:14:09:00	THREE THAT'S ONGOING WORK AND
00:14:09:00	00:14:10:00	ALSO I JUST WANT TO RECOGNIZE
00:14:10:00	00:14:12:00	THAT IN ADDITION TO NADIFA
00:14:12:00	00:14:13:00	DIRECTOR OF ADMINISTRATION AND
00:14:13:00	00:14:14:00	FINANCE, WE ALSO HAVE KENNY
00:14:14:00	00:14:17:00	MASCOTRY CHIEF OF STAFF HERE AS
00:14:17:00	00:14:18:00	WELL AND WHO CAN HELP ANSWER
00:14:18:00	00:14:18:00	YOUR QUESTIONS.
00:14:18:00	00:14:21:00	I WANT TO START WITH A
00:14:21:00	00:14:21:00	STATEMENT THAT OUR OFFICE HAS
00:14:21:00	00:14:24:00	WORKED ON THIS PAST YEAR ABOUT
00:14:24:00	00:14:25:00	THE IMPORTANCE OF CREATIVITY
00:14:25:00	00:14:28:00	AND THE ROLE OF HAVING AN ARTS
00:14:28:00	00:14:29:00	OFFICE IN THE CITY OF BOSTON.
00:14:29:00	00:14:32:00	CREATIVITY IS VITAL TO HUMANITY
00:14:32:00	00:14:33:00	AND THE ARTS PLAY A CRUCIAL
00:14:33:00	00:14:33:00	ROLE IN CREATING A THRIVING
00:14:33:00	00:14:36:00	HEALTHY COMMUNITY FOR ALL THE
00:14:36:00	00:14:37:00	ARTS SHAPE THE DESIGN ECONOMY
00:14:37:00	00:14:40:00	AND QUALITY OF LIFE IN BOSTON.
00:14:40:00	00:14:41:00	THEY'RE INTRINSICALLY VALUABLE
00:14:41:00	00:14:41:00	AND PROVOKE EMOTION, CONNECTION
00:14:41:00	00:14:44:00	AND ACTION.
00:14:44:00	00:14:45:00	THE MAYOR'S OFFICE OF ARTS AND
00:14:45:00	00:14:45:00	CULTURE ENVISIONS A VIBRANT AND
00:14:45:00	00:14:46:00	CREATIVE BOSTON WHERE EVERYONE
00:14:46:00	00:14:48:00	CAN ACCESS AND PARTICIPATE IN
00:14:48:00	00:14:49:00	THE ARTS.
00:14:49:00	00:14:50:00	WE PARTNER WITH THE LOCAL ARTS
00:14:50:00	00:14:52:00	ECOSYSTEM TO SUPPORT THE
00:14:52:00	00:14:53:00	CREATIVE ECONOMY TO GRANTS AND
00:14:53:00	00:14:54:00	PROGRAMS, INTEGRATE PUBLIC ART
00:14:54:00	00:14:55:00	INTO NEIGHBORHOODS AND INCREASE
00:14:55:00	00:14:56:00	ACCESSIBLE OPPORTUNITIES FOR
00:14:56:00	00:14:59:00	CREATIVE EXPRESSION.
00:14:59:00	00:15:00:00	WE BELIEVE EVERYONE IS CREATIVE
00:15:00:00	00:15:00:00	AND THE INVESTING IN OUR
00:15:00:00	00:15:03:00	CREATIVITY WILL LEAD TO
00:15:03:00	00:15:04:00	REIMAGINED MORE JUST BOSTON AND
00:15:04:00	00:15:07:00	THANK YOU TO EVERYBODY ON THE
00:15:07:00	00:15:08:00	MAYOR'S OFFICE OF ARTS AND
00:15:08:00	00:15:08:00	CULTURE STAFF WHO HELPED CRAFT
00:15:08:00	00:15:11:00	THAT STATEMENT.
00:15:11:00	00:15:12:00	I'M SO I'M REALLY EXCITED AT
00:15:12:00	00:15:14:00	THE GROWTH OF OUR OFFICE
00:15:14:00	00:15:15:00	INCLUDING NEW HIRES THAT WE'RE
00:15:15:00	00:15:15:00	MAKING AND GROWING OUR CAPACITY
00:15:15:00	00:15:18:00	TO REALLY BUILD OUT TEAMS THAT
00:15:18:00	00:15:19:00	FOCUS ON DIFFERENT AREAS.
00:15:19:00	00:15:20:00	SO FOR THOSE OF YOU WHO HAVE
00:15:20:00	00:15:23:00	BEEN WITH IS KIND OF SEEING THE
00:15:23:00	00:15:23:00	GROWTH OF THE MAYOR'S OFFICE
00:15:23:00	00:15:24:00	OF ARTS AND CULTURE, IT'S GONE
00:15:24:00	00:15:27:00	FROM OVER FOUR YEARS A PRETTY
00:15:27:00	00:15:28:00	SMALL TEAM TO NOW A MORE ROBUST
00:15:28:00	00:15:28:00	TEAM.
00:15:28:00	00:15:30:00	WE'RE GOING TO BE I THINK GOING
00:15:30:00	00:15:31:00	OVER THE TWENTY PERSON MARK IN
00:15:31:00	00:15:35:00	NY TWENTY FOUR FOR A FULLY
00:15:35:00	00:15:37:00	STAFFED AND THAT LETS US BUILD
00:15:37:00	00:15:38:00	OUT DIFFERENT KIND OF CORE
00:15:38:00	00:15:38:00	COMPETENCIES IN THE OFFICE.
00:15:38:00	00:15:41:00	SO WE HAVE NOW CULTURAL
00:15:41:00	00:15:42:00	PLANNING TEAM A PUBLIC ART TEAM
00:15:42:00	00:15:45:00	A GRANTS AND PROGRAMS TEAM
00:15:45:00	00:15:46:00	ADMINISTRATION FINANCE AND IN
00:15:46:00	00:15:46:00	THE STRAND THEATER.
00:15:46:00	00:15:49:00	SO I'M TO SHARE SOME OF THOSE
00:15:49:00	00:15:50:00	HIGHLIGHTS FROM EFSI BETWEEN
00:15:50:00	00:15:51:00	THREE THAT INFORM OUR WORK.
00:15:51:00	00:15:53:00	I'M GOING THE NEXT FISCAL YEAR
00:15:53:00	00:15:54:00	AND START WITH THE ART.
00:15:54:00	00:15:57:00	SO OVER THE PAST SUMMER WE HAD
00:15:57:00	00:15:57:00	EIGHTY SEVEN EMERGING ARTISTS
00:15:57:00	00:16:00:00	LIVING OR WORKING IN BOSTON AND
00:16:00:00	00:16:01:00	OUR STREETS THROUGH THE
00:16:01:00	00:16:02:00	PAINTBOX PROGRAM AND THESE ARE
00:16:02:00	00:16:05:00	THE COLORFUL UTILITY BOXES THAT
00:16:05:00	00:16:05:00	YOU SEE ALL ACROSS EVERY
00:16:05:00	00:16:09:00	NEIGHBORHOOD IN THE CITY AND WE
00:16:09:00	00:16:09:00	WERE PROUD TO COMMISSION SO
00:16:09:00	00:16:10:00	MANY NEW ARTWORKS BY AND FOR
00:16:10:00	00:16:13:00	MEMBERS OF OUR COMMUNITY
00:16:13:00	00:16:13:00	THROUGH THE PAINTBOX PROGRAM
00:16:13:00	00:16:14:00	AND WE'LL BE CONTINUING THAT IN
00:16:14:00	00:16:17:00	THE NEXT FISCAL YEAR AND WE
00:16:17:00	00:16:18:00	HAVE FUNDED A VARIETY OF SHORT
00:16:18:00	00:16:21:00	TERM PUBLIC WORKS AND LONG TERM
00:16:21:00	00:16:22:00	PERMANENT PUBLIC ARTWORKS AS A
00:16:22:00	00:16:24:00	PART OF CITY CAPITAL PROJECTS
00:16:24:00	00:16:25:00	AND JUST SOME EXAMPLES TO SHARE
00:16:25:00	00:16:28:00	THEIR MOST MAKE JAMAICA PLAIN
00:16:28:00	00:16:31:00	ARTIST ROBERT CHAO EXPERT TASK
00:16:31:00	00:16:32:00	FORCE AND LOCAL COMMUNITY
00:16:32:00	00:16:33:00	MEMBERS WORK TOGETHER TO PAINT
00:16:33:00	00:16:35:00	A NEW MURAL CALLED AFRO LATIN
00:16:35:00	00:16:36:00	MUSIC AND DANCE.
00:16:36:00	00:16:37:00	NOW MORE THAN 50 YOUTH WERE
00:16:37:00	00:16:39:00	ENGAGED IN BRAINSTORMING
00:16:39:00	00:16:40:00	ELEMENTS THAT WERE PART OF THAT
00:16:40:00	00:16:41:00	DESIGN INCLUDING WHO WAS
00:16:41:00	00:16:43:00	REPRESENTED AND WHAT THEMES ARE
00:16:43:00	00:16:43:00	REPRESENTED.
00:16:43:00	00:16:44:00	FIFTEEN PARTICIPANTS INCLUDING
00:16:44:00	00:16:47:00	YOUNG PEOPLE, ARTIST VOLUNTEERS
00:16:47:00	00:16:48:00	WORKED WITH THE LEAD ARTIST
00:16:48:00	00:16:50:00	ROBERT CHAO TO DESIGN THE MURAL
00:16:50:00	00:16:51:00	AND DOZENS OF RESIDENTS TURNED
00:16:51:00	00:16:55:00	OUT AT A COMMUNITY MEETING TO
00:16:55:00	00:16:56:00	OFFER INPUT ON THE DESIGN AND
00:16:56:00	00:16:58:00	THEN MORE COMMITTEE MEMBERS
00:16:58:00	00:16:59:00	PARTICIPATED IN THE PAINTING
00:16:59:00	00:17:02:00	INSTALLATION OF THAT WOOD WHICH
00:17:02:00	00:17:03:00	TURNED OUT TO BE ONE HUNDRED
00:17:03:00	00:17:06:00	AND SIXTY THREE FOOT LONG MURAL
00:17:06:00	00:17:06:00	THROUGH THE TRANSFORMATIVE
00:17:06:00	00:17:07:00	PUBLIC ART PROGRAM WE ALLOCATED
00:17:07:00	00:17:09:00	MORE THAN ONE MILLION DOLLARS
00:17:09:00	00:17:10:00	FOR THE CREATION OF ELEVEN NEW
00:17:10:00	00:17:11:00	MURALS ACROSS BOSTON THIS YEAR.
00:17:11:00	00:17:14:00	THIS PAST CALENDAR YEAR A LOT
00:17:14:00	00:17:15:00	OF THAT WAS AN EFFORT BY TWENTY
00:17:15:00	00:17:16:00	THREE AS WELL IN TERMS OF LONG
00:17:16:00	00:17:17:00	TERM ARTWORKS AT BOSTON ARTS
00:17:17:00	00:17:18:00	ACADEMY THERE ARE TWO NEW WORKS
00:17:18:00	00:17:21:00	FROM THIS PAST YEAR THAT
00:17:21:00	00:17:22:00	COMPLEMENT THAT NEW STATE
00:17:22:00	00:17:25:00	OF THE ART FACILITY IN FENWAY
00:17:25:00	00:17:29:00	AND ALSO JUST WANT TO MENTION
00:17:29:00	00:17:30:00	MOST RECENTLY THE UNVEILING
00:17:30:00	00:17:30:00	OF THE EMBRACE WHICH WAS AN
00:17:30:00	00:17:33:00	EFFORT ACROSS VARIOUS CITY
00:17:33:00	00:17:33:00	DEPARTMENTS INCLUDING MAYOR'S
00:17:33:00	00:17:34:00	OFFICE OF ARTS AND CULTURE
00:17:34:00	00:17:37:00	OBVIOUSLY AND PARTNERSHIP WITH
00:17:37:00	00:17:38:00	EMBRACE BOSTON BY ARTIST
00:17:38:00	00:17:41:00	HENKEL'S THOMAS ON THE BOSTON
00:17:41:00	00:17:42:00	COMMON.
00:17:42:00	00:17:43:00	SO JUST A TRULY AWESOME EXAMPLE
00:17:43:00	00:17:45:00	OF HOW MUCH ART CAN SHIFT OUR
00:17:45:00	00:17:46:00	NARRATIVES AND IMAGE OF THE
00:17:46:00	00:17:46:00	CITY.
00:17:46:00	00:17:47:00	THAT WAS INCREDIBLY EXCITING
00:17:47:00	00:17:49:00	MOMENT THIS YEAR IN GRANTS AND
00:17:49:00	00:17:49:00	PROGRAMS.
00:17:49:00	00:17:52:00	WE'VE BUILT A LOT OF PROCESS NY
00:17:52:00	00:17:53:00	23 THAT BRINGS US TO A POINT
00:17:53:00	00:17:56:00	THIS SPRING WHERE WE ANTICIPATE
00:17:56:00	00:17:56:00	ENCUMBERING ARBIDOL
00:17:56:00	00:17:57:00	SPECIFICALLY IN THE CATEGORIES
00:17:57:00	00:18:00:00	OF SUPPORTING BIPAC CULTURAL
00:18:00:00	00:18:01:00	ORGANIZATIONS AND ALSO
00:18:01:00	00:18:01:00	SUPPORTING DOWNTOWN A
00:18:01:00	00:18:04:00	NEIGHBORHOOD PLACEMAKING AND I
00:18:04:00	00:18:05:00	THINK EVERY YEAR IN OUR BUDGET
00:18:05:00	00:18:06:00	HEARING WHEN WE LOOK AT THE
00:18:06:00	00:18:09:00	NUMBERS, ARE THERE STILL A LOT
00:18:09:00	00:18:09:00	LEFT TO SPEND?
00:18:09:00	00:18:12:00	AND IT'S BECAUSE ALL OF OUR
00:18:12:00	00:18:13:00	GRANTS GO OUT AROUND THIS TIME
00:18:13:00	00:18:14:00	OF YEAR SO ALL OF THAT FUNDING
00:18:14:00	00:18:17:00	IS ACCOUNTED FOR IN OUR IN OUR
00:18:17:00	00:18:18:00	OPERATING BUDGET WHEN IT COMES
00:18:18:00	00:18:20:00	TO BOTH OUR OPERATING BUDGET
00:18:20:00	00:18:21:00	GRANT DOLLARS AND THESE ARE THE
00:18:21:00	00:18:23:00	DOLLARS YOU KNOW, IT'S NO SMALL
00:18:23:00	00:18:24:00	FEAT TO STEWARD A PROCESS
00:18:24:00	00:18:25:00	AROUND THESE FUNDS AND WE WERE
00:18:25:00	00:18:28:00	ABLE THIS PAST FISCAL YEAR TO
00:18:28:00	00:18:28:00	HIRE A DIRECTOR OF GRANTS AND
00:18:28:00	00:18:31:00	PROGRAMS TO PROGRAM DESIGN IN
00:18:31:00	00:18:32:00	COMMUNITY PANEL TO REVIEW OVER
00:18:32:00	00:18:33:00	ONE HUNDRED AND FORTY LETTERS
00:18:33:00	00:18:35:00	OF INTEREST FOR THE CULTURAL
00:18:35:00	00:18:35:00	INVESTMENT GRANT.
00:18:35:00	00:18:36:00	I MEAN WE'RE IN THE FINAL
00:18:36:00	00:18:38:00	STAGES OF THAT PROCESS NOW
00:18:38:00	00:18:39:00	WE'RE ALSO FINALIZING AN
00:18:39:00	00:18:39:00	APPLICATION FOR THE PLACEMAKING
00:18:39:00	00:18:43:00	FUNDS WHICH WE ANTICIPATE WILL
00:18:43:00	00:18:43:00	SUPPORT PROGRAMING THAT STARTS
00:18:43:00	00:18:44:00	THIS SUMMER BOTH AT A
00:18:44:00	00:18:46:00	NEIGHBORHOOD LEVEL IN TERMS
00:18:46:00	00:18:47:00	OF BLOCK PARTIES, CELEBRATIONS,
00:18:47:00	00:18:49:00	STREET CLOSURES AS WELL AS
00:18:49:00	00:18:50:00	CITYWIDE MULTI YEAR EVENTS LIKE
00:18:50:00	00:18:54:00	LARGE FESTIVALS THIS YEAR THE
00:18:54:00	00:18:55:00	CITY ALSO AWARDED OVER TWO
00:18:55:00	00:18:58:00	HUNDRED THOUSAND TO THIRTY
00:18:58:00	00:18:58:00	ARTISTS AND CREATIVE WORKERS
00:18:58:00	00:18:59:00	THROUGH THE OPPORTUNITY FUND.
00:18:59:00	00:19:02:00	THAT'S ANOTHER PROGRAM THAT WE
00:19:02:00	00:19:02:00	ANTICIPATE CONTINUING IN FY
00:19:02:00	00:19:03:00	TWENTY FOUR ON BOSTON BASED
00:19:03:00	00:19:06:00	ARTISTS AND CREATIVES USE THESE
00:19:06:00	00:19:06:00	FUNDS TO PRODUCE YOUR ALBUM
00:19:06:00	00:19:09:00	SHORT FILMS AND PLAYS THE SMALL
00:19:09:00	00:19:10:00	CREATIVE BUSINESSES IMPROVE THE
00:19:10:00	00:19:11:00	QUALITY OF THEIR TEACHING
00:19:11:00	00:19:14:00	ARTISTRY, GALLERY SPACE AND THE
00:19:14:00	00:19:17:00	PROGRAMING AND MUCH, MUCH MORE
00:19:17:00	00:19:18:00	THIS YEAR GRANTEES ON THE
00:19:18:00	00:19:22:00	INDIVIDUAL ARTIST SIDE LIVE IN
00:19:22:00	00:19:23:00	NINE FOX NEIGHBORHOODS OF THOSE
00:19:23:00	00:19:25:00	WHO WHO RESPONDED SEVENTY
00:19:25:00	00:19:26:00	PERCENT OF THE GRANTEES
00:19:26:00	00:19:28:00	IDENTIFY AS WOMEN OR NON BINARY
00:19:28:00	00:19:29:00	.
00:19:29:00	00:19:30:00	FORTY THREE PERCENT IDENTIFY AS
00:19:30:00	00:19:30:00	MEMBERS OF THE LGBTQ PLUS
00:19:30:00	00:19:33:00	COMMUNITY 64 PERCENT AS PEOPLE
00:19:33:00	00:19:34:00	OF COLOR AND SHARING SOME
00:19:34:00	00:19:37:00	OF THOSE NUMBERS AS WE KIND
00:19:37:00	00:19:38:00	OF CONTINUE TO IMPROVE ON HOW
00:19:38:00	00:19:40:00	WE'RE MARKETING OUR TARGETING
00:19:40:00	00:19:41:00	OR FUNDS BASED ON WHO HAS
00:19:41:00	00:19:44:00	ACCESS HISTORICALLY TO FUNDS
00:19:44:00	00:19:45:00	WHO DOES NOT AND THAT WE CAN
00:19:45:00	00:19:45:00	REPORT ON THAT AGAIN THIS YEAR
00:19:45:00	00:19:48:00	IN THE SAME WE DID LAST YEAR
00:19:48:00	00:19:49:00	WHEN IT COMES TO SUPPORTING
00:19:49:00	00:19:52:00	ARTS AND CULTURE GROUPS AND
00:19:52:00	00:19:52:00	COLLECTIVES AND ORGANIZATIONS
00:19:52:00	00:19:53:00	WE AWARDED OVER SIX HUNDRED
00:19:53:00	00:19:56:00	THOUSAND DOLLARS GRANTS TO ONE
00:19:56:00	00:19:57:00	HUNDRED AND SIXTY ARTS AND
00:19:57:00	00:19:57:00	CULTURE ORGANIZATIONS ACROSS
00:19:57:00	00:20:00:00	THE CITY AND WE TRIED SOMETHING
00:20:00:00	00:20:01:00	A LITTLE NEW THIS YEAR.
00:20:01:00	00:20:02:00	WE ALSO SUPPORTED GRASSROOTS
00:20:02:00	00:20:04:00	OPENNESS THOSE EVENTS LED BY
00:20:04:00	00:20:05:00	ARTISTS IN EACH OF OUR
00:20:05:00	00:20:08:00	NEIGHBORHOODS AS WELL.
00:20:08:00	00:20:09:00	LASTLY, WHEN IT COMES TO GRANT
00:20:09:00	00:20:11:00	MAKING AND WE PILOTED A NEW
00:20:11:00	00:20:12:00	PROGRAM WHERE WE INVESTED TWO
00:20:12:00	00:20:13:00	HUNDRED THOUSAND DOLLARS TO
00:20:13:00	00:20:15:00	SUPPORT 12 LOCAL PRODUCTIONS AT
00:20:15:00	00:20:16:00	THE STRAND THEATER AND JUST
00:20:16:00	00:20:19:00	SOME EXAMPLES OF WHAT THAT
00:20:19:00	00:20:20:00	SUPPORTED THE BOSTON MODERN
00:20:20:00	00:20:23:00	ORCHESTRA PROJECT PRODUCED A
00:20:23:00	00:20:27:00	SERIES A NEW OPERA ABOUT THE
00:20:27:00	00:20:28:00	LIFE AND TIMES OF MALCOLM X AND
00:20:28:00	00:20:31:00	MAKE A SHOW AN ANNUAL EVENT
00:20:31:00	00:20:32:00	FEATURING CAPE VERDEAN ARTISTS
00:20:32:00	00:20:35:00	WAS ALSO AT THE STRAND OR
00:20:35:00	00:20:39:00	DONATION WAS ABLE TO PRODUCE
00:20:39:00	00:20:40:00	OUR STORIES CELEBRATING THE
00:20:40:00	00:20:40:00	AFRICAN AND AFRICAN-AMERICAN
00:20:40:00	00:20:42:00	EXPERIENCE THROUGH SPOKEN WORD
00:20:42:00	00:20:43:00	MUSIC AND DANCE AND COMPANY.
00:20:43:00	00:20:47:00	ONE THEATER AGAIN CAME BACK TO
00:20:47:00	00:20:50:00	YOU THE STRAND THIS PAST SUMMER
00:20:50:00	00:20:51:00	WITH CAN I TOUCH IT WITH ALL
00:20:51:00	00:20:54:00	TICKETS BEING PAID WHAT YOU
00:20:54:00	00:20:55:00	WANT WHICH WE LOVE TO HAVE AT
00:20:55:00	00:20:57:00	THE THEATER AND THEN LASTLY IN
00:20:57:00	00:20:58:00	GRANTS AND PROGRAMS WITH OUR
00:20:58:00	00:20:59:00	POET LAUREATE PERSONAL IWEALA
00:20:59:00	00:21:02:00	WE 25 POET LAUREATE EVENTS AND
00:21:02:00	00:21:05:00	FIFTY SIX CITY HALL GALLERIES
00:21:05:00	00:21:06:00	SHOWS AND WE ARE WE WILL BE
00:21:06:00	00:21:13:00	HIRING SOON FOR A NEW DIRECTOR
00:21:13:00	00:21:14:00	OF THE CITY HALL GALLERIES
00:21:14:00	00:21:17:00	AFTER JOHN CROWLEY OUR LONGTIME
00:21:17:00	00:21:18:00	GALLERY STEWARD FOR ALMOST 20
00:21:18:00	00:21:22:00	YEARS JUST RETIRED DO YOU
00:21:22:00	00:21:23:00	CULTURAL PLANNING?
00:21:23:00	00:21:25:00	WE HAVE A CULTURAL PLANNING
00:21:25:00	00:21:26:00	TEAM FOR THE FIRST TIME IN NY
00:21:26:00	00:21:29:00	23 THAT INCLUDES ADDING TWO
00:21:29:00	00:21:30:00	POSITIONS THIS YEAR DEVELOPMENT
00:21:30:00	00:21:33:00	REVIEW AND COMMUNITY ENGAGEMENT
00:21:33:00	00:21:33:00	.
00:21:33:00	00:21:35:00	AND JUST TO GIVE YOU A SENSE
00:21:35:00	00:21:35:00	OF WHAT THAT ALLOWS US TO DO
00:21:35:00	00:21:37:00	HAVING THOSE POSITIONS AND SO
00:21:37:00	00:21:38:00	WE CAN BE ACTIVELY INVOLVED IN
00:21:38:00	00:21:39:00	OVER 30 DEVELOPMENT PROJECTS
00:21:39:00	00:21:41:00	ACROSS THE CITY.
00:21:41:00	00:21:42:00	INCLUDED IN THESE PROJECTS ARE
00:21:42:00	00:21:43:00	OVER 50 ARTISTS LIVE WORK UNITS
00:21:43:00	00:21:45:00	PROVIDING AFFORDABLE HOUSING
00:21:45:00	00:21:45:00	OPTIONS FOR ARTISTS ON THESE
00:21:45:00	00:21:48:00	PROJECTS ALSO ACCOUNT FOR
00:21:48:00	00:21:49:00	NEARLY 400000 SQUARE FEET IN
00:21:49:00	00:21:52:00	NEW CULTURAL SPACE IN THE ARTS
00:21:52:00	00:21:53:00	AND CULTURAL ECOSYSTEM IN
00:21:53:00	00:21:53:00	BOSTON.
00:21:53:00	00:21:56:00	I ALSO WANT TO CELEBRATE THAT
00:21:56:00	00:21:57:00	AS WE'VE BEEN GROWING THIS WORK
00:21:57:00	00:21:58:00	AND HAVE BEEN IN CONVERSATION
00:21:58:00	00:22:00:00	WITH MANY OF YOU AND MANY
00:22:00:00	00:22:01:00	OF YOUR CONSTITUENTS ABOUT THE
00:22:01:00	00:22:01:00	NEED FOR AFFORDABLE SPACE.
00:22:01:00	00:22:03:00	WE DID HAVE A HUGE
00:22:03:00	00:22:04:00	ACCOMPLISHMENT THIS PAST FISCAL
00:22:04:00	00:22:05:00	YEAR THAT COULDN'T HAVE
00:22:05:00	00:22:05:00	HAPPENED WITHOUT ALL OF US
00:22:05:00	00:22:08:00	REALLY WORKING TOGETHER
00:22:08:00	00:22:08:00	INCLUDING WITH ARTISTS AND
00:22:08:00	00:22:11:00	ADVOCATES AND THAT WAS OUR
00:22:11:00	00:22:12:00	ABILITY TO INVEST IN THE
00:22:12:00	00:22:13:00	PRESERVATION OF HUMPHREY STREET
00:22:13:00	00:22:16:00	STUDIOS AS AN AFFORDABLE ARTIST
00:22:16:00	00:22:16:00	WORKSPACE IN PERPETUITY.
00:22:16:00	00:22:20:00	SO ARTISTS CAME TOGETHER,
00:22:20:00	00:22:23:00	WORKED WITH US, WORKED WITH
00:22:23:00	00:22:24:00	COUNSELORS AND IN PARTNERSHIP
00:22:24:00	00:22:28:00	WITH ECONOMIC OPPORTUNITY,
00:22:28:00	00:22:28:00	PRIVATE FINANCING A FRIENDLY
00:22:28:00	00:22:28:00	DEVELOPER.
00:22:28:00	00:22:32:00	WE NOW HAVE 45 ARTISTS WERE
00:22:32:00	00:22:32:00	ABLE TO KEEP THEIR WORKSPACES
00:22:32:00	00:22:33:00	AFFORDABLE IN PERPETUITY AND
00:22:33:00	00:22:35:00	WHICH IS A REAL JUST A REAL
00:22:35:00	00:22:39:00	MILESTONE FOR US.
00:22:39:00	00:22:40:00	AND I KNOW WE'VE WE'VE HEARD IT
00:22:40:00	00:22:41:00	BEFORE WHEN WE HAD A
00:22:41:00	00:22:43:00	COUNCIL HEARING SPECIFICALLY ON
00:22:43:00	00:22:43:00	ARTISTS SPACE.
00:22:43:00	00:22:44:00	BUT I THINK IT'S WORTH
00:22:44:00	00:22:47:00	MENTIONING AGAIN WE ARE ALSO
00:22:47:00	00:22:51:00	THIS YEAR WE PILOTED A NEW
00:22:51:00	00:22:51:00	PROGRAM WHERE WE REALLY FELT
00:22:51:00	00:22:54:00	LIKE WE NEEDED TO PRIORITIZE
00:22:54:00	00:22:55:00	WITHIN OUR OWN OPERATING BUDGET
00:22:55:00	00:22:56:00	THE PRESERVATION AND SUPPORTING
00:22:56:00	00:22:59:00	NEW AFFORDABLE CULTURAL SPACE
00:22:59:00	00:23:02:00	AND WE ARE IN THE MIDDLE
00:23:02:00	00:23:03:00	OF THAT NEW PROGRAM RIGHT NOW,
00:23:03:00	00:23:03:00	THE CULTURAL SPACE FUND.
00:23:03:00	00:23:06:00	SO THIS RECEIVED 147
00:23:06:00	00:23:07:00	APPLICATIONS FROM THE CITY
00:23:07:00	00:23:10:00	TOTALING 90 MILLION DOLLARS IN
00:23:10:00	00:23:11:00	REQUESTS AND WE ANTICIPATE
00:23:11:00	00:23:14:00	AWARDING ONE POINT SEVEN
00:23:14:00	00:23:15:00	MILLION TO AROUND 30 ARTS AND
00:23:15:00	00:23:18:00	CULTURE GROUPS, ORGANIZATIONS,
00:23:18:00	00:23:19:00	BUSINESSES ACROSS THE CITY AND
00:23:19:00	00:23:21:00	TO SECURE THE LONG TERM FUTURE
00:23:21:00	00:23:22:00	OF EXISTING CULTURAL SPACES AND
00:23:22:00	00:23:23:00	SPACE OPERATORS IN BOSTON AND
00:23:23:00	00:23:25:00	EXPANDING ACCESS TO THOSE
00:23:25:00	00:23:26:00	SPACES.
00:23:26:00	00:23:29:00	SO THOSE AWARDS ARE GOING TO
00:23:29:00	00:23:29:00	SUPPORT SPACE ACQUISITION
00:23:29:00	00:23:30:00	DESIGN, CONSTRUCTION REPAIR
00:23:30:00	00:23:33:00	INNOVATION, REHABILITATION AND
00:23:33:00	00:23:34:00	OTHER CAPITAL IMPROVEMENTS AND
00:23:34:00	00:23:37:00	ALSO REDEVELOPMENT COSTS AND
00:23:37:00	00:23:38:00	CAPACITY BUILDING SO THAT IT'S
00:23:38:00	00:23:41:00	NOT JUST THOSE GROUPS THAT
00:23:41:00	00:23:42:00	ALREADY HAVE THEIR FOOT IN THE
00:23:42:00	00:23:45:00	DOOR WHEN IT COMES TO MANAGING
00:23:45:00	00:23:46:00	OR ACCESSING SPACE WHO CAN
00:23:46:00	00:23:46:00	RECEIVE THESE GRANTS?
00:23:46:00	00:23:48:00	WE'RE ALSO SEEDING PROJECTS
00:23:48:00	00:23:52:00	EARLIER ON SO I'M REALLY
00:23:52:00	00:23:53:00	EXCITED ABOUT THAT.
00:23:53:00	00:23:53:00	THIS IS DEFINITELY PROOF
00:23:53:00	00:23:54:00	OF CONCEPT FOR HOW THE CITY CAN
00:23:54:00	00:23:56:00	CREATE A FUNDING SOURCE THROUGH
00:23:56:00	00:23:57:00	ZONING, THROUGH OUR OPERATING
00:23:57:00	00:24:00:00	BUDGET, ADMINISTER THOSE FUNDS
00:24:00:00	00:24:01:00	AND DESIGN A PROGRAM TO
00:24:01:00	00:24:01:00	DISTRIBUTE THAT FUNDING
00:24:01:00	00:24:02:00	ACCORDING TO THE NEED AND
00:24:02:00	00:24:03:00	IMPACT TO OUR COMMUNITIES.
00:24:03:00	00:24:05:00	SO WE WILL BE REPEATING THAT
00:24:05:00	00:24:08:00	524 24 IN EVALUATING HOW THIS
00:24:08:00	00:24:08:00	PILOT PROGRAM WENT AND MAKING
00:24:08:00	00:24:11:00	SOME CHANGES ACCORDINGLY.
00:24:11:00	00:24:14:00	SO LOOKING AHEAD TO NEXT FISCAL
00:24:14:00	00:24:18:00	YEAR IN ADDITION TO CONTINUING
00:24:18:00	00:24:19:00	THOSE PROGRAMS I JUST
00:24:19:00	00:24:19:00	HIGHLIGHTED SOME ASPECTS OF AND
00:24:19:00	00:24:23:00	WE ARE FIRST AND FOREMOST
00:24:23:00	00:24:23:00	FOCUSED ON ENCUMBERING OUR ARPA
00:24:23:00	00:24:24:00	FUNDS.
00:24:24:00	00:24:26:00	SO I MENTIONED THAT WE PADS FOR
00:24:26:00	00:24:27:00	TWO OF OUR ARBER ALLOCATION
00:24:27:00	00:24:30:00	CATEGORIES.
00:24:30:00	00:24:31:00	THERE ARE ALSO TWO AREAS
00:24:31:00	00:24:32:00	OF WORK THAT ARE GOING TO BE A
00:24:32:00	00:24:33:00	PRIORITY EARLY IN FY 20 FOR THE
00:24:33:00	00:24:34:00	FIRST ART CORRIDOR DISTRICT
00:24:34:00	00:24:34:00	SEVEN.
00:24:34:00	00:24:35:00	SO WE'RE WORKING ON A SCOPE
00:24:35:00	00:24:38:00	OF WORK NOW AND HIRING AN FTE
00:24:38:00	00:24:41:00	THAT WILL SUPPORT AN MOVING
00:24:41:00	00:24:42:00	THOSE FUNDS AND THERE'S ALSO A
00:24:42:00	00:24:43:00	GRANT THAT'S GOING TO GO OUT
00:24:43:00	00:24:45:00	BEFORE THE END OF THIS FISCAL
00:24:45:00	00:24:46:00	YEAR TO SUPPORT IMMEDIATE
00:24:46:00	00:24:47:00	ACTIVITIES AROUND THE QUARTER
00:24:47:00	00:24:49:00	AS WELL ON COUNCILOR ANDERSON
00:24:49:00	00:24:50:00	WILL CONTINUE WORKING WITH YOU
00:24:50:00	00:24:53:00	CLOSELY ON THAT AND THE SECOND
00:24:53:00	00:24:56:00	KIND OF ARPA ALLOCATION
00:24:56:00	00:24:57:00	CATEGORY OR PROJECT THAT WE'RE
00:24:57:00	00:25:00:00	PRIORITIZING IS A COLLABORATION
00:25:00:00	00:25:01:00	WITH CYF AND SO WE'VE BEEN IN
00:25:01:00	00:25:02:00	CONVERSATION WITH DCF ABOUT
00:25:02:00	00:25:05:00	WHAT LOOKS LIKE TO BRING HIGH
00:25:05:00	00:25:06:00	QUALITY ARTS CLASSES AND
00:25:06:00	00:25:08:00	PROGRAMS TO THE CENTERS AND
00:25:08:00	00:25:09:00	WE'RE WORKING ON A PILOT
00:25:09:00	00:25:12:00	PROGRAM TO CONTRACT FOR THAT
00:25:12:00	00:25:13:00	ACROSS THREE CENTERS AS A WAY
00:25:13:00	00:25:16:00	TO REALLY KIND OF TEST WHAT
00:25:16:00	00:25:17:00	THAT NEEDS TO LOOK LIKE, WHAT
00:25:17:00	00:25:18:00	SUPPORT MEANS LOOK LIKE HOW TO
00:25:18:00	00:25:20:00	VALUATE THOSE PROGRAMS AND IN
00:25:20:00	00:25:20:00	TERMS OF EQUIPMENT FOR
00:25:20:00	00:25:21:00	OPERATING EXPENSES FOR THE
00:25:21:00	00:25:24:00	OFFICE, WE ARE REALLY EXCITED
00:25:24:00	00:25:25:00	TO BE WELCOMING BACK THE MURAL
00:25:25:00	00:25:27:00	CREW TO THE ARTS OFFICE AND
00:25:27:00	00:25:28:00	THAT'S SOMETHING THAT YOU
00:25:28:00	00:25:29:00	SHOULD SEE IN OUR OUR BUDGET
00:25:29:00	00:25:30:00	AND THERE'S A LOT
00:25:30:00	00:25:32:00	OF POSSIBILITIES WITH DOING
00:25:32:00	00:25:33:00	THAT, INCLUDING CONNECTING THE
00:25:33:00	00:25:33:00	CREW TO OUR EXPANDED MURAL
00:25:33:00	00:25:36:00	PROGRAM AND THE EXPANDED
00:25:36:00	00:25:37:00	CONTRACT THAT WE JUST ANNOUNCED
00:25:37:00	00:25:38:00	TO SUPPORT MURALS OVER THE NEXT
00:25:38:00	00:25:40:00	THREE YEARS AND REALLY BUILDING
00:25:40:00	00:25:41:00	OUT OF YOUTH PATHWAYS AND
00:25:41:00	00:25:44:00	PATHWAYS FOR EMERGING ARTISTS
00:25:44:00	00:25:45:00	THROUGH THE MURAL CREW
00:25:45:00	00:25:48:00	OPPORTUNITIES.
00:25:48:00	00:25:48:00	WE'VE ALSO LAUNCHED WORK ON
00:25:48:00	00:25:49:00	CITY HALL PLAZA WHICH YOU'LL
00:25:49:00	00:25:51:00	SEE REALLY TAKE OFF IN NY
00:25:51:00	00:25:52:00	TWENTY FOUR I'M HALFWAY THROUGH
00:25:52:00	00:25:53:00	THIS FISCAL YEAR WE WERE ABLE
00:25:53:00	00:25:55:00	TO BRING ON A CITY HALL CLOSET
00:25:55:00	00:25:56:00	ENGAGEMENT MANAGER WHO'S
00:25:56:00	00:25:59:00	HELPING TO PILOT NEW PROGRAMS,
00:25:59:00	00:26:00:00	TAKE ADVANTAGE OF ALL THE NEW
00:26:00:00	00:26:02:00	SPACES THAT ARE THERE AND IT
00:26:02:00	00:26:03:00	REALLY SEE IT AS A NEW PUBLIC
00:26:03:00	00:26:04:00	VENUE.
00:26:04:00	00:26:07:00	SO THAT PERSON HAS BEEN HARD AT
00:26:07:00	00:26:08:00	WORK BUILDING THOMAS WE HAVE
00:26:08:00	00:26:11:00	TWENTY THREE EVENTS SCHEDULED
00:26:11:00	00:26:11:00	INCLUDING MUSIC FESTIVALS, FILM
00:26:11:00	00:26:14:00	SCREENINGS, A RANGE
00:26:14:00	00:26:15:00	OF WORKSHOPS ON DANCE CHESS TRY
00:26:15:00	00:26:18:00	TO ENGAGE IN CIVIC MAKING AND
00:26:18:00	00:26:18:00	ALSO CULTURAL CELEBRATIONS
00:26:18:00	00:26:21:00	INCLUDING HISPANIC HERITAGE
00:26:21:00	00:26:22:00	MONTH.
00:26:22:00	00:26:23:00	AND LASTLY, WE ARE PART OF THE
00:26:23:00	00:26:25:00	WORK OF SEVERAL DEPARTMENTS TO
00:26:25:00	00:26:26:00	BETTER FACILITATE EVENT
00:26:26:00	00:26:27:00	PERMITTING AND THE KIND
00:26:27:00	00:26:29:00	OF EVENT PROCESS FOR
00:26:29:00	00:26:30:00	CONSTITUENTS.
00:26:30:00	00:26:30:00	I'M SO YOU'LL SEE TWO POSITIONS
00:26:30:00	00:26:33:00	IN NY TWENTY WHERE THEY'RE
00:26:33:00	00:26:34:00	DEDICATED TO THAT PROCESS WHICH
00:26:34:00	00:26:37:00	IS REALLY A DIRECT RESPONSE TO
00:26:37:00	00:26:38:00	CONSTITUENTS ASKING ALL OF US
00:26:38:00	00:26:38:00	FOR THE CITY TO MAKE PROCESS
00:26:38:00	00:26:41:00	IMPROVEMENTS, MAKE CLEARER,
00:26:41:00	00:26:42:00	MORE USER FRIENDLY AND SIMPLIFY
00:26:42:00	00:26:45:00	THOSE REQUIREMENTS SO WE LOOK
00:26:45:00	00:26:46:00	FORWARD TO TACKLING THAT IN
00:26:46:00	00:26:49:00	PARTNERSHIP WITH DEFINITELY OUR
00:26:49:00	00:26:53:00	FRIENDS AT T.S.A. AND LICENSING
00:26:53:00	00:26:53:00	MANY OTHERS AS WELL.
00:26:53:00	00:26:57:00	SO I THINK I WILL START THERE
00:26:57:00	00:26:58:00	AND I THREW A LOT
00:26:58:00	00:26:58:00	OF INFORMATION BUT HAPPY TO
00:26:58:00	00:27:00:00	HAVE CONVERSATION AND ANSWER
00:27:00:00	00:27:01:00	QUESTIONS AND FIND WAYS TO
00:27:01:00	00:27:04:00	COLLABORATE.
00:27:04:00	00:27:05:00	THANK YOU SO MUCH CHIEF ORTEGA.
00:27:05:00	00:27:09:00	KARISHMA, ARE YOU READY WITH
00:27:09:00	00:27:23:00	YOUR PRESENTATION?
00:27:23:00	00:27:24:00	ALL RIGHT.
00:27:24:00	00:27:24:00	HELLO EVERYONE.
00:27:24:00	00:27:25:00	THIS IS JUST AN ARTS AND
00:27:25:00	00:27:28:00	CULTURE OVERVIEW SO THIS IS THE
00:27:28:00	00:27:32:00	ORG CHART THAT IS PRESENTED IN
00:27:32:00	00:27:32:00	THE CAPITAL BUT THAT'S
00:27:32:00	00:27:35:00	PRESENTING THE OPERATING BUDGET
00:27:35:00	00:27:35:00	.
00:27:35:00	00:27:36:00	THIS IS JUST SCREENGRAB
00:27:36:00	00:27:36:00	OF THAT.
00:27:36:00	00:27:39:00	THIS IS THE ARTS CULTURE
00:27:39:00	00:27:40:00	RECOMMENDED BY FUNDING FOR ARTS
00:27:40:00	00:27:41:00	AND CULTURE RECOMMENDED BY
00:27:41:00	00:27:43:00	EXPENSE TYPES CONTRACTUAL
00:27:43:00	00:27:44:00	SERVICES AT FORTY NINE POINT
00:27:44:00	00:27:46:00	EIGHT PERCENT PERSONNEL
00:27:46:00	00:27:47:00	SERVICES AT FORTY EIGHT POINT
00:27:47:00	00:27:48:00	EIGHT PERCENT FOLLOWED BY THE
00:27:48:00	00:27:51:00	TOTAL AMOUNT THE IT'S COLOR
00:27:51:00	00:27:55:00	CODED ON THE LEGEND ITSELF IS
00:27:55:00	00:27:56:00	COLOR CODED SO YOU CAN KIND
00:27:56:00	00:27:58:00	OF DRAW BACK DRAW YOUR EYES
00:27:58:00	00:27:59:00	BACK TO THE ACTUAL PIE CHART TO
00:27:59:00	00:28:00:00	KIND OF SEE WHAT PERCENTAGE
00:28:00:00	00:28:03:00	OF FLY TWENTY FOUR IS GOING
00:28:03:00	00:28:03:00	TOWARDS DIFFERENT EXPENSE TYPES
00:28:03:00	00:28:06:00	IN THIS POWERPOINT YOU WILL NOT
00:28:06:00	00:28:07:00	BE ABLE TO SEE A PROGRAMMATIC
00:28:07:00	00:28:07:00	BREAKDOWN BECAUSE IN THE
00:28:07:00	00:28:10:00	DEPARTMENT IS ONLY ONE PROGRAM
00:28:10:00	00:28:11:00	THAT'S LISTED IN THE BUDGET.
00:28:11:00	00:28:12:00	SO THIS IS WHY YOU'RE JUST
00:28:12:00	00:28:14:00	GOING TO BE A YEAR ON YEAR
00:28:14:00	00:28:15:00	BREAKDOWN OF THE SPECIFIC ARTS
00:28:15:00	00:28:17:00	AND CULTURE PROGRAM.
00:28:17:00	00:28:18:00	SO THIS IS ARTS AND CULTURE
00:28:18:00	00:28:22:00	EXPENSES OVER TIME FROM FOUR
00:28:22:00	00:28:23:00	TWENTY ONE TO FIVE BEFORE
00:28:23:00	00:28:24:00	TWENTY ONE IS ACTUAL SPENDING
00:28:24:00	00:28:26:00	EFFORT THREE IS APPROPRIATION
00:28:26:00	00:28:27:00	AND AFTER TWENTY FOUR IS
00:28:27:00	00:28:29:00	RECOMMENDED THOUSANDS JUST SO
00:28:29:00	00:28:30:00	PEOPLE CAN BE ABLE TO SEE THIS
00:28:30:00	00:28:33:00	IN A LITTLE MORE FLAHERTY AS
00:28:33:00	00:28:34:00	YOU CAN SEE HERE AND THEN AS
00:28:34:00	00:28:35:00	YOU CAN SEE HERE WE HAVE
00:28:35:00	00:28:37:00	APPROXIMATELY FIVE HUNDRED
00:28:37:00	00:28:37:00	THOUSAND DOLLAR INCREASE IN
00:28:37:00	00:28:38:00	PERSONNEL SERVICES
00:28:38:00	00:28:41:00	APPROXIMATELY THIRTY THOUSAND
00:28:41:00	00:28:42:00	DOLLARS DECREASE IN CONTRACTING
00:28:42:00	00:28:42:00	SERVICES APPROXIMATELY TEN
00:28:42:00	00:28:45:00	THOUSAND DOLLARS INCREASE AND
00:28:45:00	00:28:46:00	SUPPLIES MATERIALS ONE THOUSAND
00:28:46:00	00:28:46:00	DOLLAR INCREASE IN PRINT
00:28:46:00	00:28:49:00	SERVICE IN APPLICATIONS AND
00:28:49:00	00:28:53:00	EQUIPMENT HAS GONE DOWN TO ZERO
00:28:53:00	00:28:53:00	.
00:28:53:00	00:28:54:00	THIS IS A BREAKDOWN BY EXPENSE
00:28:54:00	00:28:54:00	TYPES.
00:28:54:00	00:28:56:00	SO ESSENTIALLY TRYING TO SEE
00:28:56:00	00:28:57:00	THAT DIFFERENCE OVER TIME THIS
00:28:57:00	00:29:00:00	IS BROKEN DOWN BY DOLLARS.
00:29:00:00	00:29:01:00	SO IF YOU LOOK AT THE FIRST BAR
00:29:01:00	00:29:04:00	YOU'LL SEE CHANGE ONLY ONE TO
00:29:04:00	00:29:05:00	TWENTY TWO AND SO WE HAVE ONE
00:29:05:00	00:29:06:00	HUNDRED TWENTY ONE THOUSAND
00:29:06:00	00:29:08:00	DOLLARS INCREASE FROM TWENTY
00:29:08:00	00:29:09:00	ONE POINT TO FIVE HUNDRED
00:29:09:00	00:29:10:00	TWENTY EIGHT THOUSAND DOLLARS
00:29:10:00	00:29:11:00	INCREASE IN TWENTY TWO TWENTY
00:29:11:00	00:29:12:00	THREE AND A FOUR HUNDRED
00:29:12:00	00:29:13:00	SEVENTY THREE THOUSAND DOLLARS
00:29:13:00	00:29:16:00	INCREASE FROM TWENTY THREE TO
00:29:16:00	00:29:17:00	TWENTY FOUR AND IN TOTAL FROM
00:29:17:00	00:29:19:00	TWENTY ONE TO TWENTY FOUR WE
00:29:19:00	00:29:20:00	HAVE ONE POINT ONE MILLION
00:29:20:00	00:29:20:00	DOLLAR INCREASE.
00:29:20:00	00:29:24:00	IF YOU GO DOWN TO CONTRACTUAL
00:29:24:00	00:29:24:00	SERVICES YOU'LL SEE THAT THERE
00:29:24:00	00:29:25:00	WAS A DECREASE IN CONTRACTUAL
00:29:25:00	00:29:26:00	SERVICES OF THIRTY ONE THOUSAND
00:29:26:00	00:29:28:00	DOLLARS FISCAL YEAR TWENTY
00:29:28:00	00:29:29:00	THREE THE FISCAL YEAR TWENTY
00:29:29:00	00:29:31:00	FOUR AND IF YOU GO ON TO
00:29:31:00	00:29:32:00	SUPPLIES AND MATERIALS YOU'LL
00:29:32:00	00:29:32:00	SEE A TEN THOUSAND DOLLAR
00:29:32:00	00:29:35:00	INCREASE FROM FISCAL YEAR TO
00:29:35:00	00:29:36:00	FISCAL YEAR TWENTY FOUR AND A
00:29:36:00	00:29:37:00	TOTAL OF THIRTEEN THOUSAND
00:29:37:00	00:29:39:00	DOLLARS INCREASED FROM FISCAL
00:29:39:00	00:29:40:00	YEAR TWENTY ONE TO FISCAL YEAR
00:29:40:00	00:29:40:00	TWENTY FOUR.
00:29:40:00	00:29:43:00	ESSENTIALLY THE POINTS THAT ARE
00:29:43:00	00:29:44:00	IMPORTANT IN TERMS OF YEAR ON
00:29:44:00	00:29:47:00	YEAR FOR THE MOST MOST RECENT
00:29:47:00	00:29:48:00	YEAR IS THAT YELLOW LINE AND IF
00:29:48:00	00:29:51:00	YOU WANT TO SEE KIND OF GIVE
00:29:51:00	00:29:52:00	HOLISTIC FOR YOUR VIEW THAT
00:29:52:00	00:29:53:00	GREEN LINE IS WHAT YOU WANT TO
00:29:53:00	00:29:54:00	BE LOOKING AT.
00:29:54:00	00:29:55:00	IT'S IN TOTAL AMOUNT BY
00:29:55:00	00:29:56:00	THOUSANDS JUST AGAIN.
00:29:56:00	00:29:58:00	SO PEOPLE THAT AS PEOPLE CAN
00:29:58:00	00:29:59:00	SEE IT A LITTLE BIT MORE
00:29:59:00	00:30:00:00	CLEARLY THIS IS BROKEN DOWN IN
00:30:00:00	00:30:02:00	TERMS OF PERCENTAGE.
00:30:02:00	00:30:03:00	SO ESSENTIALLY WHAT I DID IS I
00:30:03:00	00:30:06:00	SAW HOW MUCH HOW MUCH HAS IT
00:30:06:00	00:30:07:00	CHANGED FROM THE ORIGINAL SO
00:30:07:00	00:30:10:00	FROM FISCAL YEAR TWENTY ONE TO
00:30:10:00	00:30:11:00	TWENTY TWO THERE WAS AN 11
00:30:11:00	00:30:12:00	PERCENT INCREASE IN PERSONNEL
00:30:12:00	00:30:12:00	SERVICES.
00:30:12:00	00:30:14:00	FORTY FOUR PERCENT INCREASE
00:30:14:00	00:30:15:00	FROM TWENTY TO TWENTY THREE AND
00:30:15:00	00:30:16:00	A TWENTY SEVEN PERCENT INCREASE
00:30:16:00	00:30:19:00	FROM TWENTY FOUR AND THEN ONE
00:30:19:00	00:30:19:00	HUNDRED PERCENT INCREASE FROM
00:30:19:00	00:30:22:00	TWENTY ONE TO TWENTY FOUR
00:30:22:00	00:30:23:00	THOUGH AS YOU GO DOWN YOU'LL BE
00:30:23:00	00:30:24:00	ABLE TO SEE THAT IT MATCHES UP
00:30:24:00	00:30:26:00	KIND OF BY THE DOLLAR AMOUNT IN
00:30:26:00	00:30:27:00	THE PREVIOUS SLIDE FOR SOME
00:30:27:00	00:30:27:00	OF THE NUMBERS YOU'RE GOING TO
00:30:27:00	00:30:30:00	SEE HERE THEY ARE GOING TO SEEM
00:30:30:00	00:30:31:00	A LITTLE BIT BUT THAT'S
00:30:31:00	00:30:33:00	ENTIRELY BECAUSE OVERLOOK
00:30:33:00	00:30:34:00	ESSENTIALLY IS A PERCENTAGE
00:30:34:00	00:30:34:00	CHANGE.
00:30:34:00	00:30:37:00	SO IF THE ORIGINAL NUMBER IS
00:30:37:00	00:30:38:00	RELATIVELY SMALL AND IT'S
00:30:38:00	00:30:39:00	DOUBLE THAT, IT'S JUST GOING TO
00:30:39:00	00:30:41:00	SEEM LIKE A LOT MORE.
00:30:41:00	00:30:43:00	BUT IF YOU GO TO THE PREVIOUS
00:30:43:00	00:30:45:00	SLIDE SORRY IF YOU GO TO THE
00:30:45:00	00:30:46:00	PREVIOUS SLIDE THAT LARGE
00:30:46:00	00:30:49:00	NUMBER OF RECURRING MARGIN
00:30:49:00	00:30:49:00	OBLIGATIONS IS ONLY TWENTY FOUR
00:30:49:00	00:30:50:00	THOUSAND DOLLARS.
00:30:50:00	00:30:52:00	IT'S JUST GOING TO LOOK
00:30:52:00	00:30:53:00	RELATIVELY BIG AT ONE HUNDRED
00:30:53:00	00:30:54:00	ONE HUNDRED ELEVEN PERCENT JUST
00:30:54:00	00:30:57:00	BECAUSE OF HOW SMALL IT
00:30:57:00	00:30:57:00	ORIGINALLY STARTED.
00:30:57:00	00:30:58:00	SO HOPEFULLY THAT MAKES SENSE.
00:30:58:00	00:30:59:00	LET ME KNOW IF YOU HAVE
00:30:59:00	00:31:01:00	QUESTIONS AND THEN THIS IS JUST
00:31:01:00	00:31:02:00	A CAPITAL PROJECT REVOLVING
00:31:02:00	00:31:05:00	FUND AN EXTERNAL FUNDS KIND
00:31:05:00	00:31:05:00	OF OVERVIEW.
00:31:05:00	00:31:06:00	SO THE CAPITAL PROJECTS FOR
00:31:06:00	00:31:09:00	THIS DEPARTMENT ARE LISTED
00:31:09:00	00:31:09:00	HERE.
00:31:09:00	00:31:10:00	WHAT I'VE DONE HERE IS I'VE
00:31:10:00	00:31:10:00	LOOKED AT THE TOTAL
00:31:10:00	00:31:13:00	AUTHORIZATION OF ALL THE
00:31:13:00	00:31:14:00	CAPITAL FUNDS THAT HAVE GONE
00:31:14:00	00:31:14:00	INTO THESE PROJECTS ACROSS
00:31:14:00	00:31:17:00	EXISTING FOR FISCAL YEAR TWENTY
00:31:17:00	00:31:18:00	FOR AND FOR THE FUTURE AND I'VE
00:31:18:00	00:31:21:00	LOOKED AT SPECIFICALLY FOR THE
00:31:21:00	00:31:22:00	FISCAL YEAR TWENTY FOUR AND
00:31:22:00	00:31:23:00	THEN I GOT A CAPITAL
00:31:23:00	00:31:24:00	EXPENDITURE.
00:31:24:00	00:31:25:00	SO THAT'S ESSENTIALLY WHAT
00:31:25:00	00:31:26:00	MONEY HAS ALREADY BEEN SPENT IN
00:31:26:00	00:31:28:00	THESE SPECIFIC PROJECTS.
00:31:28:00	00:31:30:00	AS YOU CAN SEE HERE, A LOT
00:31:30:00	00:31:30:00	OF THESE PROJECTS HAVE NOT
00:31:30:00	00:31:31:00	ACTUALLY REQUESTED MONEY THIS
00:31:31:00	00:31:36:00	ARE ONLY THREE PERCENT FOR FOR
00:31:36:00	00:31:36:00	THE ARTS THAT IS REQUESTING
00:31:36:00	00:31:37:00	FOUR POINT FOUR MILLION
00:31:37:00	00:31:37:00	DOLLARS.
00:31:37:00	00:31:40:00	THIS IS THE PROJECT I'M KIND
00:31:40:00	00:31:41:00	OF BROKEN DOWN AND THIS IS A
00:31:41:00	00:31:43:00	TABLE ESSENTIALLY BROKEN DOWN
00:31:43:00	00:31:44:00	TO THE MILLION.
00:31:44:00	00:31:45:00	SO YOU'LL BE ABLE TO SEE, FOR
00:31:45:00	00:31:47:00	EXAMPLE, THE PROJECT BOOKMARKED
00:31:47:00	00:31:47:00	HAD AN AUTHORIZATION TO POINT
00:31:47:00	00:31:51:00	TO FIVE MILLION SO TWO THOUSAND
00:31:51:00	00:31:51:00	AND A CAPITAL EXPENDITURE TWO
00:31:51:00	00:31:52:00	HUNDRED FIFTY THOUSAND.
00:31:52:00	00:31:55:00	THERE'S ONLY ONE PROJECT HAD AN
00:31:55:00	00:31:56:00	EXTERNAL FUND WHICH IS THE
00:31:56:00	00:31:56:00	EMERGENT MEMORY COCONUT GROVE
00:31:56:00	00:31:59:00	MEMORIAL AT ONE HUNDRED FORTY
00:31:59:00	00:32:00:00	FIVE THOUSAND DOLLARS AND NO
00:32:00:00	00:32:03:00	PROJECTS HAD ANY GRANTS OR HAD
00:32:03:00	00:32:03:00	ANY GRANTS FUNDING.
00:32:03:00	00:32:07:00	SO THAT WAS NOT ACTUALLY PUT IN
00:32:07:00	00:32:08:00	THIS POWERPOINT AT LEAST
00:32:08:00	00:32:08:00	ACCORDING TO THE RAW DATA AND
00:32:08:00	00:32:09:00	THE BUDGET BOOK THAT I HAD
00:32:09:00	00:32:11:00	ACCESS.
00:32:11:00	00:32:12:00	THIS IS THE REVOLVING INVOLVING
00:32:12:00	00:32:14:00	THE WITHDRAWAL BEING REQUESTED
00:32:14:00	00:32:15:00	THIS YEAR THREE HUNDRED
00:32:15:00	00:32:18:00	THOUSAND ONE DOLLARS AND THIS
00:32:18:00	00:32:19:00	IS JUST KIND OF A HISTORY
00:32:19:00	00:32:19:00	OF THAT KIND OF HISTORICAL
00:32:19:00	00:32:22:00	SPENDING IN THE AND THEN THIS
00:32:22:00	00:32:23:00	IS A PUBLIC ART REVOLVING FUND
00:32:23:00	00:32:26:00	SUPPLEMENT THIS YEAR.
00:32:26:00	00:32:27:00	EIGHT HUNDRED THOUSAND AND THIS
00:32:27:00	00:32:30:00	IS A HISTORY OF THAT AS WELL
00:32:30:00	00:32:31:00	AND THIS IS JUST THE EXTERNAL
00:32:31:00	00:32:34:00	FUNDS ARE ACTIVE AS OF FISCAL
00:32:34:00	00:32:34:00	YEAR TWENTY FOUR.
00:32:34:00	00:32:35:00	SO IN BUDGET BOOK IF THESE WERE
00:32:35:00	00:32:39:00	THESE NUMBERS TO SOME EXTENT I
00:32:39:00	00:32:39:00	KIND OF POPULATE THEM ON THIS
00:32:39:00	00:32:41:00	ON THIS SLIDE.
00:32:41:00	00:32:42:00	SO YOU CAN SEE HERE THERE'S ART
00:32:42:00	00:32:43:00	LAB, BOSTON CULTURAL COUNCIL ,
00:32:43:00	00:32:45:00	BOSTON ARTS FUND EMERGING
00:32:45:00	00:32:49:00	ARTIST PROGRAM GRANTS
00:32:49:00	00:32:50:00	INDIVIDUAL ARTISTS INTERNAL
00:32:50:00	00:32:50:00	SCULPTURE AND CERTAINLY
00:32:50:00	00:32:54:00	FOUNDATION AND I'VE LISTED THE
00:32:54:00	00:32:54:00	AMOUNTS THAT WERE REQUESTED IN
00:32:54:00	00:32:57:00	THIS FISCAL YEAR AS WELL BELOW
00:32:57:00	00:33:00:00	THE SPECIFIC BULLET POINTS
00:33:00:00	00:33:01:00	OF THE AMOUNTS THAT WERE LISTED
00:33:01:00	00:33:04:00	IN THE BUDGET.
00:33:04:00	00:33:05:00	CONSIDER THE EXTERNAL FUNDS.
00:33:05:00	00:33:06:00	THANK YOU GERSHMAN.
00:33:06:00	00:33:09:00	OF COURSE WE CAN WE CAN GET
00:33:09:00	00:33:12:00	DEEPER INTO LATER THE COUNCIL'S
00:33:12:00	00:33:16:00	REQUEST.
00:33:16:00	00:33:17:00	THANK YOU VERY MUCH FOR THAT
00:33:17:00	00:33:19:00	AMAZING PRESENTATION.
00:33:19:00	00:33:23:00	I THINK WE CAN GO STRAIGHT TO I
00:33:23:00	00:33:27:00	THINK WE CAN GO STRAIGHT TO
00:33:27:00	00:33:31:00	TOURISM AND THEN DO OR SHOULD
00:33:31:00	00:33:32:00	WE DO I GUESS JUST SORT
00:33:32:00	00:33:35:00	OF CHECKING TEMPERATURE HERE
00:33:35:00	00:33:36:00	LIKE SHOULD WE DO THE QUESTIONS
00:33:36:00	00:33:38:00	WITH ARTS AND CULTURE AND THEN
00:33:38:00	00:33:39:00	DO TOURISM OR IS THERE A TIME
00:33:39:00	00:33:42:00	CONSTRAINT WITH YOU CHIEF
00:33:42:00	00:33:47:00	BORDERS OR THEN WE'LL GO
00:33:47:00	00:33:47:00	STRAIGHT INTO LINE OF QUESTIONS
00:33:47:00	00:33:50:00	FOR ARTS AND CULTURE IN THE
00:33:50:00	00:33:51:00	ORDER OF ARRIVAL
00:33:51:00	00:33:52:00	COUNCIL FLAHERTY YOU HAVE THE
00:33:52:00	00:33:54:00	FLOOR.
00:33:54:00	00:33:55:00	THANK YOU VERY MUCH MADAM CHAIR
00:33:55:00	00:33:58:00	AND OBVIOUSLY THINKS THE FOR
00:33:58:00	00:33:58:00	THE PRESENTATION AND I
00:33:58:00	00:34:01:00	APPRECIATE THE CARE OF ELLIOT
00:34:01:00	00:34:02:00	ORTEGA AND YOUR RESPONSIVENESS
00:34:02:00	00:34:03:00	PARTICULARLY YOUR DEPARTMENT
00:34:03:00	00:34:06:00	RECENTLY WHEN WE WERE DEALING
00:34:06:00	00:34:10:00	WITH THE MURAL OVER OVER OUR
00:34:10:00	00:34:10:00	HISTORY.
00:34:10:00	00:34:13:00	I KNOW THAT IN THE FOLKS YOU'VE
00:34:13:00	00:34:14:00	BEEN WORKING WITH OVER THEY
00:34:14:00	00:34:15:00	WERE EXCITED THAT THEY WERE
00:34:15:00	00:34:16:00	ABLE TO CONNECT WITH YOUR TEAM
00:34:16:00	00:34:17:00	AND ALSO IF I DO HAVE A
00:34:17:00	00:34:21:00	CONSTITUENT A RETIRED POLICE
00:34:21:00	00:34:22:00	OFFICER WHO WOULD LIKE TO
00:34:22:00	00:34:25:00	VOLUNTEER AND TEACH AND TEACH
00:34:25:00	00:34:29:00	KIDS CHESS WHO I GUESS FROM
00:34:29:00	00:34:30:00	YOUR DEPARTMENT COULD I CONNECT
00:34:30:00	00:34:32:00	HIM WITH THAT AND CAN
00:34:32:00	00:34:36:00	FACILITATE THAT OPPORTUNITY IS
00:34:36:00	00:34:37:00	EXPERT CHESS PLAYER AND I THINK
00:34:37:00	00:34:38:00	HE WANTS TO SHARE HIS TIME AND
00:34:38:00	00:34:41:00	TALENTS WITH OUR YOUTH AND
00:34:41:00	00:34:45:00	THAT'S EXCITING.
00:34:45:00	00:34:46:00	I WAS JUST MENTIONING THAT ON
00:34:46:00	00:34:46:00	CITY HALL PLAZA WE'RE GOING TO
00:34:46:00	00:34:48:00	HAVE SOME CHESS WORKSHOPS AND
00:34:48:00	00:34:49:00	TOURNAMENTS SO THERE ACTUALLY
00:34:49:00	00:34:50:00	MIGHT BE SOME OPPORTUNITIES
00:34:50:00	00:34:52:00	RIGHT AWAY BUT YOU FEEL FREE TO
00:34:52:00	00:34:53:00	CONNECT CONNECTED TO ME AND AND
00:34:53:00	00:34:55:00	I CAN PUT HIM IN TOUCH WITH THE
00:34:55:00	00:34:56:00	WE ALSO APPRECIATE YOUR
00:34:56:00	00:35:00:00	ATTENTION TO DETAIL ON THE ALL
00:35:00:00	00:35:04:00	CULTURE AND APPRECIATE IT THE
00:35:04:00	00:35:04:00	FREDERICK DOUGLASS MURAL.
00:35:04:00	00:35:07:00	I KNOW THAT HOPEFULLY THAT WILL
00:35:07:00	00:35:09:00	GET A REDO I GUESS IF YOU WILL
00:35:09:00	00:35:11:00	AND LET US KNOW WHAT WE CAN FOR
00:35:11:00	00:35:12:00	THE COUNCIL LEVEL NOT JUST WITH
00:35:12:00	00:35:15:00	THAT MURAL BUT OTHER MURALS
00:35:15:00	00:35:15:00	THAT ARE ACROSS OUR CITY THAT
00:35:15:00	00:35:19:00	ARE BELOVED AND APPRECIATED AND
00:35:19:00	00:35:20:00	RESPECTED AND WE NEED TO MAKE
00:35:20:00	00:35:21:00	SURE THAT THEY STAY IN GREAT
00:35:21:00	00:35:21:00	SHAPE.
00:35:21:00	00:35:23:00	I I DON'T THINK IT NECESSARILY
00:35:23:00	00:35:24:00	FALLS UNDER THE CPA COMMUNITY
00:35:24:00	00:35:27:00	PRESERVATION FUNDING BUT IN THE
00:35:27:00	00:35:30:00	EVENT THAT IT DOESN'T, THERE'S
00:35:30:00	00:35:31:00	OPPORTUNITY FOR YOUR DEPARTMENT
00:35:31:00	00:35:34:00	TO CONNECT FOLKS TO RESOURCES
00:35:34:00	00:35:35:00	INTO WHAT TO ARTISTS THAT COULD
00:35:35:00	00:35:38:00	REFURBISH OR REFRESH, IF YOU
00:35:38:00	00:35:39:00	WILL, SOME OF THE MURALS THAT
00:35:39:00	00:35:42:00	WE HAVE ACROSS THE CITY.
00:35:42:00	00:35:43:00	AND I THINK TO THAT POINT I
00:35:43:00	00:35:45:00	KNOW THAT THE PUBLIC ART TEAM
00:35:45:00	00:35:46:00	HAS BEEN CREATING A LIST
00:35:46:00	00:35:49:00	OF THOSE MURALS THAT ARE JUST
00:35:49:00	00:35:50:00	STARTING TO FADE OR HAVE BEEN
00:35:50:00	00:35:53:00	KIND OF FADING FOR SOME TIME
00:35:53:00	00:35:54:00	AND NEED A TOUCH UP.
00:35:54:00	00:35:55:00	SO THAT IS SOMETHING THAT
00:35:55:00	00:35:57:00	THEY'RE LOOKING AT NOW AND I
00:35:57:00	00:35:58:00	BELIEVE WE CAN COVER THAT
00:35:58:00	00:36:00:00	THROUGH OUR PUBLIC ART
00:36:00:00	00:36:01:00	CONSERVATION LINE AND OUR
00:36:01:00	00:36:02:00	OPERATING BUDGET ONCE WE GET
00:36:02:00	00:36:04:00	INTO FY TWENTY FOUR.
00:36:04:00	00:36:06:00	SO I'M MAKING THAT LIST NOW AND
00:36:06:00	00:36:08:00	HOPEFULLY CAN START THE SUMMER.
00:36:08:00	00:36:09:00	THANK YOU.
00:36:09:00	00:36:10:00	AND THEN IN AREAS WHERE THERE
00:36:10:00	00:36:13:00	MAY BE THINGS MIGHT BE DEFACED
00:36:13:00	00:36:16:00	OR VANDALIZED, DO YOU WORK
00:36:16:00	00:36:16:00	CLOSELY WITH THE GRAFFITI
00:36:16:00	00:36:17:00	BUSTERS FOR THE CITY TO MAKE
00:36:17:00	00:36:19:00	SURE THAT THERE'S A PROMPT
00:36:19:00	00:36:20:00	REMOVAL OF TAGGING ET CETERA SO
00:36:20:00	00:36:23:00	THAT WE CAN RETURN AND RESTORE
00:36:23:00	00:36:27:00	THESE PUBLIC SERVICES TO TO
00:36:27:00	00:36:30:00	GREAT ST..
00:36:30:00	00:36:31:00	YEAH, THAT'S A GREAT QUESTION.
00:36:31:00	00:36:34:00	WE'VE BEEN IN CONVERSATION WITH
00:36:34:00	00:36:35:00	THREE ONE ONE AND WITH PROPERTY
00:36:35:00	00:36:36:00	MANAGEMENT ABOUT HOW TO GET THE
00:36:36:00	00:36:39:00	RIGHT WORKFLOW SO THAT WHEN THE
00:36:39:00	00:36:39:00	THING IS TAGGED WE CAN GET
00:36:39:00	00:36:42:00	CALLED IN AND FIND AN ARTIST
00:36:42:00	00:36:43:00	WHO CAN PAINT OVER IT OR GET IN
00:36:43:00	00:36:46:00	TOUCH WITH THE ORIGINAL ARTIST
00:36:46:00	00:36:47:00	OF THAT MURAL OR THAT PAYBOX,
00:36:47:00	00:36:50:00	WHATEVER IT MIGHT BE AND GET IT
00:36:50:00	00:36:51:00	KIND OF BACK TO ITS ORIGINAL
00:36:51:00	00:36:53:00	ARTWORK.
00:36:53:00	00:36:54:00	SO WE'VE BEEN WORKING ON THAT
00:36:54:00	00:36:55:00	NOW AND HAVE BEEN ABLE TO CATCH
00:36:55:00	00:36:57:00	A COUPLE OF THINGS.
00:36:57:00	00:36:58:00	I WOULDN'T SAY WE'VE PERFECTED
00:36:58:00	00:37:01:00	THAT WORKFLOW BUT BUT MAKING
00:37:01:00	00:37:02:00	PROGRESS ON IT FOR SURE.
00:37:02:00	00:37:06:00	WELL, THANK YOU TO YOU AND YOUR
00:37:06:00	00:37:06:00	TEAM.
00:37:06:00	00:37:07:00	LOOK FORWARD TO CONTINUING
00:37:07:00	00:37:07:00	WORKING WITH YOU.
00:37:07:00	00:37:09:00	THANK YOU, MADAM.
00:37:09:00	00:37:13:00	THANK COSMIC FLAHERTY OF HOPING
00:37:13:00	00:37:16:00	I COULD GET LUNCH IN BETWEEN.
00:37:16:00	00:37:20:00	BUT YOUR TIME IS TOO SHORT.
00:37:20:00	00:37:25:00	COUNCILOR BRADIN, YOU'RE WITH
00:37:25:00	00:37:25:00	US.
00:37:25:00	00:37:25:00	YEP.
00:37:25:00	00:37:26:00	YOU HAVE THE FLOOR.
00:37:26:00	00:37:29:00	THANK THANK YOU CAROL.
00:37:29:00	00:37:35:00	FOR YOUR PRESENTATION.
00:37:35:00	00:37:36:00	I THINK WE'RE FACED WITH THIS
00:37:36:00	00:37:39:00	SORT OF THING ALMOST ALWAYS
00:37:39:00	00:37:39:00	HAVE TO SORT OF BE REACTIVE
00:37:39:00	00:37:42:00	RATHER THAN PROACTIVE.
00:37:42:00	00:37:44:00	IS YOUR DEPARTMENT ABLE TO SORT
00:37:44:00	00:37:47:00	OF HELP WITH PLANNING IN TERMS
00:37:47:00	00:37:50:00	OF ANTICIPATING DISPLACEMENT
00:37:50:00	00:37:51:00	BEFORE IT HAPPENS AND THEN
00:37:51:00	00:37:55:00	MAYBE MOBILIZING ASSETS AND
00:37:55:00	00:37:55:00	RESOURCES TO HELP PREVENT
00:37:55:00	00:37:56:00	DISPLACEMENT?
00:37:56:00	00:37:58:00	I KNOW WE'VE HAD THIS
00:37:58:00	00:38:00:00	CONVERSATION AND AND DO WE NEED
00:38:00:00	00:38:03:00	TO ACTUALLY BE MUCH MORE
00:38:03:00	00:38:06:00	PROACTIVE IN THE WAY WE WE
00:38:06:00	00:38:09:00	APPROACH THIS IN TERMS
00:38:09:00	00:38:10:00	OF DISPLACEMENT OF OUR ARTISTS
00:38:10:00	00:38:13:00	AND MUSICIANS ACROSS THE CITY?
00:38:13:00	00:38:15:00	YEAH, I MEAN I THINK YOU'VE HIT
00:38:15:00	00:38:18:00	THE NAIL ON THE HEAD AND WE
00:38:18:00	00:38:19:00	WOULD LOVE TO BE ABLE TO BE
00:38:19:00	00:38:19:00	MORE PROACTIVE INSTEAD
00:38:19:00	00:38:21:00	OF REACTIVE AND I THINK THE
00:38:21:00	00:38:22:00	CULTURAL SPACE FUND AND SOME
00:38:22:00	00:38:24:00	OF WHAT WE'RE PILOTING THERE,
00:38:24:00	00:38:26:00	THE ONE OF THE THE FUNDING
00:38:26:00	00:38:29:00	SOURCES OF THAT FUND IS THE
00:38:29:00	00:38:32:00	ZONING IN THE SOUTH AND IN
00:38:32:00	00:38:32:00	WHICH CREATING AFFORDABLE
00:38:32:00	00:38:33:00	CULTURAL SPACE OR A BUYOUT
00:38:33:00	00:38:43:00	OF THAT REQUIREMENT IS A PART
00:38:43:00	00:38:44:00	OF ZONING AND WRITTEN INTO
00:38:44:00	00:38:44:00	ZONING AND THAT'S DEFINITELY
00:38:44:00	00:38:45:00	SOMETHING THAT AS A TOOL A
00:38:45:00	00:38:46:00	POLICY TOOL WE'D LIKE TO BE IN
00:38:46:00	00:38:47:00	CONVERSATION WITH THE EPA ABOUT
00:38:47:00	00:38:48:00	AS A POSSIBLE WAY TO ACTUALLY
00:38:48:00	00:38:49:00	HAVE ENOUGH FUNDS KIND OF READY
00:38:49:00	00:38:52:00	TO BE ABLE TO RESPOND TO
00:38:52:00	00:38:53:00	SOMETHING IN REAL TIME AS
00:38:53:00	00:38:55:00	OPPOSED TO FEELING KIND
00:38:55:00	00:38:56:00	OF WE'RE SIX MONTHS BEHIND OR A
00:38:56:00	00:38:56:00	YEAR BEHIND.
00:38:56:00	00:38:59:00	AND I WOULD ALSO SAY THAT THE
00:38:59:00	00:38:59:00	COMMUNITY ENGAGEMENT POSITION
00:38:59:00	00:39:00:00	IN CULTURAL PLANNING IS A
00:39:00:00	00:39:03:00	REALLY CRITICAL PIECE OF THIS
00:39:03:00	00:39:07:00	BECAUSE AS WE SEE WHEN ARTISTS
00:39:07:00	00:39:08:00	COMMUNITIES ARE MORE CONNECTED
00:39:08:00	00:39:09:00	AND WE'RE NETWORKED IN MORE
00:39:09:00	00:39:11:00	ORGANIZED AND IN TOUCH WITH US,
00:39:11:00	00:39:12:00	THEN WE'RE ABLE TO KIND OF BE
00:39:12:00	00:39:15:00	AS AHEAD AS WE CAN BE ON
00:39:15:00	00:39:16:00	SOMETHING LIKE AN IMMINENT
00:39:16:00	00:39:16:00	DISPLACEMENT.
00:39:16:00	00:39:19:00	AND SO THAT POSITION IN THAT
00:39:19:00	00:39:19:00	KIND OF GRASSROOTS WORK IS IS
00:39:19:00	00:39:22:00	REALLY CRITICAL.
00:39:22:00	00:39:23:00	THAT TEAM IS ALSO WORKING WITH
00:39:23:00	00:39:26:00	AND THIS CAME UP THE CULTURAL
00:39:26:00	00:39:27:00	SPACE HEARING WHAT WE'RE
00:39:27:00	00:39:29:00	WORKING WITH AND APAC AND ALSO
00:39:29:00	00:39:30:00	IN PARTNERSHIP WITH SOMERVILLE
00:39:30:00	00:39:31:00	AND CAMBRIDGE ON CREATING A NEW
00:39:31:00	00:39:34:00	TOOL THAT WOULD ALLOW US TO
00:39:34:00	00:39:34:00	REALLY TRACK CULTURAL ASSETS
00:39:34:00	00:39:38:00	AND DEFINE VERY BROADLY SO THAT
00:39:38:00	00:39:41:00	WE ARE KIND OF CONSTANTLY
00:39:41:00	00:39:42:00	CHECKING ON WHERE THINGS ARE,
00:39:42:00	00:39:45:00	YOU KNOW, HAS OWNERSHIP CHANGED
00:39:45:00	00:39:45:00	?
00:39:45:00	00:39:46:00	HAVE WE HEARD FROM THAT
00:39:46:00	00:39:47:00	COMMUNITY AND WILL REALLY BE
00:39:47:00	00:39:49:00	THE ACTUAL DATA THAT WE CAN
00:39:49:00	00:39:53:00	RELY ON SO THAT WE'RE NOT, YOU
00:39:53:00	00:39:54:00	KNOW, JUST BEING RESPONSIVE TO
00:39:54:00	00:39:55:00	THINGS AND WE HEAR THEM BUT WE
00:39:55:00	00:39:57:00	CAN PROACTIVELY FOLLOW UP WITH
00:39:57:00	00:39:57:00	CULTURAL SPACES.
00:39:57:00	00:39:58:00	SO I THINK THOSE ARE SOME SOME
00:39:58:00	00:40:01:00	THINGS THAT ARE PROMISING IN
00:40:01:00	00:40:02:00	TERMS OF GETTING AHEAD OF THAT.
00:40:02:00	00:40:04:00	BUT I THINK THERE'S A LOT MORE
00:40:04:00	00:40:05:00	JUST THE MORE KIND
00:40:05:00	00:40:08:00	OF INTEGRATED THAT WE ARE INTO
00:40:08:00	00:40:09:00	THE PLANNING AND DEVELOPMENT
00:40:09:00	00:40:12:00	REVIEW AND ZONING REFORM
00:40:12:00	00:40:16:00	PROCESS IS THE BETTER BECAUSE
00:40:16:00	00:40:17:00	WE CAN LOOK AT A MAP OF THE
00:40:17:00	00:40:20:00	CITY AND START TO GUESS WHERE
00:40:20:00	00:40:21:00	NEIGHBORHOOD CHANGE IS GOING TO
00:40:21:00	00:40:22:00	RESULT IN A DISPLACEMENT
00:40:22:00	00:40:24:00	OF THOSE KINDS OF SPACES.
00:40:24:00	00:40:25:00	YEAH, THANK YOU.
00:40:25:00	00:40:28:00	AND I ALSO SAY, YOU KNOW, OUR
00:40:28:00	00:40:29:00	RECENT EXPERIENCE THINKING
00:40:29:00	00:40:30:00	ABOUT CAPACITY BUILDING IN THE
00:40:30:00	00:40:32:00	ARTIST COMMUNITY AS WELL
00:40:32:00	00:40:35:00	BECAUSE VERY MUCH IN TERMS
00:40:35:00	00:40:36:00	OF COMMUNITY ORGANIZING AS A AS
00:40:36:00	00:40:43:00	A GROUP THERE ARE VERY, VERY
00:40:43:00	00:40:43:00	GROUPS WITH DIFFERENT DIFFERENT
00:40:43:00	00:40:46:00	NICHES AND THERE IN THE
00:40:46:00	00:40:47:00	CULTURAL LANDSCAPE AND THEY
00:40:47:00	00:40:48:00	DON'T NECESSARILY ALL
00:40:48:00	00:40:51:00	COMMUNICATE WITH EACH OTHER.
00:40:51:00	00:40:52:00	AND IS THERE ANY SCOPE OR
00:40:52:00	00:40:55:00	CAPACITY TO TAP INTO FUNDS TO
00:40:55:00	00:40:56:00	HELP DO CAPACITY BUILDING IN
00:40:56:00	00:40:59:00	TERMS OF IN THAT COMMUNITY OR
00:40:59:00	00:41:02:00	COMMUNITIES IN GENERAL?
00:41:02:00	00:41:03:00	YEAH, THAT'S A GREAT POINT AND
00:41:03:00	00:41:05:00	IT'S IT'S SOMETHING WE'VE
00:41:05:00	00:41:07:00	NOTICED AS WELL AND WE ARE IN
00:41:07:00	00:41:10:00	CONVERSATION IN ON THAT TEAM
00:41:10:00	00:41:11:00	ABOUT USING SOME TECHNICAL
00:41:11:00	00:41:14:00	ASSISTANCE FUNDS OR CULTURAL
00:41:14:00	00:41:15:00	PLANNING FUNDS TO ACTUALLY DO
00:41:15:00	00:41:18:00	WORKSHOPS FOR ARTISTS ON HOW TO
00:41:18:00	00:41:21:00	ORGANIZE, HOW TO UNDERSTAND HOW
00:41:21:00	00:41:22:00	TO PARTICIPATE IN CITY PROCESS
00:41:22:00	00:41:25:00	AND PPTA PROCESS TO UNDERSTAND
00:41:25:00	00:41:26:00	ALSO WHO ELSE IS FACING THE
00:41:26:00	00:41:26:00	SAME ISSUES.
00:41:26:00	00:41:29:00	I THINK WE'VE SEEN ARTISTS ALSO
00:41:29:00	00:41:33:00	BE REALLY SILOED BY THE KIND
00:41:33:00	00:41:34:00	OF WORK THAT THEY DO AND THERE
00:41:34:00	00:41:36:00	MIGHT BE, YOU KNOW, A BUILDING
00:41:36:00	00:41:37:00	ON THE STREET OR ONE
00:41:37:00	00:41:38:00	NEIGHBORHOOD OVER THAT'S ALSO
00:41:38:00	00:41:38:00	GOING THROUGH THE SAME THING
00:41:38:00	00:41:40:00	BUT THERE DOES ACTUALLY NOT
00:41:40:00	00:41:41:00	CONNECTED.
00:41:41:00	00:41:42:00	SO WE HAVE TALKED ABOUT
00:41:42:00	00:41:45:00	POSSIBLY SUPPORTING A SERIES
00:41:45:00	00:41:46:00	AROUND THAT FOR CAPACITY
00:41:46:00	00:41:46:00	BUILDING.
00:41:46:00	00:41:48:00	VERY GOOD.
00:41:48:00	00:41:50:00	AND I ALSO WOULD PUT MY WE HAVE
00:41:50:00	00:41:52:00	SOME WE HAVE SOME MURALS
00:41:52:00	00:41:53:00	OF DONE A LONG TIME AGO AND
00:41:53:00	00:41:56:00	ALSO THE MIDDLE LEVEL.
00:41:56:00	00:41:57:00	SO THAT'S THE IDEA OF THE
00:41:57:00	00:42:04:00	PUBLIC CONSERVATION WE SHOULD
00:42:04:00	00:42:05:00	PROBABLY BE IN TOUCH WITH YOU
00:42:05:00	00:42:08:00	OVER THE FEW A FEW OF OUR
00:42:08:00	00:42:08:00	LONGSTANDING MURALS ARE GETTING
00:42:08:00	00:42:11:00	OLD AND A LITTLE SHABBY.
00:42:11:00	00:42:12:00	WE NEED A LITTLE HELP.
00:42:12:00	00:42:15:00	SO I'M LOOKING AT MADAM CHAIR.
00:42:15:00	00:42:16:00	UM, I HAVEN'T DONE FOR TIME,
00:42:16:00	00:42:16:00	MADAM CHAIR.
00:42:16:00	00:42:19:00	THIRTY SECONDS.
00:42:19:00	00:42:19:00	THIRTY SECONDS.
00:42:19:00	00:42:21:00	OH WELL THAT JUST GIVES ME TIME
00:42:21:00	00:42:22:00	TO SAY THANK YOU KYRA AND I
00:42:22:00	00:42:23:00	LOOK FORWARD TO WORK AND
00:42:23:00	00:42:24:00	CONTINUE TO WORK WITH YOU IN
00:42:24:00	00:42:27:00	YOUR OFFICE ALL THINGS ARTS AND
00:42:27:00	00:42:28:00	CULTURE AND IN MY DISTRICT
00:42:28:00	00:42:30:00	OF ARTS BRIGHTON THANK YOU SO
00:42:30:00	00:42:31:00	MUCH.
00:42:31:00	00:42:31:00	THANK YOU MADAM CHAIR.
00:42:31:00	00:42:35:00	THANK YOU FOR BRINGING ME HERE
00:42:35:00	00:42:35:00	YOU HAVE THE FLOOR.
00:42:35:00	00:42:38:00	THANK YOU CHAIR AND THANK YOU
00:42:38:00	00:42:42:00	KYRA FOR THE PRESENTATION.
00:42:42:00	00:42:43:00	I JUST HAVE A FEW QUESTIONS.
00:42:43:00	00:42:46:00	I'M CURIOUS IF YOU COULD JUST
00:42:46:00	00:42:47:00	THERE SEEMS TO BE SOME SORT
00:42:47:00	00:42:49:00	OF DISCONNECT OR MISINFORMATION
00:42:49:00	00:42:50:00	ABOUT LIKE THE DIFFERENCE
00:42:50:00	00:42:53:00	BETWEEN THE COMMISSION, THE
00:42:53:00	00:42:54:00	ARTS COMMISSION AND THE ARTS
00:42:54:00	00:42:57:00	AND CULTURE DEPARTMENT.
00:42:57:00	00:42:58:00	THERE'S BEEN SOME ADVOCACY DONE
00:42:58:00	00:43:01:00	ON BEHALF OF FOLKS WHO WANT TO
00:43:01:00	00:43:05:00	HAVE A STATUE IN JAMAICA PLAIN
00:43:05:00	00:43:06:00	IN THE PARK AT MOZART AND THEY
00:43:06:00	00:43:09:00	JUST DON'T KNOW WHO TO TALK TO.
00:43:09:00	00:43:10:00	AND IF FOR THE RECORD, IF YOU
00:43:10:00	00:43:13:00	DON'T MIND HELPING OUR VIEWERS
00:43:13:00	00:43:13:00	UNDERSTAND KIND OF WHAT THE
00:43:13:00	00:43:17:00	DIFFERENCE IS THEN THE ROLE IN
00:43:17:00	00:43:18:00	TERMS OF OVERSIGHT AND ALL THAT
00:43:18:00	00:43:20:00	DECISION MAKING PROCESS JUST
00:43:20:00	00:43:21:00	LOOKS LIKE BECAUSE THERE IS A
00:43:21:00	00:43:26:00	MISUNDERSTANDING AND I HAVE ONE
00:43:26:00	00:43:26:00	MORE QUESTION AFTER THAT JUST
00:43:26:00	00:43:29:00	SO YOU KNOW SO I'M IN THE
00:43:29:00	00:43:29:00	MAYOR'S OFFICE OF ARTS AND
00:43:29:00	00:43:32:00	CULTURE STARTS TWO COMMISSIONS,
00:43:32:00	00:43:33:00	TWO INDEPENDENT COMMISSIONS.
00:43:33:00	00:43:36:00	ONE IS THE BOSTON CULTURAL
00:43:36:00	00:43:37:00	COUNCIL WHICH IS OUR LOCAL
00:43:37:00	00:43:38:00	CULTURAL COUNCIL THAT RECEIVES
00:43:38:00	00:43:41:00	STATE FUNDING AND ALSO HAS SOME
00:43:41:00	00:43:43:00	CITY FUNDING TO GRANT IN BOSTON
00:43:43:00	00:43:44:00	.
00:43:44:00	00:43:45:00	THE OTHER ONE IS THE BOSTON ART
00:43:45:00	00:43:45:00	COMMISSION.
00:43:45:00	00:43:47:00	SO THE BOSTON ART COMMISSION
00:43:47:00	00:43:48:00	HAS A REGULATORY ROLE IN
00:43:48:00	00:43:51:00	APPROVING PUBLIC ART ON PUBLIC
00:43:51:00	00:43:52:00	LAND AND IS ALSO OUR
00:43:52:00	00:43:52:00	COMMISSIONING BODY.
00:43:52:00	00:43:56:00	SO WHEN THE CITY GOES AND SAYS
00:43:56:00	00:43:57:00	WE WANT TO PAY FOR A PIECE
00:43:57:00	00:44:00:00	OF PUBLIC ART ON PUBLIC LAND,
00:44:00:00	00:44:00:00	THE BOSTON ART COMMISSION HAS
00:44:00:00	00:44:01:00	TO APPROVE THAT AS WELL AS
00:44:01:00	00:44:04:00	APPROVE THE FINAL ARTWORK.
00:44:04:00	00:44:06:00	SO WE WHILE WE STAFF THAT
00:44:06:00	00:44:08:00	COMMISSION THAT IS AN
00:44:08:00	00:44:11:00	INDEPENDENT REGULATORY BODY
00:44:11:00	00:44:12:00	WHEN PEOPLE WANT TO PUT PUBLIC
00:44:12:00	00:44:13:00	ART ON PUBLIC LAND, WHETHER
00:44:13:00	00:44:16:00	THAT'S FOR SHORT PERIOD TIME OR
00:44:16:00	00:44:17:00	A LONG PERIOD OF TIME, WE ASK
00:44:17:00	00:44:19:00	THAT THEY SUBMIT AN ONLINE
00:44:19:00	00:44:20:00	APPLICATION THAT WILL GET THEM
00:44:20:00	00:44:24:00	IN THE AGENDA FOR REVIEW BY THE
00:44:24:00	00:44:27:00	BOSTON ART COMMISSION AND THAT
00:44:27:00	00:44:28:00	COMMISSION MAY HAVE FEEDBACK ON
00:44:28:00	00:44:29:00	DESIGN ON PROCESS THAT THEY
00:44:29:00	00:44:31:00	REQUEST IN ORDER TO MOVE THAT
00:44:31:00	00:44:34:00	PROJECT THROUGH TO EVENTUALLY
00:44:34:00	00:44:35:00	BE ACCEPTED BY THE ART
00:44:35:00	00:44:36:00	COMMISSION.
00:44:36:00	00:44:38:00	AND AS ONE MIGHT IMAGINE THAT
00:44:38:00	00:44:39:00	THE PROCESS FOR A LONG TERM
00:44:39:00	00:44:43:00	ARTWORK THAT'S GOING TO BE
00:44:43:00	00:44:44:00	AROUND FOR, YOU KNOW, TEN,
00:44:44:00	00:44:47:00	TWENTY, FIFTY YEARS IS VERY
00:44:47:00	00:44:47:00	INVOLVED COMPARED TO THE
00:44:47:00	00:44:48:00	PROCESS FOR SOMETHING THAT
00:44:48:00	00:44:50:00	SHORT TERM THERE MIGHT BE A
00:44:50:00	00:44:51:00	MURAL OR MAYBE AN INSTALLATION
00:44:51:00	00:44:54:00	AND THAT'S THAT'S A PART
00:44:54:00	00:44:55:00	OF THEIR PROCESS AS WELL.
00:44:55:00	00:44:58:00	SO WHEN SOMEONE WANTS TO
00:44:58:00	00:44:59:00	PROPOSE A LONG TERM ARTWORK AND
00:44:59:00	00:45:01:00	WE THE OUR COMMISSION HAS KIND
00:45:01:00	00:45:05:00	OF SPECIFIC STANDARDS THAT WE
00:45:05:00	00:45:05:00	ARE LOOKING FOR INCLUDING
00:45:05:00	00:45:06:00	HAVING A MAINTENANCE PLAN AND
00:45:06:00	00:45:09:00	ALL SORTS OF OTHER THINGS TO
00:45:09:00	00:45:10:00	MAKE SURE THAT ANYTHING THAT WE
00:45:10:00	00:45:11:00	PUT INTO THE PUBLIC REALM CAN
00:45:11:00	00:45:13:00	REALLY STAND THE TEST OF TIME.
00:45:13:00	00:45:14:00	SO WE STOP IT AND WE'RE HAPPY
00:45:14:00	00:45:17:00	TO HELP PEOPLE UNDERSTAND THAT
00:45:17:00	00:45:17:00	PROCESS AND ALSO UNDERSTAND
00:45:17:00	00:45:18:00	WHAT OTHER KIND OF FUNDING
00:45:18:00	00:45:21:00	SOURCES OR OTHER SUPPORT IS OUT
00:45:21:00	00:45:21:00	THERE FOR PUBLIC ART.
00:45:21:00	00:45:22:00	BUT THE APPROVAL LIES WITH THE
00:45:22:00	00:45:25:00	COMMISSION THEN THAT'S GREAT.
00:45:25:00	00:45:28:00	THANK YOU FOR THAT THEN I GUESS
00:45:28:00	00:45:29:00	THE THE THE FOLLOW UP AND THAT
00:45:29:00	00:45:32:00	I HAVE I'M JUST CURIOUS ABOUT
00:45:32:00	00:45:36:00	THIS PROGRAM THAT WAS JUST
00:45:36:00	00:45:36:00	INITIATED THROUGH THE CITY
00:45:36:00	00:45:37:00	ACTIVISM.
00:45:37:00	00:45:40:00	SO DANNY RIVERA WAS REALLY
00:45:40:00	00:45:41:00	ENGAGED IN ACTIVATING IT AND
00:45:41:00	00:45:44:00	SOME OF THE THINGS THAT I
00:45:44:00	00:45:45:00	LEARNED IN THAT PROCESS WAS
00:45:45:00	00:45:47:00	THAT THEY WERE TARGETING
00:45:47:00	00:45:47:00	YOUNGER ARTISTS, EMERGING
00:45:47:00	00:45:51:00	ARTISTS.
00:45:51:00	00:45:52:00	AND SO I'M JUST CURIOUS ABOUT
00:45:52:00	00:45:53:00	KIND OF LIKE THE ENERGY THAT
00:45:53:00	00:45:55:00	EXISTS AROUND CREATING A
00:45:55:00	00:45:56:00	PIPELINE OF ARTISTS AND
00:45:56:00	00:45:56:00	STARTING THEM YOUNGER AND WHAT
00:45:56:00	00:45:59:00	ROLE IF ANY, YOUR DEPARTMENT
00:45:59:00	00:46:00:00	INTERFACES WITH THE BOSTON
00:46:00:00	00:46:00:00	PUBLIC SCHOOLS AND OTHER
00:46:00:00	00:46:03:00	ORGANIZATIONS THAT ARE DRIVEN
00:46:03:00	00:46:07:00	OR POTENTIAL PARTNERSHIPS NOW
00:46:07:00	00:46:11:00	SO IMPORTANT AND WE ARE THAT
00:46:11:00	00:46:12:00	THE WAY THAT WE DO THAT THE
00:46:12:00	00:46:13:00	MOST IS BY SUPPORTING AND
00:46:13:00	00:46:15:00	WORKING REALLY CLOSELY WITH THE
00:46:15:00	00:46:16:00	ORGANIZATIONS THAT PROVIDE
00:46:16:00	00:46:18:00	CREATIVE USE DEVELOPMENT
00:46:18:00	00:46:19:00	WHETHER THAT'S IN VPS OR OUT
00:46:19:00	00:46:22:00	OF SCHOOL.
00:46:22:00	00:46:23:00	MANY ORGANIZATIONS DO BOTH AND
00:46:23:00	00:46:26:00	SO WE SUPPORT THEM FINANCIALLY
00:46:26:00	00:46:27:00	BUT ALSO WITH TECHNICAL
00:46:27:00	00:46:30:00	ASSISTANCE.
00:46:30:00	00:46:31:00	THIS PAST YEAR WE ACTUALLY
00:46:31:00	00:46:34:00	STARTED CONVENING A GROUP AT
00:46:34:00	00:46:35:00	NOT JUST OF THOSE ORGANIZATIONS
00:46:35:00	00:46:36:00	BUT ALSO OF CREATIVE EMPLOYERS
00:46:36:00	00:46:39:00	AND HIGHER ED IN THE ARTS TO
00:46:39:00	00:46:39:00	HAVE A CONVERSATION ABOUT HOW
00:46:39:00	00:46:41:00	ARE WE KIND OF WORKING TOGETHER
00:46:41:00	00:46:42:00	TO REALLY MAKE THOSE PATHWAYS
00:46:42:00	00:46:45:00	CLEAR TO YOUNG PEOPLE AND THEIR
00:46:45:00	00:46:46:00	FAMILIES AND WHAT ARE THE
00:46:46:00	00:46:47:00	BARRIERS TO DOING THAT WE
00:46:47:00	00:46:50:00	REALLY UNDERSTAND, YOU KNOW,
00:46:50:00	00:46:50:00	THE FULL LANDSCAPE OF WHAT
00:46:50:00	00:46:53:00	THOSE JOBS ARE OR WHAT THE
00:46:53:00	00:46:54:00	BENEFITS OF ARTS AND CULTURE
00:46:54:00	00:46:55:00	ARE FOR YOUNG PEOPLE.
00:46:55:00	00:46:56:00	IS THAT BEING COMMUNICATED
00:46:56:00	00:46:57:00	CLEARLY TO FAMILIES AND WE KNOW
00:46:57:00	00:46:58:00	THAT A LOT OF YOUTH PROGRAMS
00:46:58:00	00:47:01:00	HAVE REALLY LONG WAIT LISTS SO
00:47:01:00	00:47:01:00	JUST KIND OF STARTING TO UNPACK
00:47:01:00	00:47:04:00	THAT AND TRY TO UNDERSTAND WHAT
00:47:04:00	00:47:06:00	WHAT COULD THE CITY DO ALSO AS
00:47:06:00	00:47:09:00	A CONVENER NOT JUST AS A FUNDER
00:47:09:00	00:47:12:00	TO ADDRESS THAT AND TO MAYBE
00:47:12:00	00:47:13:00	PILOT SOME WAYS FOR PEOPLE TO
00:47:13:00	00:47:14:00	WORK TOGETHER EVEN ON SIMPLE
00:47:14:00	00:47:17:00	THINGS, YOU KNOW, A CREATIVE
00:47:17:00	00:47:21:00	CAREER FAIR OPPORTUNITY CAROL.
00:47:21:00	00:47:21:00	WELL, SOMETHING THAT I DIDN'T
00:47:21:00	00:47:26:00	REALIZE AND GOT YOU DOING
00:47:26:00	00:47:27:00	SOMETHING THAT CAN REALLY
00:47:27:00	00:47:27:00	CENTRALIZE ACCESS TO ALL
00:47:27:00	00:47:31:00	OF THOSE DIFFERENT PROGRAMS AND
00:47:31:00	00:47:31:00	JUST MAKE IT CLEARER.
00:47:31:00	00:47:32:00	AND THERE'S FOR A YOUNG PERSON
00:47:32:00	00:47:34:00	WHO'S INTERESTED IN ARTS,
00:47:34:00	00:47:35:00	THERE'S JUST LIKE A LOT
00:47:35:00	00:47:37:00	OF DIGGING THAT ONE HAS TO DO
00:47:37:00	00:47:38:00	IN ORDER TO FIGURE OUT HOW TO
00:47:38:00	00:47:39:00	SUPPORT THAT.
00:47:39:00	00:47:40:00	SO I'M SORT OF MY CONVERSATION
00:47:40:00	00:47:42:00	NOW AND HOPEFULLY THAT CAN
00:47:42:00	00:47:45:00	CONVERT INTO SOME PROGRAM IDEAS
00:47:45:00	00:47:46:00	EARLY NEXT YEAR.
00:47:46:00	00:47:47:00	I WILL SAY I'M REALLY EXCITED
00:47:47:00	00:47:50:00	ABOUT THE POSSIBILITY MAYORS WE
00:47:50:00	00:47:51:00	ALL CREW AND HOW THAT COULD BE
00:47:51:00	00:47:54:00	BUILT OUT INTO A MUCH BIGGER
00:47:54:00	00:47:57:00	YOUTH PROGRAM IN A VARIETY
00:47:57:00	00:47:58:00	OF WAYS.
00:47:58:00	00:47:59:00	OBVIOUSLY LIKE YOUNG PEOPLE CAN
00:47:59:00	00:48:01:00	ALWAYS BE HELPING WITH MURALS
00:48:01:00	00:48:02:00	BUT WE'VE SEEN OTHER PROGRAMS
00:48:02:00	00:48:03:00	AROUND THE COUNTRY THAT HAVE
00:48:03:00	00:48:06:00	REALLY TURNED INTO A WORKFORCE
00:48:06:00	00:48:06:00	DEVELOPMENT OPPORTUNITY.
00:48:06:00	00:48:10:00	WE'RE EXCITED TO TO TALK TO
00:48:10:00	00:48:11:00	OTHER CITIES AND TALK TO ARTS
00:48:11:00	00:48:11:00	EDUCATORS AND THINK ABOUT WHAT
00:48:11:00	00:48:13:00	THAT COULD LOOK LIKE FOR US AND
00:48:13:00	00:48:14:00	SO THAT I'M CLEAR FOR FOLKS WHO
00:48:14:00	00:48:16:00	ARE TUNING IN THAT THAT ART IS
00:48:16:00	00:48:17:00	NOT JUST VISUAL ART.
00:48:17:00	00:48:18:00	THERE'S ALSO SPOKEN WORD
00:48:18:00	00:48:24:00	THERE'S DRAMA AND TRAUMA AND
00:48:24:00	00:48:25:00	ALL THAT OTHER GOOD STUFF THAT
00:48:25:00	00:48:26:00	GOES THAT'S INTERCONNECTED.
00:48:26:00	00:48:28:00	AND SO THE LAST THING THAT I
00:48:28:00	00:48:29:00	WILL JUST KIND OF UPLIFT IS
00:48:29:00	00:48:32:00	THAT FOR ME IS ART IS THAT
00:48:32:00	00:48:33:00	SOMETHING THAT IS JUST RESERVED
00:48:33:00	00:48:36:00	FOR THOSE WHO HAVE UNLIMITED
00:48:36:00	00:48:36:00	RESOURCES.
00:48:36:00	00:48:36:00	RIGHT.
00:48:36:00	00:48:37:00	THAT IT'S A PRIVILEGE FOR SOME
00:48:37:00	00:48:40:00	FOLKS TO TAKE AN ART CLASS OR
00:48:40:00	00:48:41:00	TO DO SOMETHING.
00:48:41:00	00:48:42:00	AND I'M JUST CURIOUS AS YOU
00:48:42:00	00:48:44:00	CONTINUE TO DEVELOP YOUR YOUR
00:48:44:00	00:48:45:00	BUDGET PRIORITIES, CAN YOU JUST
00:48:45:00	00:48:48:00	SHARE WITH US MAYBE TWO OR
00:48:48:00	00:48:49:00	THREE SPECIFIC THINGS THAT
00:48:49:00	00:48:52:00	YOU'RE DOING TO BE MORE
00:48:52:00	00:48:55:00	INCLUSIVE OF DIVERSE
00:48:55:00	00:48:57:00	EXPERIENCES AND NOT JUST IN
00:48:57:00	00:48:57:00	TERMS OF JUST NOT JUST BLACK
00:48:57:00	00:48:58:00	AND BROWN PEOPLE BUT I'M
00:48:58:00	00:49:00:00	TALKING SOCIO ECONOMIC STATUS
00:49:00:00	00:49:04:00	JUST STATUS YOU EVEN DOCUMENTED
00:49:04:00	00:49:05:00	UNDOCUMENTED KIND OF LIKE WE
00:49:05:00	00:49:07:00	JUST GET WHEN WE THINK ABOUT
00:49:07:00	00:49:08:00	WHEN WE WERE THINKING ABOUT
00:49:08:00	00:49:12:00	ACCESS AND INCLUSION, YOU KNOW,
00:49:12:00	00:49:12:00	WE ALWAYS CALLED BLACK AND
00:49:12:00	00:49:15:00	BROWN BUT I JUST WANT TO PUSH
00:49:15:00	00:49:16:00	US A LITTLE BIT AND ALSO LOOK
00:49:16:00	00:49:18:00	AT INCLUSIVE DISABILITIES
00:49:18:00	00:49:22:00	DOCUMENTATION'S THAT IS
00:49:22:00	00:49:22:00	LANGUAGE.
00:49:22:00	00:49:23:00	SO IF YOU COULD THAT WOULD BE
00:49:23:00	00:49:26:00	GREAT.
00:49:26:00	00:49:29:00	YEAH, I THINK JUST BECAUSE YOU
00:49:29:00	00:49:30:00	JUST MENTIONED DISABILITY
00:49:30:00	00:49:34:00	ACCESS AND WE HAVE AN ARTIST IN
00:49:34:00	00:49:34:00	RESIDENCE RIGHT NOW WHO'S
00:49:34:00	00:49:37:00	SPECIFICALLY FOCUSED ON THE
00:49:37:00	00:49:38:00	ACCESSIBILITY OF THE CITY AND
00:49:38:00	00:49:41:00	HOW THAT'S PERCEIVED AND
00:49:41:00	00:49:42:00	EXPERIENCED IS SOMEONE WITH
00:49:42:00	00:49:45:00	WITH A DISABILITY AND HER WHOLE
00:49:45:00	00:49:45:00	PROJECT REVOLVES AROUND THAT IN
00:49:45:00	00:49:49:00	PARTNERSHIP WITH THE
00:49:49:00	00:49:52:00	TRANSPORTATION TEAM AND RIGHT
00:49:52:00	00:49:56:00	NOW THERE THAT PROGRAM IS
00:49:56:00	00:49:57:00	GETTING READY TO HAVE I THINK
00:49:57:00	00:49:58:00	THEIR FINAL PROJECTS.
00:49:58:00	00:49:59:00	THERE WILL BE KIND OF A
00:49:59:00	00:50:00:00	PRESENTATION.
00:50:00:00	00:50:01:00	I THINK THEY'RE GOING TO BE ON
00:50:01:00	00:50:04:00	THE PLAZA ABOUT HOW AS AN
00:50:04:00	00:50:04:00	ARTIST MOVING THROUGH THE CITY
00:50:04:00	00:50:05:00	THAT IS EXPERIENCED AND WHAT
00:50:05:00	00:50:08:00	SOME THE RECOMMENDATIONS MIGHT
00:50:08:00	00:50:08:00	BE.
00:50:08:00	00:50:09:00	SO IT'S THINKING A LOT ABOUT
00:50:09:00	00:50:12:00	THE DESIGN AND CULTURE OF THE
00:50:12:00	00:50:13:00	CITY AND HOW THE CITY FEELS
00:50:13:00	00:50:16:00	THAT KIND OF ARTS LIKE CAPITAL
00:50:16:00	00:50:17:00	A LIKE FINE ARTS BUT KIND
00:50:17:00	00:50:18:00	OF WHAT IS THE CULTURE THE
00:50:18:00	00:50:19:00	FEELING OF THE CITY AND HOW
00:50:19:00	00:50:22:00	DOES THAT IMPACT INDIVIDUALS?
00:50:22:00	00:50:23:00	ANOTHER THING THAT COMES TO
00:50:23:00	00:50:27:00	MIND IS THROUGH ANOTHER PROGRAM
00:50:27:00	00:50:28:00	WE'VE BEEN SUPPORTING DESIGN
00:50:28:00	00:50:31:00	STUDIO FOR SOCIAL INTERVENTION
00:50:31:00	00:50:32:00	THAT'S DOING SOMETHING CALLED
00:50:32:00	00:50:33:00	THE DESIGN JIM AND UPLINE
00:50:33:00	00:50:34:00	CORNER AND THIS IS A SPACE THAT
00:50:34:00	00:50:39:00	IS JUST OPEN AND FREE TO ANYONE
00:50:39:00	00:50:43:00	AND REALLY SEES ITSELF AS A
00:50:43:00	00:50:43:00	PLACE WHERE LIKE COMMUNITY
00:50:43:00	00:50:44:00	MEMBERS, YOUNG PEOPLE, ARTISTS,
00:50:44:00	00:50:47:00	CULTURAL PRACTITIONERS, CULTURE
00:50:47:00	00:50:47:00	BEARERS OF DIFFERENT KINDS,
00:50:47:00	00:50:51:00	CHEFS LIKE EVERYBODY JUST BE IN
00:50:51:00	00:50:52:00	ONE SPACE AND TAKE CLASSES,
00:50:52:00	00:50:55:00	ORGANIZE TOGETHER AND SOME
00:50:55:00	00:50:56:00	OF THAT IS KIND OF CREATIVE
00:50:56:00	00:50:58:00	CLASSES.
00:50:58:00	00:50:59:00	THE POINT IS REALLY LIKE
00:50:59:00	00:51:00:00	BUILDING THAT SOCIAL CONNECTION
00:51:00:00	00:51:03:00	AND HELPING PEOPLE UNDERSTAND
00:51:03:00	00:51:03:00	THAT THEY CAN ACTUALLY HAVE
00:51:03:00	00:51:06:00	AGENCY AND CHANGING THE CITY
00:51:06:00	00:51:06:00	AND IMPACTING THE CITY.
00:51:06:00	00:51:07:00	AND I THINK THAT'S A REALLY
00:51:07:00	00:51:10:00	GREAT EXAMPLE OF KIND OF A
00:51:10:00	00:51:11:00	SHIFT TOWARD ARTS AND CULTURE
00:51:11:00	00:51:13:00	AND CREATIVITY IS SOMETHING
00:51:13:00	00:51:14:00	EVERYBODY SHOULD HAVE ACCESS TO
00:51:14:00	00:51:15:00	AND IS JUST A PART
00:51:15:00	00:51:18:00	OF EVERYBODY'S LIFE AS OPPOSED
00:51:18:00	00:51:19:00	TO THIS KIND OF SPECIAL
00:51:19:00	00:51:22:00	PRIVILEGED SPACE YOU WERE
00:51:22:00	00:51:23:00	TALKING ABOUT AND I DON'T KNOW
00:51:23:00	00:51:24:00	NAIDA OR KENNEDY IF THERE'S ANY
00:51:24:00	00:51:25:00	OTHER EXAMPLES THAT COME TO
00:51:25:00	00:51:29:00	MIND THAT KENNEDY WANT TO SHARE
00:51:29:00	00:51:32:00	ABOUT THE CULTURAL ACCESS OR
00:51:32:00	00:51:33:00	ANY MASTERY CHIEF OF STAFF WITH
00:51:33:00	00:51:36:00	THE MAYOR'S OFFICE OF ARTS AND
00:51:36:00	00:51:40:00	CULTURE AS PART OF THE CULTURAL
00:51:40:00	00:51:41:00	CONSORTIUM OF THE MUSEUM
00:51:41:00	00:51:44:00	OF SCIENCE, THE AQUARIUM
00:51:44:00	00:51:51:00	CHILDREN'S MUSEUM AND AQUARIUM
00:51:51:00	00:51:52:00	, WE LAUNCH AN RFP TO HELP
00:51:52:00	00:51:55:00	FIGURE WHAT A PROCESS COULD BE
00:51:55:00	00:51:56:00	TO GIVE FREE ACCESS TO THOSE
00:51:56:00	00:51:59:00	CULTURAL INSTITUTIONS WITH
00:51:59:00	00:52:03:00	STUDENTS WHO HAVE BPCI ID SO
00:52:03:00	00:52:04:00	EXTENDED ACCESS OPPORTUNITIES
00:52:04:00	00:52:07:00	THERE ARE READY ACCESS PROGRAMS
00:52:07:00	00:52:08:00	BUT THIS IS REALLY LOOKING AT A
00:52:08:00	00:52:11:00	MORE UNIVERSAL AND LESS
00:52:11:00	00:52:12:00	CUMBERSOME PROGRAM WHERE
00:52:12:00	00:52:15:00	STUDENTS AND THEIR FAMILIES CAN
00:52:15:00	00:52:16:00	RECEIVE FREE ACCESS THOSE
00:52:16:00	00:52:18:00	CULTURAL INSTITUTIONS AS PART
00:52:18:00	00:52:22:00	OF EVERY BOSTONIANS RIGHT TO
00:52:22:00	00:52:26:00	ACCESS TO CULTURE AND THOSE
00:52:26:00	00:52:26:00	INSTITUTIONS.
00:52:26:00	00:52:30:00	SO THIS RFP IS IN THE PROCESS
00:52:30:00	00:52:31:00	OF BEING REVIEWED SO THAT WE
00:52:31:00	00:52:34:00	CAN IMPLEMENT A PLAN HOPEFULLY
00:52:34:00	00:52:35:00	FOR THE FALL SO THAT WE CAN
00:52:35:00	00:52:37:00	KICK THAT OFF AS A PILOT
00:52:37:00	00:52:37:00	PROJECT.
00:52:37:00	00:52:38:00	THANK YOU.
00:52:38:00	00:52:44:00	THANK YOU COUNSELOR LYNN, YOU
00:52:44:00	00:52:49:00	HAVE HER COUNCIL PRESIDENT
00:52:49:00	00:52:56:00	KAREN THANK YOU MADAM CHAIR AND
00:52:56:00	00:52:57:00	I SEE AND WAS LISTENING CLOSELY
00:52:57:00	00:53:00:00	TO CARA IN HER COMMENTS.
00:53:00:00	00:53:01:00	I WANT TO SAY THANK YOU TO YOU,
00:53:01:00	00:53:03:00	KYRA, FOR THE IMPORTANT WORK
00:53:03:00	00:53:04:00	YOU'RE DOING AND THE
00:53:04:00	00:53:08:00	OPPORTUNITY TO WORK WITH YOU ON
00:53:08:00	00:53:11:00	SOME MURALS AND SOME PUBLIC IN
00:53:11:00	00:53:12:00	CHINATOWN ESPECIALLY.
00:53:12:00	00:53:16:00	BUT WE CAPTURED OR I SHOULD
00:53:16:00	00:53:17:00	SHOULD SAY THE THE ODDEST
00:53:17:00	00:53:20:00	CAPTION WITH THE COMMUNITY THE
00:53:20:00	00:53:22:00	THE IMPORTANT ROLE IMMIGRANTS
00:53:22:00	00:53:23:00	PLAY IN THE COMMUNITY AND
00:53:23:00	00:53:27:00	WORKING FAMILIES AND IN
00:53:27:00	00:53:31:00	ADDRESSING EVEN ADDRESSING HATE
00:53:31:00	00:53:34:00	CRIMES THAT WE'VE SEEN AGAINST
00:53:34:00	00:53:35:00	THE ASIAN COMMUNITY HERE AND
00:53:35:00	00:53:38:00	HERE IN BOSTON.
00:53:38:00	00:53:41:00	I THINK GOD REALLY SHOWED SHOW
00:53:41:00	00:53:46:00	THE STORY AND ALSO SHOW THE
00:53:46:00	00:53:47:00	STORY ABOUT THE RESILIENCE
00:53:47:00	00:53:50:00	OF THE OF THE COMMUNITY.
00:53:50:00	00:53:51:00	SO I WANT TO SAY THANK YOU TO
00:53:51:00	00:53:53:00	TO YOU, KYRA A. A TEAM AND I
00:53:53:00	00:53:59:00	GUESS I GUESS MY QUESTION IS I
00:53:59:00	00:54:00:00	SEE SOMETIMES THESE BEAUTIFUL
00:54:00:00	00:54:04:00	MURALS AND ARTISTS IN THE
00:54:04:00	00:54:05:00	PAINTING, THESE WONDERFUL
00:54:05:00	00:54:08:00	MURALS AND THEY'VE SPENT SO
00:54:08:00	00:54:12:00	MUCH TIME ON THEM AND THEN AND
00:54:12:00	00:54:13:00	THEN I SEE A COUPLE OF WEEKS
00:54:13:00	00:54:19:00	LATER GRAFFITI ON.
00:54:19:00	00:54:20:00	SO IT MUST BE FRUSTRATING TO TO
00:54:20:00	00:54:23:00	YOU BUT CERTAINLY TO BE HONEST
00:54:23:00	00:54:27:00	WHAT IS WHAT CAN PREVENT US
00:54:27:00	00:54:31:00	FROM PEOPLE MOCKING THESE
00:54:31:00	00:54:32:00	BEAUTIFUL MURALS UP WITH
00:54:32:00	00:54:39:00	GRAFFITI I THINK AND I MEAN
00:54:39:00	00:54:40:00	THERE'S A CERTAIN EXTENT TO
00:54:40:00	00:54:41:00	WHICH YOU KNOW, WE LIVE IN THE
00:54:41:00	00:54:43:00	CITY THINGS ARE GOING TO HAPPEN
00:54:43:00	00:54:44:00	AND THIS IS WHY WE'RE WE'RE
00:54:44:00	00:54:46:00	TRYING TO CREATE A SYSTEM FOR
00:54:46:00	00:54:47:00	BEING ABLE TO TOUCH THOSE UP
00:54:47:00	00:54:50:00	AND KIND OF INTERVENE WORK WITH
00:54:50:00	00:54:51:00	THE ARTISTS WHEN THAT WHEN WE
00:54:51:00	00:54:52:00	SEE SOME TAGGING OR THINGS LIKE
00:54:52:00	00:54:54:00	THAT HAPPEN.
00:54:54:00	00:54:55:00	I DO THINK YOU KNOW, WE'VE ALSO
00:54:55:00	00:54:56:00	BEEN HAVING A REALLY GREAT
00:54:56:00	00:54:58:00	CONVERSATION WITH PROPERTY
00:54:58:00	00:54:59:00	MANAGEMENT AND WITH THE MAYOR'S
00:54:59:00	00:55:00:00	OFFICE ABOUT WHAT IT LOOKS LIKE
00:55:00:00	00:55:03:00	TO CREATE A POSITIVE SPACE FOR
00:55:03:00	00:55:03:00	GRAFFITI.
00:55:03:00	00:55:04:00	YOU KNOW, THERE'S A CERTAIN
00:55:04:00	00:55:06:00	AMOUNT OF GRAFFITI THAT'S
00:55:06:00	00:55:07:00	ALWAYS GOING TO JUST WANT TO
00:55:07:00	00:55:10:00	HAPPEN WHERE YOU ON MURALS
00:55:10:00	00:55:11:00	AROUND OTHER SPACES.
00:55:11:00	00:55:14:00	BUT WE ALSO KNOW THAT GRAFFITI
00:55:14:00	00:55:18:00	CAN BE AN AMAZING ART FORM.
00:55:18:00	00:55:19:00	WE HAVE A LOT OF AMAZING
00:55:19:00	00:55:20:00	WRITERS IN TOWN, GRAFFITI
00:55:20:00	00:55:23:00	ARTISTS AND THERE'S BEEN A LOT
00:55:23:00	00:55:23:00	OF CONVERSATION ABOUT WHERE WE
00:55:23:00	00:55:26:00	CAN HAVE SPACE FOR THAT WHERE
00:55:26:00	00:55:27:00	THERE COULD BE LIKE A FREE WALL
00:55:27:00	00:55:28:00	AND I DO FEEL LIKE IT WOULD BE
00:55:28:00	00:55:30:00	GOOD AS A CITY FOR US TO HAVE
00:55:30:00	00:55:30:00	LIKE A POSITIVE SPACE FOR THAT.
00:55:30:00	00:55:34:00	THAT'S NOT KIND OF TAGGING THE
00:55:34:00	00:55:34:00	ARTWORK THAT THAT ALREADY
00:55:34:00	00:55:35:00	EXISTS AND SO THAT'S SOMETHING
00:55:35:00	00:55:38:00	THAT HOPEFULLY WE CAN CONTINUE
00:55:38:00	00:55:38:00	TO EXPLORE.
00:55:38:00	00:55:39:00	BUT OTHER THAN THAT, I THINK
00:55:39:00	00:55:42:00	YOU KNOW, THIS IS WHY WE HAVE
00:55:42:00	00:55:42:00	CONSERVATION DOLLARS.
00:55:42:00	00:55:43:00	IT'S WHY WE HAVE MAINTENANCE
00:55:43:00	00:55:46:00	FUNDS AND PLANS, YOU KNOW, TO
00:55:46:00	00:55:47:00	BE PREPARED FOR FOR ALL
00:55:47:00	00:55:49:00	OF THOSE THOSE THINGS THAT WILL
00:55:49:00	00:55:49:00	JUST HAPPEN.
00:55:49:00	00:55:53:00	BUT I THINK GIVEN EVERY EVERY
00:55:53:00	00:55:56:00	COUNCILOR IN THEIR DISTRICT HAS
00:55:56:00	00:55:57:00	WHETHER IT'S EXISTING MURALS
00:55:57:00	00:56:01:00	THAT HAVE BEEN TAGGED OR MURALS
00:56:01:00	00:56:01:00	THAT ARE FADING, I THINK
00:56:01:00	00:56:05:00	SOMETHING THAT WILL COME UP AS
00:56:05:00	00:56:06:00	A FOLLOW UP FOR US FROM THIS
00:56:06:00	00:56:08:00	CONVERSATION IS TO REACH OUT TO
00:56:08:00	00:56:09:00	EACH OF YOUR OFFICES AND JUST
00:56:09:00	00:56:11:00	SEE WHAT'S ON YOUR RADARS IN
00:56:11:00	00:56:13:00	TERMS OF LIKE IF THERE IS A HOT
00:56:13:00	00:56:13:00	SPOT WHERE THINGS ARE BEING,
00:56:13:00	00:56:15:00	YOU KNOW, MARKED UP ALL THE
00:56:15:00	00:56:16:00	TIME OR THERE IS SOMETHING
00:56:16:00	00:56:17:00	THAT'S FADING LIKE LET'S MAKE
00:56:17:00	00:56:19:00	SURE LET'S THAT WE THAT WE
00:56:19:00	00:56:20:00	PRIORITIZE THAT AND GET THAT IN
00:56:20:00	00:56:21:00	THE BEGINNING OF OUR FISCAL
00:56:21:00	00:56:23:00	YEAR.
00:56:23:00	00:56:23:00	WELL, THANK YOU, KYRA.
00:56:23:00	00:56:26:00	AND TO YOUR TEAM, I ALSO WANT
00:56:26:00	00:56:27:00	TO ACKNOWLEDGE THE IMPORTANT
00:56:27:00	00:56:30:00	WORK OF GRAFFITI BUSTERS BUT
00:56:30:00	00:56:35:00	ALSO PUBLIC WORKS AND ONE ONE
00:56:35:00	00:56:36:00	OR TWO DEPARTMENTS THAT I THINK
00:56:36:00	00:56:39:00	ARE ALSO CRITICAL TO THIS IS
00:56:39:00	00:56:41:00	OFFICE OF IMMIGRANT ADVANCEMENT
00:56:41:00	00:56:42:00	AND THEY OFTEN HAVE GREAT IDEAS
00:56:42:00	00:56:46:00	ABOUT HOW WE CAN CELEBRATE THE
00:56:46:00	00:56:50:00	CONTRIBUTIONS OF OUR IMMIGRANT
00:56:50:00	00:56:50:00	NEIGHBORS THROUGH.
00:56:50:00	00:56:54:00	SO JUST WANT TO JUST WANT TO
00:56:54:00	00:56:55:00	HIGHLIGHT OFFICE OF IMMIGRANT
00:56:55:00	00:56:58:00	ADVANCEMENT, LANGUAGE
00:56:58:00	00:56:59:00	OF COMMUNICATION, ACCESS TO THE
00:56:59:00	00:57:01:00	IMPORTANT ROLE THEY PLAY CITY
00:57:01:00	00:57:01:00	AS WELL.
00:57:01:00	00:57:05:00	THANK YOU, MADAM CHAIRMAN.
00:57:05:00	00:57:05:00	THANK YOU.
00:57:05:00	00:57:09:00	COUNCIL PRESIDENT CLINTON.
00:57:09:00	00:57:10:00	UP NEXT WE HAVE
00:57:10:00	00:57:10:00	COUNCILOR MURPHY.
00:57:10:00	00:57:12:00	YOU HAVE THE FLOOR.
00:57:12:00	00:57:12:00	THANK YOU.
00:57:12:00	00:57:13:00	THANK YOU CHAIR AND THANK YOU
00:57:13:00	00:57:16:00	KAREN AND YOUR TEAM FOR BEING
00:57:16:00	00:57:20:00	ON AND TO PIGGYBACK ON WHAT
00:57:20:00	00:57:21:00	COUNCILOR PRESIDENT FLYNN JUST
00:57:21:00	00:57:24:00	MENTIONED, I LOVE WHEN YOU SEE
00:57:24:00	00:57:25:00	THE ART AND I KNOW A LOT OF OUR
00:57:25:00	00:57:28:00	WALLS HOUSING LIKE THE ONE IN
00:57:28:00	00:57:29:00	THE SOUTH END AND ONE IN
00:57:29:00	00:57:30:00	DORCHESTER RIGHT NEAR MY HOUSE.
00:57:30:00	00:57:31:00	I LOVE THOSE BIG PINK THINGS
00:57:31:00	00:57:32:00	THAT ARE GOING UP AND THE
00:57:32:00	00:57:36:00	ELECTRIC BOXES AROUND THE CITY.
00:57:36:00	00:57:39:00	IT'S IT'S NICE TO SEE THE AND I
00:57:39:00	00:57:40:00	DO THINK IT ALSO HAS AN AT
00:57:40:00	00:57:41:00	LARGE CITY COUNCIL .
00:57:41:00	00:57:43:00	IT REALLY SHOWS THE CULTURE,
00:57:43:00	00:57:44:00	THE FEEL OF DIFFERENT
00:57:44:00	00:57:44:00	NEIGHBORHOODS.
00:57:44:00	00:57:54:00	IT REFLECTS THE DIFFERENCE.
00:57:54:00	00:57:55:00	SO THAT'S NICE JUST HERE TO
00:57:55:00	00:57:56:00	LISTEN AND MAKE SURE THAT YOU
00:57:56:00	00:57:57:00	HAVE ENOUGH MONEY COMING INTO
00:57:57:00	00:57:57:00	BUDGET SEASON AS A YOU KNOW
00:57:57:00	00:57:59:00	SOMEONE ANY TIME WE'VE HAD
00:57:59:00	00:58:00:00	HEARINGS OR WE'VE TALKED YOU
00:58:00:00	00:58:01:00	KNOW, I'M A BIG SUPPORTER
00:58:01:00	00:58:03:00	OF THE ARTS AND I DO KNOW HOW
00:58:03:00	00:58:06:00	THEY DIRECTLY AFFECT OUR MENTAL
00:58:06:00	00:58:10:00	HEALTH, OUR GROWTH AND ALL
00:58:10:00	00:58:11:00	OF THE SOCIAL DEVELOPMENT
00:58:11:00	00:58:12:00	OF NOT JUST YOUNG KIDS BUT EVEN
00:58:12:00	00:58:14:00	SENIORS EARLIER TODAY IN
00:58:14:00	00:58:15:00	BETWEEN THE BUDGET HEARINGS I
00:58:15:00	00:58:18:00	WENT OVER TO GROW PAUL AND WAS
00:58:18:00	00:58:19:00	WITH THE SENIOR CENTER AND
00:58:19:00	00:58:22:00	THEY'RE MAKING QUILTS OUT
00:58:22:00	00:58:26:00	OF OLD SWEATERS AND WE WERE
00:58:26:00	00:58:27:00	PLAYING MUSICAL BINGO SO AND
00:58:27:00	00:58:30:00	IT'S THE MEMORY CAFE OVER
00:58:30:00	00:58:31:00	THERE.
00:58:31:00	00:58:31:00	SO THERE'S JUST SO MANY
00:58:31:00	00:58:34:00	BENEFITS ACROSS THE CITY AND
00:58:34:00	00:58:35:00	THE SENIOR OUTREACH BUT ALSO
00:58:35:00	00:58:38:00	MAKING SURE THAT OUR BETSIE
00:58:38:00	00:58:39:00	WIFE AND ALL OF OUR CITY
00:58:39:00	00:58:42:00	DEPARTMENTS ARE GETTING THE
00:58:42:00	00:58:43:00	FUNDING THEY NEED BUT KNOWING
00:58:43:00	00:58:44:00	ALSO THAT THEY HAVE THEIR OWN
00:58:44:00	00:58:46:00	BUDGET.
00:58:46:00	00:58:47:00	SO TO MAKE SURE THAT WE'RE
00:58:47:00	00:58:50:00	MAKING SURE THAT YOU ARE NOT
00:58:50:00	00:58:51:00	EXPECTED TO STRETCH YOUR BUDGET
00:58:51:00	00:58:52:00	TO SUPPORT OTHER DEPARTMENTS
00:58:52:00	00:58:54:00	WHO CAN ASK FOR IT THEMSELVES.
00:58:54:00	00:58:54:00	RIGHT.
00:58:54:00	00:58:57:00	SORT OF WHEN WE GET INTO A
00:58:57:00	00:58:58:00	BUDGET SEASON AND I'M LOOKING
00:58:58:00	00:58:59:00	AT ALL OF WHERE WE'RE IN THE
00:58:59:00	00:59:02:00	BUDGET, WE'RE HERE TO TALK
00:59:02:00	00:59:02:00	ABOUT IT.
00:59:02:00	00:59:03:00	BUT IF THERE'S ANYTHING
00:59:03:00	00:59:06:00	SPECIFIC OR THINGS YOU FEEL
00:59:06:00	00:59:09:00	THAT WE'RE MISSING BEFORE I
00:59:09:00	00:59:10:00	PASS IT OVER TO MY NEXT
00:59:10:00	00:59:11:00	COUNCILOR , IS THERE ANYTHING
00:59:11:00	00:59:13:00	YOU WISH YOU SAW OR SOMETHING
00:59:13:00	00:59:14:00	YOU WERE HOPING TO HAVE IN THE
00:59:14:00	00:59:17:00	BUDGET THAT YOU WANT US TO
00:59:17:00	00:59:17:00	ADVOCATE FOR?
00:59:17:00	00:59:21:00	I'D LOVE TO HEAR IT BEFORE I
00:59:21:00	00:59:24:00	THANK YOU, COUNCILOR AND I
00:59:24:00	00:59:25:00	DON'T KNOW THAT THERE'S
00:59:25:00	00:59:26:00	ANYTHING MISSING FROM THE
00:59:26:00	00:59:26:00	BUDGET.
00:59:26:00	00:59:28:00	I THINK THE AREAS THAT HAVE
00:59:28:00	00:59:28:00	BEEN PRIORITIES WE'VE BEEN
00:59:28:00	00:59:31:00	REALLY INTENTIONAL ABOUT
00:59:31:00	00:59:32:00	HIGHLIGHTING SOMETHING SO THAT
00:59:32:00	00:59:33:00	THIS TIME NEXT YEAR WE CAN SAY
00:59:33:00	00:59:36:00	THIS IS WHAT OUR ASK WOULD BE
00:59:36:00	00:59:37:00	AROUND SOMETHING LIKE CULTURAL
00:59:37:00	00:59:40:00	SPACE AND CULTURAL SPACE IS
00:59:40:00	00:59:42:00	REALLY THE MAIN AREA WHERE
00:59:42:00	00:59:44:00	FUNDING YOU KNOW, IT TAKES A
00:59:44:00	00:59:44:00	LOT OF FUNDING TO HAVE AN
00:59:44:00	00:59:47:00	INTERVENTION.
00:59:47:00	00:59:48:00	BUT I THINK BETWEEN THE ZONING
00:59:48:00	00:59:52:00	REFORM IDEAS, SOME OF CAME UP
00:59:52:00	00:59:55:00	IN THE THE LAST COUNCIL HEARING
00:59:55:00	00:59:56:00	THAT WE HAD ON AFFORDABLE SPACE
00:59:56:00	00:59:58:00	FOR MUSICIANS AND OTHER ARTISTS
00:59:58:00	00:59:59:00	, THERE'S SOMETHING THAT WAS
00:59:59:00	01:00:00:00	GREAT.
01:00:00:00	01:00:00:00	YEAH.
01:00:00:00	01:00:00:00	YEAH.
01:00:00:00	01:00:03:00	THERE'S SOME DIFFERENT POLICY.
01:00:03:00	01:00:04:00	THE ITEMS THAT I THINK YOU
01:00:04:00	01:00:07:00	KNOW, WE'RE IN A POSITION TO
01:00:07:00	01:00:08:00	MOVE FORWARD THAT CAN CREATE A
01:00:08:00	01:00:10:00	FUNDING SOURCE THAT CAN BE
01:00:10:00	01:00:11:00	DEPLOYED WITHOUT JUST KIND
01:00:11:00	01:00:11:00	OF ADDING TO THE OPERATING
01:00:11:00	01:00:14:00	BUDGET IN FISCAL YEAR.
01:00:14:00	01:00:15:00	AND I THINK THAT'S A SMART
01:00:15:00	01:00:17:00	THING FOR US TO TO BE TRYING SO
01:00:17:00	01:00:22:00	SO NOTHING SPECIFIC OUTSIDE.
01:00:22:00	01:00:23:00	I'M LOOKING FORWARD TO GETTING
01:00:23:00	01:00:25:00	THOSE CONVERSATIONS WITH AND
01:00:25:00	01:00:26:00	THINKING ABOUT THE NEXT STEPS
01:00:26:00	01:00:28:00	ON THEM.
01:00:28:00	01:00:29:00	SO THANK YOU.
01:00:29:00	01:00:29:00	THAT'S ALL.
01:00:29:00	01:00:32:00	THANK YOU CHAIR.
01:00:32:00	01:00:33:00	THANK YOU COUNCILOR MURPHY.
01:00:33:00	01:00:42:00	CONCLUSION.
01:00:42:00	01:00:46:00	THANK YOU MR KEEP ON MAKING
01:00:46:00	01:00:47:00	MAKING MISTAKES.
01:00:47:00	01:00:48:00	THANK YOU MADAM CHAIR AND THANK
01:00:48:00	01:00:50:00	YOU CHIEF ELLIOTT ORTEGA FOR
01:00:50:00	01:00:51:00	THE PRESENTATION.
01:00:51:00	01:00:54:00	I THINK YOU SENSE FROM EVERYONE
01:00:54:00	01:00:55:00	AND THROUGH THE EYES OF THE
01:00:55:00	01:00:57:00	SHARED ENTHUSIASM WITH MURAL'S
01:00:57:00	01:00:58:00	THE JUST THE LEVEL OF DOPAMINE
01:00:58:00	01:01:01:00	AND EXCITEMENT AND JOY THAT
01:01:01:00	01:01:02:00	ARTWORK AND PUBLIC ART CAN
01:01:02:00	01:01:06:00	PROVIDE TO OUR RESIDENTS.
01:01:06:00	01:01:07:00	SO DEFINITELY WE WERE DRIVING
01:01:07:00	01:01:10:00	IN JP EARLIER TODAY AND WAS
01:01:10:00	01:01:10:00	LOOKING AT ONE OF THE NEW
01:01:10:00	01:01:13:00	MURALS GOING UP ON THE SIDE.
01:01:13:00	01:01:14:00	I CAN'T REMEMBER THE BUILDING
01:01:14:00	01:01:17:00	BUT WE'RE REALLY EXCITED ABOUT
01:01:17:00	01:01:22:00	IT AND I WANT TO THANK YOU FOR
01:01:22:00	01:01:25:00	THE LEADERSHIP THAT YOUR OFFICE
01:01:25:00	01:01:26:00	SHOWED FOR THE DISPLACED
01:01:26:00	01:01:26:00	RESIDENTS, THE DISPLACED
01:01:26:00	01:01:29:00	ARTISTS AS A RESULT OF THE
01:01:29:00	01:01:32:00	SOUND MUSEUM AND THE WORK THAT
01:01:32:00	01:01:33:00	YOU WERE ABLE TO DO WITH THEM
01:01:33:00	01:01:34:00	ALONGSIDE COUNCILOR BRADEN'S
01:01:34:00	01:01:34:00	OFFICE AND OTHERS.
01:01:34:00	01:01:37:00	I KNOW THAT I SPOKE TO NONE
01:01:37:00	01:01:38:00	OF THOSE OF THE ART RECORDING
01:01:38:00	01:01:41:00	ARTISTS AND SO AND I KNOW
01:01:41:00	01:01:42:00	COUNCILOR BRITTON ALSO ASKED
01:01:42:00	01:01:44:00	THIS QUESTION ABOUT HOW WE CAN
01:01:44:00	01:01:47:00	BE MORE INTENTIONAL AND MORE
01:01:47:00	01:01:51:00	WHAT'S THE RIGHT WORD PROACTIVE
01:01:51:00	01:01:54:00	WITH GETTING AHEAD OF THESE
01:01:54:00	01:01:55:00	DISPLACEMENT ISSUES.
01:01:55:00	01:01:56:00	I KNOW THAT MY MY
01:01:56:00	01:01:58:00	COUNCIL COLLEAGUES COLLETTA AN
01:01:58:00	01:01:59:00	ENGINEER AND BREADON HELD A
01:01:59:00	01:02:02:00	HEARING SPECIFICALLY ON THIS
01:02:02:00	01:02:03:00	ISSUE.
01:02:03:00	01:02:04:00	BUT WHEN WE'RE TALKING ABOUT
01:02:04:00	01:02:04:00	DISPLACEMENT, LOOKING AT THE
01:02:04:00	01:02:06:00	DEVELOPMENT THAT'S COMING IN
01:02:06:00	01:02:07:00	AND SEEING ARE WE ABLE TO
01:02:07:00	01:02:08:00	NEGOTIATE COMMUNITY BENEFITS
01:02:08:00	01:02:11:00	SPECIFICALLY FOR ARTISTS SPACE
01:02:11:00	01:02:15:00	FOR FOR WHETHER BE VISUAL
01:02:15:00	01:02:15:00	ARTISTS OR RECORDING ARTISTS
01:02:15:00	01:02:19:00	LIKE ARE WE BUILDING OUT A
01:02:19:00	01:02:22:00	STRATEGY TO BE ABLE TO TO
01:02:22:00	01:02:23:00	NEGOTIATE WITH DEVELOPERS
01:02:23:00	01:02:23:00	ESPECIALLY WHEN THE
01:02:23:00	01:02:27:00	DISPLACEMENT IS WHEN THE
01:02:27:00	01:02:27:00	DEVELOPMENT IS SPECIFICALLY
01:02:27:00	01:02:30:00	DISPLACING OR HAVING AN EFFECT
01:02:30:00	01:02:31:00	ON ARTISTS AND ALSO HOW WE'RE
01:02:31:00	01:02:34:00	THINKING ABOUT IT WITH RESPECT
01:02:34:00	01:02:35:00	TO ALL THE OTHER THINGS THAT WE
01:02:35:00	01:02:38:00	USUALLY WANT FROM DEVELOPERS.
01:02:38:00	01:02:39:00	AND I KNOW THAT THERE ARE TRADE
01:02:39:00	01:02:39:00	OFFS.
01:02:39:00	01:02:41:00	SO HOW ARE WE THINKING ABOUT
01:02:41:00	01:02:42:00	THE CITY WHEN WHEN WHEN WE'RE
01:02:42:00	01:02:46:00	TRYING TO DECIDE WHAT NEEDS TO
01:02:46:00	01:02:47:00	BE PRIORITIZED, WHETHER WE'RE
01:02:47:00	01:02:47:00	TALKING ABOUT SPACE FOR ARTISTS
01:02:47:00	01:02:50:00	BASED NONPROFIT AFFORDABLE
01:02:50:00	01:02:50:00	HOUSING, THOSE SORT OF TRADE
01:02:50:00	01:02:51:00	OFFS?
01:02:51:00	01:02:53:00	HOPEFULLY THAT MAKES SENSE.
01:02:53:00	01:02:54:00	YEAH, THAT'S THAT'S THE BIG
01:02:54:00	01:02:57:00	QUESTION I THINK A COUPLE
01:02:57:00	01:02:58:00	OF THINGS AS WE CONTINUE TO BE
01:02:58:00	01:03:00:00	KIND OF EMBEDDED IN PLANNING
01:03:00:00	01:03:01:00	AND DEVELOPMENT REVIEW AND WE
01:03:01:00	01:03:04:00	ARE GOING TO BE LOOKING AT AN
01:03:04:00	01:03:05:00	CREATING A RECOMMENDATION FOR
01:03:05:00	01:03:09:00	THE CITY AROUND WHICH AREAS
01:03:09:00	01:03:09:00	SHOULD PRIORITIZE EITHER
01:03:09:00	01:03:13:00	CREATING THAT KIND OF SPACE OR
01:03:13:00	01:03:13:00	SUPPORTING THROUGH COMMUNITY
01:03:13:00	01:03:17:00	BENEFITS FUNDING SPACE
01:03:17:00	01:03:17:00	SOMEWHERE ELSE.
01:03:17:00	01:03:18:00	AND THERE'S A FEW DIFFERENT
01:03:18:00	01:03:19:00	WAYS THAT WE CAN THINK ABOUT
01:03:19:00	01:03:20:00	THAT.
01:03:20:00	01:03:21:00	WE COULD THINK ABOUT THE
01:03:21:00	01:03:21:00	CULTURAL DISTRICTS AROUND THE
01:03:21:00	01:03:22:00	CITY, PARTS OF THE CITY THAT
01:03:22:00	01:03:25:00	HAVE HAD STRONG CULTURAL
01:03:25:00	01:03:26:00	CENTERS IN THE PAST THAT HAVE
01:03:26:00	01:03:29:00	BEEN LOST OR THAT HAVE THEM NOW
01:03:29:00	01:03:30:00	BUT THEY'RE AT RISK AND THOSE
01:03:30:00	01:03:32:00	WOULD BE GEOGRAPHIES WE WOULD
01:03:32:00	01:03:32:00	WANT TO FOCUS ON.
01:03:32:00	01:03:33:00	ANOTHER ONE IS THINKING ABOUT
01:03:33:00	01:03:36:00	WHERE THERE'S LIKE INDUSTRIAL
01:03:36:00	01:03:37:00	SPACE AROUND THE CITY THAT
01:03:37:00	01:03:37:00	MIGHT BE CONVERTING INTO
01:03:37:00	01:03:40:00	HOUSING WHICH WE REALLY NEED.
01:03:40:00	01:03:41:00	BUT WE ALSO KNOW THAT WHEN WE
01:03:41:00	01:03:43:00	LOSE THOSE SPACES WE LOSE
01:03:43:00	01:03:44:00	SPACES FOR PEOPLE TO MAKE
01:03:44:00	01:03:44:00	CREATIVE WORK.
01:03:44:00	01:03:45:00	SO THERE'S DIFFERENT WAYS TO
01:03:45:00	01:03:48:00	KIND LOOK AT THE CITY AND SAY
01:03:48:00	01:03:48:00	THESE ARE THE AREAS WHERE
01:03:48:00	01:03:49:00	DEVELOPMENT CAME HERE.
01:03:49:00	01:03:51:00	WE THINK IT SHOULD DO X, Y AND
01:03:51:00	01:03:52:00	Z AND WHERE WE'RE WORKING ON
01:03:52:00	01:03:55:00	ARTICULATING THAT NOW.
01:03:55:00	01:03:56:00	I THINK ADDITIONALLY AND THIS
01:03:56:00	01:03:58:00	IS WHY WE HAVE BEEN TRYING TO
01:03:58:00	01:04:02:00	CREATE ONE FUND TO HOLD THE
01:04:02:00	01:04:03:00	MITIGATION DOLLARS AND
01:04:03:00	01:04:03:00	COMMUNITY BENEFIT DOLLARS FROM
01:04:03:00	01:04:06:00	THESE PROJECTS BECAUSE AS YOU
01:04:06:00	01:04:07:00	ALL KNOW IN AN IDEAL WORLD WE
01:04:07:00	01:04:10:00	WOULD BE ABLE TO JUST RECREATE
01:04:10:00	01:04:11:00	WHAT WAS LAST RIGHT NEXT DOOR.
01:04:11:00	01:04:14:00	BUT THAT'S NOT HOW THE BOSTON
01:04:14:00	01:04:15:00	LAND MARKET WORKS AND THE BEST
01:04:15:00	01:04:18:00	THING FOR MUSIC COMMUNITY OR
01:04:18:00	01:04:19:00	VISUAL ARTS COMMUNITY MIGHT BE
01:04:19:00	01:04:22:00	TO MOVE TO A DIFFERENT
01:04:22:00	01:04:23:00	NEIGHBORHOOD WHEREVER THAT
01:04:23:00	01:04:23:00	SPACE IS AVAILABLE.
01:04:23:00	01:04:26:00	AND SO WE NEED THE FLEXIBILITY
01:04:26:00	01:04:27:00	TO BE ABLE TO CENTRALIZE SOME
01:04:27:00	01:04:29:00	OF THOSE FUNDS AND THEN BE ABLE
01:04:29:00	01:04:30:00	TO MOVE AROUND ALSO BECAUSE
01:04:30:00	01:04:31:00	THAT'S MORE EQUITABLE.
01:04:31:00	01:04:33:00	YOU KNOW, IF WE'RE ONLY
01:04:33:00	01:04:34:00	CREATING CULTURAL SPACES WHERE
01:04:34:00	01:04:34:00	DEVELOPMENT IS HAPPENING THEN
01:04:34:00	01:04:38:00	THAT'S LEAVING OUT LARGE CHUNKS
01:04:38:00	01:04:38:00	OF THE CITY.
01:04:38:00	01:04:40:00	SO THOSE ARE SOME OF THE THINGS
01:04:40:00	01:04:41:00	WE'VE BEEN WE'VE BEEN TRYING TO
01:04:41:00	01:04:41:00	WORK ON.
01:04:41:00	01:04:42:00	BUT THAT FIRST PART IS
01:04:42:00	01:04:45:00	DEFINITELY A POLICY THAT WE
01:04:45:00	01:04:47:00	WANT TO TAKE A STAB AT AND SEE
01:04:47:00	01:04:49:00	IF WE CAN WORK WITH THE MAYOR'S
01:04:49:00	01:04:53:00	OFFICE AGAIN, ZONING REFORM IS
01:04:53:00	01:04:54:00	GOING TO BE A BIG WAY THAT THAT
01:04:54:00	01:04:56:00	COULD HAPPEN AND SEE IF WE GET
01:04:56:00	01:04:57:00	THAT AS A POLICY AND THANK YOU.
01:04:57:00	01:05:01:00	I APPRECIATE THAT ANSWER.
01:05:01:00	01:05:02:00	I ALSO A LOT OF TIMES WE GET
01:05:02:00	01:05:04:00	THESE BENEFITS FROM DEVELOPERS
01:05:04:00	01:05:05:00	AS PART OF COMMUNITY BENEFITS
01:05:05:00	01:05:05:00	AGREEMENTS WITH THERE'S
01:05:05:00	01:05:08:00	ACTUALLY SO THERE'S AND I'M NOT
01:05:08:00	01:05:09:00	GOING TO SAY ALWAYS BUT
01:05:09:00	01:05:09:00	OFTENTIMES THERE'S NO FOLLOW
01:05:09:00	01:05:09:00	THROUGH.
01:05:09:00	01:05:11:00	SO WE HAVE SOMETHING THAT WAS
01:05:11:00	01:05:12:00	PROMISED BUT WE DON'T ENSURE
01:05:12:00	01:05:15:00	THE EXECUTION AND I THINK LIKE
01:05:15:00	01:05:16:00	WE ARE LEAVING DOLLARS ON THE
01:05:16:00	01:05:17:00	TABLE MUCH NEEDED DOLLARS ON
01:05:17:00	01:05:20:00	THE TABLE FOR OUR CULTURAL
01:05:20:00	01:05:22:00	INSTITUTIONS AND SO THE MORE
01:05:22:00	01:05:23:00	THAT WE ARE ABLE TO DO AND
01:05:23:00	01:05:24:00	THERE'S SOMETHING I'VE TALKED
01:05:24:00	01:05:26:00	TO BBJ ABOUT QUITE A BIT TO
01:05:26:00	01:05:30:00	ENSURE EXECUTION WHEN WE DO
01:05:30:00	01:05:31:00	WHEN WE DO WHEN COMMUNITIES ARE
01:05:31:00	01:05:35:00	ABLE TO NEGOTIATE FOR YOU KNOW,
01:05:35:00	01:05:36:00	WHETHER IT'S IQ ARE RIGHT, IQ
01:05:36:00	01:05:39:00	ARE IN BRITAIN SAYING THAT THEY
01:05:39:00	01:05:39:00	ARE GOING TO PROVIDE PHYSICAL
01:05:39:00	01:05:42:00	SPACE FOR OURS.
01:05:42:00	01:05:43:00	HOW DO WE ENSURE THAT HAPPENS
01:05:43:00	01:05:44:00	AND STAY ON THEM TO MAKE SURE
01:05:44:00	01:05:47:00	THAT HAPPENS?
01:05:47:00	01:05:48:00	AND SO I JUST WANT TO SEE US DO
01:05:48:00	01:05:50:00	A BETTER JOB AS A CITY, WHETHER
01:05:50:00	01:05:51:00	IT'S MONETARY, WHETHER IT'S
01:05:51:00	01:05:54:00	MONETARY OR ACTUAL SOMETHING
01:05:54:00	01:05:57:00	MATERIAL THAT WE ARE ABLE TO
01:05:57:00	01:05:58:00	FOLLOW THROUGH ON THAT AND I
01:05:58:00	01:06:02:00	GUESS MY OTHER MY OTHER MY
01:06:02:00	01:06:03:00	OTHER JUST PIE IN THE SKY IDEA
01:06:03:00	01:06:06:00	I THINK THAT I JUST WANT TO SEE
01:06:06:00	01:06:09:00	US DO A BETTER JOB
01:06:09:00	01:06:10:00	OF SUPPORTING AND I THINK MY
01:06:10:00	01:06:13:00	COLLEAGUES SAID THIS TO YOUNG
01:06:13:00	01:06:17:00	BIOPUNK ARTISTS IT IS REALLY
01:06:17:00	01:06:18:00	EXPENSIVE TO RENT SPACE.
01:06:18:00	01:06:20:00	IT IS REALLY IT IS REALLY HARD
01:06:20:00	01:06:21:00	FOR FOLKS TO KNOW THAT THEY CAN
01:06:21:00	01:06:22:00	BE AN ARTIST.
01:06:22:00	01:06:24:00	IT IS REALLY HARD FOR FOLKS YOU
01:06:24:00	01:06:25:00	KNOW WHAT I WHAT I'VE HEARD YOU
01:06:25:00	01:06:26:00	KNOW, FROM FROM BEING ABLE TO
01:06:26:00	01:06:28:00	LIKE OBTAIN THE ARTIST
01:06:28:00	01:06:29:00	PREFERENCE EVEN WHEN IT COMES
01:06:29:00	01:06:29:00	TO HOUSING.
01:06:29:00	01:06:32:00	BUT THERE'S A LOT OF THERE'S A
01:06:32:00	01:06:36:00	LOT OF DISINFORMATION, LACK
01:06:36:00	01:06:37:00	OF INFORMATION AROUND THAT
01:06:37:00	01:06:37:00	PROCESS.
01:06:37:00	01:06:40:00	SO I KNOW THAT IF HE CAN HEAR
01:06:40:00	01:06:41:00	IT USED UP, I KNOW THAT'S GOING
01:06:41:00	01:06:42:00	TO BE A FOCUS OF OF YOUR
01:06:42:00	01:06:42:00	OFFICE.
01:06:42:00	01:06:43:00	I JUST WANT TO DOUBLE DOWN ON
01:06:43:00	01:06:44:00	THE NEED FOR US TO REALLY BE
01:06:44:00	01:06:47:00	WORKING FOR THE ARTISTS.
01:06:47:00	01:06:48:00	I JUST TALKED TO AN ARTIST THE
01:06:48:00	01:06:49:00	OTHER DAY WHO I UNIMAC WHO'S
01:06:49:00	01:06:51:00	DOING AN INCREDIBLE JOB IN AND
01:06:51:00	01:06:52:00	MAKING IT AND WRITING IT BUT
01:06:52:00	01:06:55:00	IT'S NOT WITHOUT WITHOUT
01:06:55:00	01:06:56:00	STRUGGLE AND I'M AFRAID YOU
01:06:56:00	01:06:58:00	KNOW, ROOTING THESE
01:06:58:00	01:06:59:00	CONVERSATIONS AND THAT WHAT ARE
01:06:59:00	01:07:00:00	YOU THINKING ABOUT WHAT WE HAVE
01:07:00:00	01:07:02:00	TO DO WITH THE HISTORICAL
01:07:02:00	01:07:03:00	REASONS WHY OUR COMMUNITIES
01:07:03:00	01:07:03:00	LACK THE CAPITAL TO BE ABLE TO
01:07:03:00	01:07:06:00	SURVIVE AS ARTISTS.
01:07:06:00	01:07:07:00	AND SO I WANT TO SEE MORE
01:07:07:00	01:07:08:00	OF OUR DOLLARS GOING TO THAT
01:07:08:00	01:07:09:00	WORK IN MORE OF OUR DOLLARS
01:07:09:00	01:07:10:00	WORKING WITH OUR COMMUNITIES
01:07:10:00	01:07:14:00	AND STRENGTHENING THEIR CULTURE
01:07:14:00	01:07:14:00	.
01:07:14:00	01:07:15:00	I'M HAITIAN.
01:07:15:00	01:07:16:00	I KNOW THAT THERE'S A THERE'S
01:07:16:00	01:07:18:00	BEEN AN THANK COUNCILOR FOR
01:07:18:00	01:07:18:00	LIKE A LITTLE HAITI.
01:07:18:00	01:07:21:00	SO JUST PUTTING THAT ON THE
01:07:21:00	01:07:22:00	TABLE.
01:07:22:00	01:07:22:00	THANK YOU.
01:07:22:00	01:07:23:00	I DON'T KNOW IF THERE'S TIME TO
01:07:23:00	01:07:24:00	RESPOND TO ANYTHING THAT I PUT
01:07:24:00	01:07:25:00	OUT THERE.
01:07:25:00	01:07:29:00	I WOULD JUST DEFINITELY AGREE
01:07:29:00	01:07:33:00	NEEDS ACCESS IS SOMETHING THAT
01:07:33:00	01:07:34:00	AND IS SUPPORTING THESE
01:07:34:00	01:07:34:00	PROGRAMS I THINK IS SOMETHING
01:07:34:00	01:07:36:00	THAT WE NEED TO DO A BETTER JOB
01:07:36:00	01:07:37:00	OF OUTSIDE OF JUST WORKING WITH
01:07:37:00	01:07:40:00	THE YOUTH SERVING ORGANIZATION
01:07:40:00	01:07:40:00	.
01:07:40:00	01:07:41:00	SO I WOULD JUST DISAGREE WITH
01:07:41:00	01:07:48:00	YOU JUST I THANK YOU,
01:07:48:00	01:07:48:00	COUNCILOR .
01:07:48:00	01:07:51:00	OVERALL YOU HAVE FOR THANK YOU
01:07:51:00	01:07:52:00	MADAM CHAIR AND THANK YOU CHIEF
01:07:52:00	01:07:56:00	ELLIOTT ORTEGA, REST OF THE
01:07:56:00	01:07:57:00	TEAM FOR BEING IN ALL THE WORK
01:07:57:00	01:07:59:00	THAT YOU DO HERE IN THE CITY
01:07:59:00	01:08:00:00	OF BOSTON.
01:08:00:00	01:08:00:00	IT IS HELPS BEAUTIFY THE
01:08:00:00	01:08:02:00	NEIGHBORHOOD AND APPRECIATE ALL
01:08:02:00	01:08:03:00	OF IT.
01:08:03:00	01:08:06:00	I HAVE A COUPLE OF QUESTIONS.
01:08:06:00	01:08:07:00	THE EXTERNAL FUNDS THAT GOES TO
01:08:07:00	01:08:10:00	THE STRAND THEATER IS THAT JUST
01:08:10:00	01:08:14:00	MORE SO FOR MAINTENANCE OR
01:08:14:00	01:08:14:00	OPERATING?
01:08:14:00	01:08:18:00	WHAT IS WHAT DOES THAT FUND FOR
01:08:18:00	01:08:18:00	?
01:08:18:00	01:08:19:00	AND THEN ALSO I LOVE THE
01:08:19:00	01:08:20:00	STRANGLER GO INTO THE STREET
01:08:20:00	01:08:21:00	AND SEEING SOMEONE PLAYS AND
01:08:21:00	01:08:25:00	PERFORMANCES IN TERMS OF USAGE
01:08:25:00	01:08:29:00	ARE WE SEEING LIKE THE INCREASE
01:08:29:00	01:08:30:00	BOOKING OF THE TREND FOR SHOWS
01:08:30:00	01:08:36:00	COMING IN PERFORMANCES?
01:08:36:00	01:08:37:00	THANK YOU COUNCILOR .
01:08:37:00	01:08:38:00	IN TERMS OF THE REVOLVING FUND
01:08:38:00	01:08:41:00	FOR THE STRAND AND NIGHT, I
01:08:41:00	01:08:42:00	FEEL FREE TO JUMP IN HERE BUT
01:08:42:00	01:08:44:00	MOST OF THAT DOES GO TOWARD THE
01:08:44:00	01:08:45:00	DIRECT COST THAT WE HAVE IN THE
01:08:45:00	01:08:45:00	THEATER.
01:08:45:00	01:08:49:00	SO GISAENG SUPPLIES FIXING
01:08:49:00	01:08:53:00	THINGS A LOT OF THINGS TO FIX
01:08:53:00	01:08:55:00	AND A BUILDING FROM 1918 AND
01:08:55:00	01:08:56:00	ALSO FROM THE REVOLVING FUND WE
01:08:56:00	01:09:00:00	ALSO PAY USHERS AND THINGS LIKE
01:09:00:00	01:09:00:00	THAT.
01:09:00:00	01:09:03:00	SO THAT'S THAT'S WHAT THAT
01:09:03:00	01:09:04:00	ENTIRE FUND IS SUPPORTING IS
01:09:04:00	01:09:06:00	THE DIRECT COST OF OPERATING
01:09:06:00	01:09:07:00	THEATER NINE.
01:09:07:00	01:09:08:00	AM I MISSING ANYTHING ON THAT?
01:09:08:00	01:09:08:00	YEAH.
01:09:08:00	01:09:12:00	OK, AND YOUR SECOND QUESTION
01:09:12:00	01:09:15:00	ABOUT USAGE AND WE'RE SEEING A
01:09:15:00	01:09:16:00	LOT OF DEMAND FOR THE THEATER
01:09:16:00	01:09:18:00	WE DID LAST YEAR AS WELL.
01:09:18:00	01:09:19:00	A LOT OF EVENTS.
01:09:19:00	01:09:20:00	THERE'S A LOT OF PEOPLE WHO
01:09:20:00	01:09:22:00	WANT TO DO WORK THERE.
01:09:22:00	01:09:23:00	IT'S I THINK COME BACK.
01:09:23:00	01:09:27:00	WE WERE OBVIOUSLY CLOSED AT ONE
01:09:27:00	01:09:27:00	POINT DURING COVID.
01:09:27:00	01:09:31:00	I DON'T SEE THOSE NUMBERS AS
01:09:31:00	01:09:35:00	BEING LOWER THAN THEY WERE
01:09:35:00	01:09:35:00	RECORDED NECESSARILY.
01:09:35:00	01:09:36:00	IT'S BEEN HARD FOR SOME
01:09:36:00	01:09:38:00	ORGANIZATIONS THAT MAYBE
01:09:38:00	01:09:38:00	USUALLY DO PRODUCTIONS IN THE
01:09:38:00	01:09:39:00	STRAND THAT ARE STILL KIND
01:09:39:00	01:09:42:00	OF MAKING THEIR WAY BACK.
01:09:42:00	01:09:43:00	AND SO WE HAVE HAD A COUPLE
01:09:43:00	01:09:44:00	OF ORGANIZATIONS THAT HAVE SAID
01:09:44:00	01:09:46:00	YOU CAN'T DO A PRODUCTION THIS
01:09:46:00	01:09:47:00	YEAR AND WE'RE STILL RECOVERING
01:09:47:00	01:09:49:00	FROM MEXICO NINETEEN.
01:09:49:00	01:09:50:00	BUT FOR THE MOST PART IT'S IT'S
01:09:50:00	01:09:53:00	BEEN PRETTY WELL USED.
01:09:53:00	01:09:53:00	I THINK OUR BIGGEST CHALLENGE
01:09:53:00	01:09:54:00	RIGHT NOW IS ACTUALLY JUST
01:09:54:00	01:09:57:00	STAFFING.
01:09:57:00	01:09:58:00	WE HAVE A VACANT POSITION THAT
01:09:58:00	01:10:01:00	WE NEED TO GET HOSTED AND
01:10:01:00	01:10:02:00	FILLED IN ORDER TO SUPPORT THE
01:10:02:00	01:10:05:00	TECHNICAL PRODUCTION SIDE, THE
01:10:05:00	01:10:05:00	THEATER.
01:10:05:00	01:10:06:00	AND THAT'S JUST A IT'S A REALLY
01:10:06:00	01:10:09:00	CHALLENGING MARKET RIGHT NOW
01:10:09:00	01:10:10:00	EVERY THEATER IS HAVING A HARD
01:10:10:00	01:10:12:00	TIME FINDING TECHNICAL STAFF.
01:10:12:00	01:10:17:00	PEOPLE HAVE AFTER COVID MANY,
01:10:17:00	01:10:18:00	MANY PEOPLE WHO DO THAT KIND
01:10:18:00	01:10:18:00	OF WORK HAVE ACTUALLY JUST GONE
01:10:18:00	01:10:20:00	TO OTHER LINES OF WORK ENTIRELY
01:10:20:00	01:10:21:00	.
01:10:21:00	01:10:22:00	SO THAT'S SOMETHING THAT WE'RE
01:10:22:00	01:10:22:00	WORKING ON AND TROUBLESHOOTING
01:10:22:00	01:10:23:00	NOW.
01:10:23:00	01:10:27:00	BUT BUT THE DEMAND IS THERE AND
01:10:27:00	01:10:28:00	WE CAN SPEND SOME EXACT NUMBERS
01:10:28:00	01:10:31:00	IF THAT'S HELPFUL.
01:10:31:00	01:10:34:00	YEAH, THAT'S WE HAVE A FEW
01:10:34:00	01:10:34:00	ADDED.
01:10:34:00	01:10:35:00	WE'D LIKE TO ALSO ADVOCATE FOR
01:10:35:00	01:10:38:00	MURAL'S IN THESE AREAS.
01:10:38:00	01:10:42:00	THERE'S A BRIDGE ON NORFOLK
01:10:42:00	01:10:43:00	STREET CINEMA FOR A BRIDGE
01:10:43:00	01:10:46:00	WE'RE DOING OVER LIKE WE DID
01:10:46:00	01:10:47:00	OVER THE STEPS LAST YEAR.
01:10:47:00	01:10:50:00	THEY DID SOME BEAUTIFICATION
01:10:50:00	01:10:51:00	GOING ON THESE OUR GUIDE
01:10:51:00	01:10:54:00	GUARDRAILS AT THE BOTTOM OF THE
01:10:54:00	01:10:58:00	STAIRS OF THIS WALL AND AT ALSO
01:10:58:00	01:10:59:00	THE BOTTOM OF THE STAIRS IS A
01:10:59:00	01:11:01:00	VACANT LOT THAT COMMUNITIES
01:11:01:00	01:11:02:00	LOOKING TO TURN INTO A
01:11:02:00	01:11:05:00	COMMUNITY GARDEN THAT WE WOULD
01:11:05:00	01:11:06:00	LOVE TO SEE IF WE COULD TURN
01:11:06:00	01:11:09:00	THAT WALL IN FRONT OF THIS
01:11:09:00	01:11:10:00	COMMUNITY AT THE BOTTOM
01:11:10:00	01:11:13:00	OF STAIRS INTO A MURAL.
01:11:13:00	01:11:14:00	IT'S I BELIEVE IT'S ON BABSON'S
01:11:14:00	01:11:17:00	STREET OR MASTERSHIP I CAN GET
01:11:17:00	01:11:21:00	TO THE ACTUAL 82 MASCHA STREET
01:11:21:00	01:11:22:00	I BELIEVE IT IS IS THE ADDRESS
01:11:22:00	01:11:25:00	OF THIS WALL OF MEN.
01:11:25:00	01:11:28:00	WE'RE ALSO HOPING TO HAVE DONE
01:11:28:00	01:11:33:00	ON PARK WHICH IS A SOCCER FIELD
01:11:33:00	01:11:36:00	BUT RIGHT ACROSS THE STREET
01:11:36:00	01:11:37:00	FROM SALEM PARK IS A BRIDGE
01:11:37:00	01:11:40:00	THAT'S ON THE CORNER
01:11:40:00	01:11:41:00	OF COLUMBIA ROAD IN RICHFIELD
01:11:41:00	01:11:45:00	AND THESE BIG COLUMNS AND
01:11:45:00	01:11:47:00	THERE'S THIS WALL WHERE THE
01:11:47:00	01:11:48:00	SOCCER PLAYERS USUALLY HANG OUT
01:11:48:00	01:11:51:00	WHILE THEY'RE PLAYING SOCCER OR
01:11:51:00	01:11:52:00	BEFORE THEY PLAY SOCCER BECAUSE
01:11:52:00	01:11:55:00	ON SATURDAY SUNDAYS IT'S
01:11:55:00	01:11:56:00	BUSTLING.
01:11:56:00	01:11:59:00	I WOULD LOVE TO SEE IF WE CAN
01:11:59:00	01:12:00:00	CREATE SOME SORT OF GRANT TO OR
01:12:00:00	01:12:03:00	IF WE HAVE A GRANT TO PAINT
01:12:03:00	01:12:04:00	THAT UNDERPASS, JUST BEAUTIFY
01:12:04:00	01:12:07:00	THAT THAT'S A VERY ACTIVE AREA
01:12:07:00	01:12:09:00	DURING THE SUMMERTIME WITH
01:12:09:00	01:12:17:00	SOCCER LEAGUES BOTH WITH THOSE
01:12:17:00	01:12:21:00	AWESOME DEJI AND ONE OF MY
01:12:21:00	01:12:25:00	OTHER WOULD LOVE TO LEARN MORE
01:12:25:00	01:12:26:00	ABOUT CULTURAL DISTRICTS.
01:12:26:00	01:12:30:00	I KNOW THAT WE HAVE FOR HERE IN
01:12:30:00	01:12:30:00	THE CITY OF BOSTON WHAT WHAT
01:12:30:00	01:12:33:00	GOES INTO CREATING A WINNING
01:12:33:00	01:12:36:00	APPLICATION FOR CULTURALIST
01:12:36:00	01:12:41:00	SHOZO CULTURAL DISTRICTS ARE A
01:12:41:00	01:12:41:00	DESIGNATION FROM THE STATE FROM
01:12:41:00	01:12:44:00	THE MASSACHUSETTS CULTURAL
01:12:44:00	01:12:44:00	COUNCIL .
01:12:44:00	01:12:45:00	SO THE CITY'S ROLE IS A LITTLE
01:12:45:00	01:12:48:00	BIT AS INTERMEDIARY LOCAL GROUP
01:12:48:00	01:12:52:00	CAN APPLY TO THE STATE IN
01:12:52:00	01:12:53:00	PARTNERSHIP WITH THE CITY.
01:12:53:00	01:12:55:00	SO THAT REQUIRES CITY
01:12:55:00	01:12:56:00	COUNCIL APPROVAL AND THEN THE
01:12:56:00	01:13:00:00	CITY ENTERS INTO A MEMORANDUM
01:13:00:00	01:13:01:00	OF AGREEMENT WITH THE ENTITY
01:13:01:00	01:13:04:00	THAT IS TECHNICALLY MANAGING
01:13:04:00	01:13:04:00	THE DISTRICT.
01:13:04:00	01:13:05:00	SO FOR EXAMPLE, BOSTON'S LATIN
01:13:05:00	01:13:08:00	QUARTER AND SQUARE IS MANAGED
01:13:08:00	01:13:09:00	BY THE HEIDELBERG TASK FORCE
01:13:09:00	01:13:10:00	AND WE HAVE AN AGREEMENT WITH
01:13:10:00	01:13:12:00	THEM ABOUT WHAT GOES INTO THAT.
01:13:12:00	01:13:13:00	EACH DISTRICT IS A LITTLE BIT
01:13:13:00	01:13:16:00	DIFFERENT IN TERMS OF I THINK
01:13:16:00	01:13:17:00	HOW THEY WOULD DEFINE SUCCESS
01:13:17:00	01:13:19:00	BUT ALL OF THEM ARE FOCUSED ON
01:13:19:00	01:13:23:00	CREATING AND SUPPORTING ARTS
01:13:23:00	01:13:23:00	AND CULTURAL ACTIVITY IS
01:13:23:00	01:13:27:00	SUPPORTING LOCAL ARTISTS PUBLIC
01:13:27:00	01:13:28:00	ART ACTIVITY AND THE GEOGRAPHY
01:13:28:00	01:13:32:00	OF THE DISTRICT AND A COUPLE
01:13:32:00	01:13:33:00	OF THEM ARE MORE FOCUSED ON
01:13:33:00	01:13:35:00	TOURISM AND BRINGING PEOPLE IN
01:13:35:00	01:13:36:00	FENWAY CULTURAL DISTRICT WORKS
01:13:36:00	01:13:39:00	WITH THE INSTITUTION IN THE
01:13:39:00	01:13:40:00	FENWAY AND SO THEY DO A LOT
01:13:40:00	01:13:43:00	OF THINKING ABOUT HOW PEOPLE
01:13:43:00	01:13:44:00	HAVE A SENSE OF BELONGING AND
01:13:44:00	01:13:45:00	ACCESS TO THAT AREA AND THOSE
01:13:45:00	01:13:48:00	INSTITUTIONS AND BUT I THINK
01:13:48:00	01:13:51:00	WHAT WE'RE SEEING A LOT OF IS
01:13:51:00	01:13:51:00	PEOPLE TURNING TO CULTURAL
01:13:51:00	01:13:52:00	DISTRICTS AS A WAY
01:13:52:00	01:13:53:00	OF PRESERVING THEIR THEIR
01:13:53:00	01:13:55:00	CULTURAL IDENTITY AND THEIR
01:13:55:00	01:13:56:00	HERITAGE, WHICH IS SOMETHING
01:13:56:00	01:13:59:00	THAT WE REALLY WANT TO SUPPORT
01:13:59:00	01:13:59:00	.
01:13:59:00	01:14:00:00	SO IN THIS PAST YEAR WE ALSO
01:14:00:00	01:14:03:00	MADE MATCHING GRANTS TO ALL
01:14:03:00	01:14:04:00	OF THE CULTURAL DISTRICTS THAT
01:14:04:00	01:14:05:00	THEY WERE GETTING BOTH LOCAL
01:14:05:00	01:14:07:00	AND STATE SUPPORT SO THAT THEY
01:14:07:00	01:14:11:00	COULD REALLY DO THOSE PROGRAMS
01:14:11:00	01:14:12:00	THAT REALLY REFLECT THE
01:14:12:00	01:14:12:00	POPULATIONS THAT ARE THERE.
01:14:12:00	01:14:13:00	RIGHT.
01:14:13:00	01:14:15:00	WHICH IS PART OF WHAT THEY'RE
01:14:15:00	01:14:16:00	TRYING TO MAKE VISIBLE.
01:14:16:00	01:14:19:00	SO THAT'S LIKE A QUICK SENSE
01:14:19:00	01:14:23:00	OF BUT WE'RE HAPPY TO TALK TO
01:14:23:00	01:14:24:00	ANYBODY WHO'S INTERESTED IN THE
01:14:24:00	01:14:27:00	DISTRICT PROGRAM, HAPPY TO
01:14:27:00	01:14:27:00	CONNECT THEM TO THE STATE AS
01:14:27:00	01:14:28:00	WELL.
01:14:28:00	01:14:29:00	WE WORK IN REALLY CLOSE
01:14:29:00	01:14:30:00	PARTNERSHIP WITH THE MASS
01:14:30:00	01:14:31:00	CULTURAL COUNCIL SO THAT'S
01:14:31:00	01:14:32:00	USUALLY JUST ONE ONE BIG
01:14:32:00	01:14:34:00	CONVERSATION AND HAPPY TO HELP
01:14:34:00	01:14:35:00	ANYBODY WITH THAT PROCESS.
01:14:35:00	01:14:35:00	ABSOLUTELY.
01:14:35:00	01:14:38:00	YEAH, I LOVE TO CONNECT YOU
01:14:38:00	01:14:38:00	WITH THOSE WHO ARE INQUIRING
01:14:38:00	01:14:42:00	ABOUT THIS PROCESS AND THEN I
01:14:42:00	01:14:42:00	JUST HAVE A FEW BUDGET
01:14:42:00	01:14:43:00	QUESTIONS SO I CAN HAVE A
01:14:43:00	01:14:45:00	DEEPER UNDERSTANDING OF THE
01:14:45:00	01:14:46:00	NUMBERS.
01:14:46:00	01:14:46:00	SORRY , CASTLE.
01:14:46:00	01:14:49:00	WELL YOUR TIME'S UP.
01:14:49:00	01:14:50:00	HIS ACT IS ONE QUESTION JUST TO
01:14:50:00	01:14:56:00	GET IN ON THE RECORD IS WHAT
01:14:56:00	01:14:57:00	WHAT WHAT SERVICES ARE WE
01:14:57:00	01:15:00:00	CONTRACTED OUT?
01:15:00:00	01:15:01:00	AND THEN THE LAST ONE IS WHAT
01:15:01:00	01:15:05:00	GOES INTO OTHER CURRENT CHARGES
01:15:05:00	01:15:08:00	IN THE LAST TWO.
01:15:08:00	01:15:09:00	CHIEF, I'LL I'LL I'LL BE HAPPY
01:15:09:00	01:15:12:00	TO ALLOW TIME FOR THAT.
01:15:12:00	01:15:13:00	WE'RE GOING TO GO INTO OUR NEXT
01:15:13:00	01:15:15:00	CONVERSATION WITH TOURISM
01:15:15:00	01:15:16:00	OFFICE OF TOURISM.
01:15:16:00	01:15:20:00	MR BORDERS, IF YOU ARE READY TO
01:15:20:00	01:15:20:00	DO YOUR PRESENTATION, YOUR
01:15:20:00	01:15:23:00	FLOOR IS YOURS.
01:15:23:00	01:15:27:00	THANK YOU, COUNCILOR .
01:15:27:00	01:15:28:00	I WILL NOT BE PRESENTING ANY
01:15:28:00	01:15:32:00	SLIDES THAT I WILL SHARE MY
01:15:32:00	01:15:32:00	OPENING STATEMENT.
01:15:32:00	01:15:36:00	GOOD AFTERNOON TO ALL OF YOU.
01:15:36:00	01:15:37:00	THANK YOU SO MUCH FOR THE
01:15:37:00	01:15:37:00	OPPORTUNITY TO SHARE.
01:15:37:00	01:15:38:00	MY NAME IS JOHN PORTER'S THE
01:15:38:00	01:15:39:00	FOURTH.
01:15:39:00	01:15:40:00	I'M THE DIRECTOR OF THE OFFICE
01:15:40:00	01:15:41:00	OF TOURISM SPORTS AND
01:15:41:00	01:15:44:00	ENTERTAINMENT FOR THE CITY
01:15:44:00	01:15:44:00	OF BOSTON.
01:15:44:00	01:15:45:00	OUR OFFICE IS A PART OF THE
01:15:45:00	01:15:47:00	ECONOMIC OPPORTUNITY INCLUSION
01:15:47:00	01:15:50:00	CABINET WHOSE VISION OF BOSTON
01:15:50:00	01:15:51:00	IS THAT IT WOULD BE A
01:15:51:00	01:15:52:00	RESILIENT, ECONOMICALLY
01:15:52:00	01:15:54:00	EQUITABLE, VIBRANT AND
01:15:54:00	01:15:55:00	SUSTAINABLE CITY IN BOSTON THAT
01:15:55:00	01:15:59:00	CENTERS PEOPLE IN BOSTON THAT
01:15:59:00	01:15:59:00	CREATES OPPORTUNITIES TO BUILD
01:15:59:00	01:16:02:00	GENERATIONAL WEALTH FOR ALL AS
01:16:02:00	01:16:03:00	A CABINET OUR SHARED PRIORITIES
01:16:03:00	01:16:05:00	INCLUDE COVID
01:16:05:00	01:16:06:00	RECOVERY NEIGHBORHOOD
01:16:06:00	01:16:10:00	REVITALIZATION SHIFTINGS CITY
01:16:10:00	01:16:10:00	INVESTMENT AND PROSPERITY FOR
01:16:10:00	01:16:14:00	ALL OUR OFFICES MAKING IMPACTS
01:16:14:00	01:16:15:00	ACROSS EACH OF THESE GOALS WITH
01:16:15:00	01:16:17:00	INVESTMENTS IN EQUITABLE
01:16:17:00	01:16:18:00	RECOVERY OF THE TOURISM
01:16:18:00	01:16:19:00	INDUSTRY DOWNTOWN AND
01:16:19:00	01:16:22:00	NEIGHBORHOOD ACTIVATIONS IN
01:16:22:00	01:16:22:00	ASSURING BOSTON REMAINS A
01:16:22:00	01:16:26:00	VIBRANT AND INCLUSIVE CITY FOR
01:16:26:00	01:16:27:00	THE RESIDENTS AND VISITORS, THE
01:16:27:00	01:16:30:00	MISSION OF OUR DEPARTMENT IS TO
01:16:30:00	01:16:31:00	ADVANCE TOURISM AND PROMOTE
01:16:31:00	01:16:34:00	PUBLIC PARTICIPATION IN PUBLIC
01:16:34:00	01:16:35:00	CELEBRATIONS FROM BOTH
01:16:35:00	01:16:38:00	RESIDENTS AND VISITORS TO OUR
01:16:38:00	01:16:38:00	CITY.
01:16:38:00	01:16:41:00	WE DO THIS BY PRODUCING AND
01:16:41:00	01:16:42:00	SUPPORTING EVENTS ACROSS THE
01:16:42:00	01:16:45:00	CITY BY SUPPORTING FILM AND TV
01:16:45:00	01:16:46:00	PRODUCTION AND BY MARKETING THE
01:16:46:00	01:16:49:00	CITY TO CONVENTIONS AND
01:16:49:00	01:16:49:00	VISITORS ALIKE.
01:16:49:00	01:16:50:00	THE TOURISM, SPORTS AND
01:16:50:00	01:16:53:00	ENTERTAINMENT IS A SMALL
01:16:53:00	01:16:57:00	DEPARTMENT COMPOSED OF ELEVEN
01:16:57:00	01:16:58:00	FULL TIME AND PART TIME
01:16:58:00	01:16:58:00	EMPLOYEES.
01:16:58:00	01:17:01:00	TWENTY SEVEN PERCENT FEMALE.
01:17:01:00	01:17:02:00	SEVENTY THREE PERCENT MALE.
01:17:02:00	01:17:05:00	THIRTY SIX PERCENT IDENTIFYING
01:17:05:00	01:17:06:00	AS BLACK AND SIXTY FOUR PERCENT
01:17:06:00	01:17:06:00	IDENTIFY AS WHITE.
01:17:06:00	01:17:09:00	WE ARE COMMITTED TO ENSURING
01:17:09:00	01:17:10:00	THAT OUR OFFICE REFLECTS THE
01:17:10:00	01:17:11:00	DIVERSITY OF OUR CITY AND WE
01:17:11:00	01:17:13:00	ARE MINDFUL OF THAT WHEN MAKING
01:17:13:00	01:17:14:00	NEW HIRES AS WELL.
01:17:14:00	01:17:17:00	IN FACT THIS BUDGET REQUEST FOR
01:17:17:00	01:17:18:00	NEW POSITIONS GIVES US THE
01:17:18:00	01:17:18:00	OPPORTUNITY TO FURTHER
01:17:18:00	01:17:21:00	DIVERSIFY OUR DEPARTMENT.
01:17:21:00	01:17:22:00	OUR OFFICE PRODUCES ANNUAL
01:17:22:00	01:17:25:00	PUBLIC CELEBRATIONS THAT
01:17:25:00	01:17:26:00	INCLUDE DR. MARTIN LUTHER KING
01:17:26:00	01:17:29:00	JR. DAY WHERE WE PARTNERED WITH
01:17:29:00	01:17:30:00	BOSTON UNIVERSITY AND NEW
01:17:30:00	01:17:32:00	ENGLAND CONSERVATORY ONE BOSTON
01:17:32:00	01:17:33:00	DE EMANUELS FAVORITE THE DONNA
01:17:33:00	01:17:36:00	SUMMER DISCO PARTY GOSPEL FEST
01:17:36:00	01:17:40:00	AND THE MAYOR'S TROLLEY TOURS
01:17:40:00	01:17:41:00	JUST TO NAME A FEW.
01:17:41:00	01:17:44:00	WE ARE BRINGING BACK OUR DANCE
01:17:44:00	01:17:45:00	PARTY SERIES TO THE PLAZA AGAIN
01:17:45:00	01:17:46:00	THIS SUMMER AND WE WILL FEATURE
01:17:46:00	01:17:49:00	SALSA OROMBI HOUSE AND AFRO
01:17:49:00	01:17:53:00	BEATS MUSIC AND DANCING JUST TO
01:17:53:00	01:17:53:00	NAME A FEW.
01:17:53:00	01:17:55:00	WE'RE ALSO PROVIDING SUPPORT TO
01:17:55:00	01:17:56:00	NEIGHBORHOOD EVENTS THROUGHOUT
01:17:56:00	01:17:56:00	THE CITY.
01:17:56:00	01:17:59:00	HERE ARE A FEW SAMPLES THE
01:17:59:00	01:18:00:00	ANDERSON TREE LIGHTING BAMS
01:18:00:00	01:18:03:00	FESTE THE CARIBBEAN FESTIVAL
01:18:03:00	01:18:07:00	CHINATOWN LION DANCE THE NEW
01:18:07:00	01:18:08:00	ENGLAND THE EXCUSE ME THE NORTH
01:18:08:00	01:18:11:00	END FEASTS THE GREEK PARADE.
01:18:11:00	01:18:14:00	THE HAITIAN PARADE JUNETEENTH
01:18:14:00	01:18:18:00	ROXBORO UNITY PARADE ST.
01:18:18:00	01:18:19:00	PATRICK'S DAY PARADE.
01:18:19:00	01:18:22:00	VIETNAMESE AMERICAN COMMUNITY
01:18:22:00	01:18:23:00	COOKOUT AND THE TREE LIGHTING
01:18:23:00	01:18:26:00	ACROSS THE CITY WE ARE ALSO
01:18:26:00	01:18:27:00	LOOKING AHEAD TO FUTURE EVENTS.
01:18:27:00	01:18:30:00	FOR EXAMPLE THE TWO FIFTIETH
01:18:30:00	01:18:31:00	ANNIVERSARY OF OUR COUNTRY WILL
01:18:31:00	01:18:33:00	TAKE PLACE IN TWENTY TWENTY SIX
01:18:33:00	01:18:34:00	.
01:18:34:00	01:18:34:00	WE'RE ALREADY WORKING WITH
01:18:34:00	01:18:35:00	COUNCILOR BOK AND OTHER
01:18:35:00	01:18:38:00	PARTNERS ALONG THE FREEDOM
01:18:38:00	01:18:39:00	TRAIL AND ACROSS THE CITY AND
01:18:39:00	01:18:41:00	REGION TO MAKE SURE THAT THIS
01:18:41:00	01:18:42:00	OCCASION IS A GRAND CELEBRATION
01:18:42:00	01:18:43:00	AND HIGHLIGHTING BOSSOM THE
01:18:43:00	01:18:45:00	BEST POSSIBLE LIGHT.
01:18:45:00	01:18:46:00	TWENTY TWENTY SIX WILL MARK THE
01:18:46:00	01:18:47:00	TWO HUNDRED AND FIFTY EIGHT
01:18:47:00	01:18:50:00	YEAR SINCE THE AMERICAN
01:18:50:00	01:18:50:00	COLONIES DECLARED INDEPENDENCE
01:18:50:00	01:18:53:00	FROM THE BRITISH EMPIRE.
01:18:53:00	01:18:54:00	BUT BOSTON ALSO WILL CELEBRATE
01:18:54:00	01:18:55:00	TWO HUNDRED FIFTIETH
01:18:55:00	01:18:58:00	ANNIVERSARY OF OTHER IMPORTANT
01:18:58:00	01:18:59:00	DATES THAT PREDATED THE SIGNING
01:18:59:00	01:18:59:00	OF THE DECLARATION
01:18:59:00	01:19:02:00	OF INDEPENDENCE SUCH AS THE
01:19:02:00	01:19:03:00	BOSTON TEA PARTY AS WELL AS THE
01:19:03:00	01:19:06:00	BOSTON MASSACRE THE FIFA WORLD
01:19:06:00	01:19:08:00	CUP BID IN JUNE OF TWENTY
01:19:08:00	01:19:10:00	TWENTY TWO, BOSTON WAS SELECTED
01:19:10:00	01:19:10:00	AS ONE OF TEN NORTH AMERICAN
01:19:10:00	01:19:13:00	CITIES TO HOST THE TWENTY
01:19:13:00	01:19:13:00	TWENTY SIX WORLD CUP.
01:19:13:00	01:19:14:00	REALLY EXCITING NEWS FOR OUR
01:19:14:00	01:19:17:00	CITY.
01:19:17:00	01:19:18:00	THE TWENTY TWENTY SIX FIFA
01:19:18:00	01:19:20:00	WORLD CUP GAMES WILL BE THE
01:19:20:00	01:19:21:00	LARGEST TO DATE WITH EIGHTY
01:19:21:00	01:19:24:00	MATCHES FEATURING FORTY EIGHT
01:19:24:00	01:19:25:00	NATIONAL TEAMS SLATED TO TAKE
01:19:25:00	01:19:29:00	PLACE SIXTY IN THE US, TEN IN
01:19:29:00	01:19:30:00	CANADA AND TEN IN MEXICO.
01:19:30:00	01:19:32:00	THE BOSTON CONSULTING GROUP
01:19:32:00	01:19:33:00	SAID RESEARCH HAS ESTIMATED
01:19:33:00	01:19:36:00	THAT THE INDIVIDUAL TWENTY
01:19:36:00	01:19:36:00	TWENTY SIX FIFA WORLD CUP
01:19:36:00	01:19:40:00	CITIES CAN EXPECT UPWARDS
01:19:40:00	01:19:41:00	OF HALF A MILLION VISITORS AND
01:19:41:00	01:19:44:00	A POTENTIAL NET INCOME OF HALF
01:19:44:00	01:19:44:00	A BILLION DOLLARS.
01:19:44:00	01:19:48:00	THE ARMY NAVY GAINED.
01:19:48:00	01:19:49:00	THE BID WILL HAPPEN IN GILLETTE
01:19:49:00	01:19:52:00	STADIUM FOR TWENTY TWENTY THREE
01:19:52:00	01:19:56:00	AND THIS GAME WILL BE PLAYED
01:19:56:00	01:19:57:00	THIS DECEMBER DURING THE SECOND
01:19:57:00	01:19:59:00	WEEK IN THE GAME HAS NEVER BEEN
01:19:59:00	01:20:00:00	HOSTED IN ENGLAND AND ITS
01:20:00:00	01:20:03:00	ANTICIPATED EVENT WILL DRAW
01:20:03:00	01:20:04:00	MORE THAN FORTY THOUSAND FANS
01:20:04:00	01:20:07:00	FROM OUT OF FROM OUT OF STATE
01:20:07:00	01:20:08:00	EXCUSE ME OUT OF STATE VISITORS
01:20:08:00	01:20:11:00	TO GENERATE APPROXIMATELY
01:20:11:00	01:20:12:00	THIRTY FIVE TO FORTY MILLION
01:20:12:00	01:20:14:00	DOLLARS IN ECONOMIC IMPACT BAMS
01:20:14:00	01:20:15:00	FEST BOSTON ARTS AND MUSICAL
01:20:15:00	01:20:19:00	BOSTON ARTS AND MUSIC SOUL
01:20:19:00	01:20:19:00	FESTIVAL IS ONE OF THE FASTEST
01:20:19:00	01:20:22:00	GROWING URBAN ARTS AND MUSIC
01:20:22:00	01:20:23:00	FESTIVALS IN THE NORTHEAST
01:20:23:00	01:20:24:00	CELEBRATING AFROCENTRIC
01:20:24:00	01:20:27:00	IDENTITY AND BLACK ARTISTRY ALL
01:20:27:00	01:20:30:00	WHILE AMPLIFYING THE VOICES AND
01:20:30:00	01:20:31:00	CREATIVE CONTRIBUTIONS FROM
01:20:31:00	01:20:31:00	LOCAL, REGIONAL AND NATIONAL
01:20:31:00	01:20:34:00	ENTERTAINERS CALLED BAMS FEST
01:20:34:00	01:20:37:00	ENVISIONS A VIBRANT AND
01:20:37:00	01:20:38:00	INCLUSIVE ARTS AND CULTURE
01:20:38:00	01:20:39:00	SECTOR FOR THE CITY OF BOSTON
01:20:39:00	01:20:42:00	AND BEYOND.
01:20:42:00	01:20:43:00	THIS FESTIVAL CELEBRATES ALL
01:20:43:00	01:20:45:00	ARTISTIC TALENTS, CHALLENGES
01:20:45:00	01:20:46:00	SOCIETAL PERCEPTIONS AND
01:20:46:00	01:20:50:00	EMPOWERS AND ENGAGES AUDIENCES.
01:20:50:00	01:20:53:00	THE OTHER EVENTS ON THE HORIZON
01:20:53:00	01:20:54:00	INCLUDE BOSTON UNITY CUP, THE
01:20:54:00	01:20:57:00	NAACP NATIONAL CONVENTION,
01:20:57:00	01:20:58:00	BOSTON CALLING THE WASABI
01:20:58:00	01:21:02:00	FENWAY OR THE NCAA DIVISION ONE
01:21:02:00	01:21:05:00	INDOOR TRACK AND FIELD
01:21:05:00	01:21:05:00	CHAMPIONSHIPS.
01:21:05:00	01:21:09:00	THE NCAA MEN'S BASKETBALL ENTJ
01:21:09:00	01:21:10:00	AND BROCKLEY CITY MUSIC FEST.
01:21:10:00	01:21:14:00	OUR OFFICE IS COMMITTED TO
01:21:14:00	01:21:14:00	MAKING SURE THAT THE CITY
01:21:14:00	01:21:17:00	OF BOSTON HAS AN ARRAY OF FUN
01:21:17:00	01:21:18:00	AND ENGAGING EVENTS FOR
01:21:18:00	01:21:19:00	RESIDENTS AND VISITORS ALIKE TO
01:21:19:00	01:21:20:00	ENJOY AND VISITORS ALIKE TO
01:21:20:00	01:21:20:00	ENJOY.
01:21:20:00	01:21:21:00	THANK YOU ALL SO MUCH FOR YOUR
01:21:21:00	01:21:21:00	TIME.
01:21:21:00	01:21:22:00	I'M HAPPY TO ANSWER ANY
01:21:22:00	01:21:25:00	QUESTIONS YOU MAY HAVE.
01:21:25:00	01:21:26:00	I THANK YOU SO MUCH.
01:21:26:00	01:21:29:00	MY SUPPORTERS.
01:21:29:00	01:21:30:00	I WILL OPEN UP FOR MY
01:21:30:00	01:21:31:00	COUNCILORS TO ASK QUESTIONS MY
01:21:31:00	01:21:37:00	COLLEAGUES ASK QUESTIONS FIRST
01:21:37:00	01:21:41:00	COUNCILOR LARUDEE OR BRADIN NOT
01:21:41:00	01:21:42:00	HERE COUNCILOR ME HERE.
01:21:42:00	01:21:43:00	YOU'RE UP NEXT.
01:21:43:00	01:21:45:00	GREAT THANK YOU CHAIR.
01:21:45:00	01:21:49:00	THANK YOU DIRECTOR BORDERS
01:21:49:00	01:21:53:00	HADNOT COMMISSIONER BORDERS
01:21:53:00	01:21:54:00	WHAT'S THE TITLE HERE?
01:21:54:00	01:21:56:00	I JUST WANT TO MAKE SURE
01:21:56:00	01:22:01:00	DIRECTOR DIRECTOR BORDERS I
01:22:01:00	01:22:02:00	WANT TO MAKE SURE I GET IT
01:22:02:00	01:22:02:00	RIGHT.
01:22:02:00	01:22:06:00	THANK YOU SO WELL THAT IT'S I
01:22:06:00	01:22:09:00	GET SO I JUST HAVE A FEW
01:22:09:00	01:22:10:00	QUESTIONS AND AGAIN I'M REALLY
01:22:10:00	01:22:13:00	EXCITED THAT THE MAYOR HAS
01:22:13:00	01:22:14:00	CREATED A POSITION THAT IS
01:22:14:00	01:22:17:00	SPECIFICALLY GEARED TOWARDS
01:22:17:00	01:22:21:00	REALLY LOOKING AT TOURISM AND
01:22:21:00	01:22:21:00	ENTERTAINMENT AND EVEN SPORTS
01:22:21:00	01:22:22:00	AND KNOWING YOUR BACKGROUND IN
01:22:22:00	01:22:25:00	THE SPORTS ARENA.
01:22:25:00	01:22:26:00	I KNOW THAT YOU'RE GOING TO
01:22:26:00	01:22:26:00	BRING IT AND REALLY HELP EXPAND
01:22:26:00	01:22:29:00	IT HERE IN THE CITY OF BOSTON.
01:22:29:00	01:22:30:00	SO I'M REALLY ENCOURAGED BY ALL
01:22:30:00	01:22:30:00	OF THAT.
01:22:30:00	01:22:33:00	I GUESS YOU SOME OF THE THINGS
01:22:33:00	01:22:36:00	THAT I THINK ABOUT IN TERMS
01:22:36:00	01:22:37:00	OF TOURISM HERE IN THE CITY
01:22:37:00	01:22:40:00	OF BOSTON IS THAT, YOU KNOW, A
01:22:40:00	01:22:43:00	LOT OF FOLKS ACROSS THE COUNTRY
01:22:43:00	01:22:44:00	DO NOT THINK THAT YOU KNOW,
01:22:44:00	01:22:48:00	BOSTON HAS PEOPLE OF COLOR
01:22:48:00	01:22:48:00	LIVING IN IT.
01:22:48:00	01:22:49:00	RIGHT.
01:22:49:00	01:22:50:00	SO YOU KNOW, THE VIDEO THAT WAS
01:22:50:00	01:22:52:00	PUT OUT ALL INCLUSIVE BOSTON
01:22:52:00	01:22:53:00	YOU KNOW, THERE'S BEEN A LOT
01:22:53:00	01:22:54:00	OF INITIATIVES AND EFFORTS MADE
01:22:54:00	01:23:00:00	TO MAKE US FEEL AND APPEAR TO
01:23:00:00	01:23:00:00	BE MORE INCLUSIVE.
01:23:00:00	01:23:03:00	AND I'M CURIOUS ABOUT IN TERMS
01:23:03:00	01:23:04:00	HOW YOU THINK ABOUT YOUR WORK
01:23:04:00	01:23:05:00	IN THESE THREE DIFFERENT BUCKET
01:23:05:00	01:23:09:00	AREAS, YOU KNOW, WHAT MORE CAN
01:23:09:00	01:23:12:00	WE BE DOING TO SUPPORT THAT
01:23:12:00	01:23:12:00	INITIATIVE THROUGH THE WORK
01:23:12:00	01:23:16:00	THAT YOU'RE DOING IN YOUR IN OR
01:23:16:00	01:23:16:00	IN YOUR OFFICE.
01:23:16:00	01:23:17:00	THANK YOU SO MUCH FOR THE
01:23:17:00	01:23:20:00	QUESTION.
01:23:20:00	01:23:20:00	THERE ARE DEFINITELY
01:23:20:00	01:23:21:00	OPPORTUNITIES TO CONTINUE TO
01:23:21:00	01:23:24:00	EXPAND THE EFFORTS.
01:23:24:00	01:23:25:00	I HAD A CONVERSATION NOT TOO
01:23:25:00	01:23:25:00	LONG AGO WITH BOTH COLLETTE
01:23:25:00	01:23:28:00	PHILLIPS AS WELL AS DARREN
01:23:28:00	01:23:29:00	BASCOME OF PROBABLY DOING OUR
01:23:29:00	01:23:31:00	HOME HAVING OUR OWN CONSULTANCY
01:23:31:00	01:23:32:00	GROUP AND DARREN WHO WAS A
01:23:32:00	01:23:35:00	PROPER WHO ACTUALLY HELPED TO
01:23:35:00	01:23:39:00	LEAD THE INITIATIVE AND WE HAVE
01:23:39:00	01:23:43:00	THE ABILITY TO PROBABLY AMPLIFY
01:23:43:00	01:23:43:00	THE COLLATERAL PIECES AND
01:23:43:00	01:23:46:00	CONTENT THAT WERE ALREADY
01:23:46:00	01:23:46:00	CREATED .
01:23:46:00	01:23:47:00	I KNOW THAT WE OUR OFFICE IS
01:23:47:00	01:23:50:00	LOOKING TO DO AN ADDITIONAL
01:23:50:00	01:23:54:00	PHASE OF MARKETING TO CONTINUE
01:23:54:00	01:23:55:00	TO HIGHLIGHT THE TWENTY THREE
01:23:55:00	01:23:58:00	NEIGHBORHOODS THAT MAKE BOSTON
01:23:58:00	01:23:59:00	THE CITY THAT WE KNOW AND LOVE
01:23:59:00	01:24:01:00	AND CARE FOR AND I THINK THERE
01:24:01:00	01:24:02:00	ARE DIFFERENT OPPORTUNITIES FOR
01:24:02:00	01:24:05:00	US TO DOVE DEEPER INTO REALLY
01:24:05:00	01:24:06:00	REFRAMING HOW BOSTON IS
01:24:06:00	01:24:07:00	COUNTERING THE PERCEPTION
01:24:07:00	01:24:10:00	BOSTON FIFTY ONE PERCENT BY
01:24:10:00	01:24:13:00	TWENTY ONE PERCENT BLACK SO
01:24:13:00	01:24:14:00	KNOWING THESE THINGS HOW DO WE
01:24:14:00	01:24:17:00	CONTINUE TO FRAME AND REFRAME
01:24:17:00	01:24:18:00	THE CITY OF BOSTON PUBLICLY?
01:24:18:00	01:24:21:00	I THINK IT IS BY BY AMPLIFYING
01:24:21:00	01:24:22:00	THE AMAZING AWARD WINNING ALL
01:24:22:00	01:24:24:00	INCLUSIVE CAMPAIGN THAT WE
01:24:24:00	01:24:25:00	ALREADY HAD AND FIGURING OUT
01:24:25:00	01:24:28:00	WHAT ANOTHER PHASED APPROACH
01:24:28:00	01:24:29:00	THAT MARKETING COULD LOOK LIKE
01:24:29:00	01:24:32:00	ALREADY KICKING AROUND SOME
01:24:32:00	01:24:33:00	IDEAS AND HAVING DIFFERENT
01:24:33:00	01:24:33:00	CONVERSATIONS WITH POTENTIAL
01:24:33:00	01:24:37:00	LOCAL INFLUENCERS WHO CAN ALSO
01:24:37:00	01:24:40:00	TELL THEIR STORY AND REALLY
01:24:40:00	01:24:41:00	FIGURE OUT HOW TO SHAPE THE
01:24:41:00	01:24:42:00	NARRATIVE OF THESE DIFFERENT
01:24:42:00	01:24:44:00	NEIGHBORHOODS.
01:24:44:00	01:24:45:00	FOR SO LONG BOSTON HAS BEEN
01:24:45:00	01:24:46:00	VIEWED AS BEING EXTREMELY
01:24:46:00	01:24:48:00	SEGREGATED.
01:24:48:00	01:24:49:00	WE HAVE AN OPPORTUNITY TO
01:24:49:00	01:24:50:00	REFRAME THAT IF YOU WANT
01:24:50:00	01:24:53:00	AUTHENTIC CUISINE, IF YOU WANT
01:24:53:00	01:24:54:00	THIS EXPERIENCE YOU CAN GO TO
01:24:54:00	01:24:56:00	THIS NEIGHBORHOOD AND HAVE IT.
01:24:56:00	01:24:57:00	SO I THINK THERE'S AN
01:24:57:00	01:24:58:00	OPPORTUNITY FOR US TO REALLY
01:24:58:00	01:25:00:00	AMPLIFY PLACEMAKING AND WHAT
01:25:00:00	01:25:01:00	THAT LOOKS LIKE AND TO DEEPEN
01:25:01:00	01:25:01:00	THE RELATIONSHIPS WITH WITH
01:25:01:00	01:25:03:00	LOCAL VENDORS.
01:25:03:00	01:25:05:00	I THINK ONE OF THE THINGS THAT
01:25:05:00	01:25:06:00	WE ALSO HAVE TO DO AS THE CITY
01:25:06:00	01:25:08:00	OF BOSTON IS TO ENCOURAGE
01:25:08:00	01:25:09:00	RESIDENTS TO GET OUT OF THEIR
01:25:09:00	01:25:10:00	HOME NEIGHBORHOODS AND MOVE
01:25:10:00	01:25:12:00	AROUND.
01:25:12:00	01:25:13:00	ONE OF THE THINGS THAT WE'RE
01:25:13:00	01:25:13:00	TRYING TO DO IS TO THINK ABOUT
01:25:13:00	01:25:15:00	TOURISM NOT JUST IN THE SENSE
01:25:15:00	01:25:16:00	OF DOLLARS COMING FROM OUTSIDE
01:25:16:00	01:25:17:00	OF BOSTON AND GREATER BOSTON
01:25:17:00	01:25:20:00	BUT WHAT DOES IT LOOK LIKE THE
01:25:20:00	01:25:21:00	CHALLENGE FOR RESIDENTS TO MOVE
01:25:21:00	01:25:23:00	OUTSIDE OF THEIR SPHERES
01:25:23:00	01:25:24:00	OF COMFORT?
01:25:24:00	01:25:25:00	IF YOU LIVE IN IN WEST ROXBURY,
01:25:25:00	01:25:28:00	HOW ABOUT YOU GO TO ROXBURY FOR
01:25:28:00	01:25:28:00	DINNER?
01:25:28:00	01:25:29:00	IF YOU LIVE IN BRIGHTON, WHAT
01:25:29:00	01:25:30:00	WOULD IT LOOK LIKE FOR YOU TO
01:25:30:00	01:25:31:00	GO TO ROSLINDALE?
01:25:31:00	01:25:32:00	SO I THINK DURING THINGS LIKE
01:25:32:00	01:25:35:00	RESTAURANT FINDING THESE
01:25:35:00	01:25:35:00	DIFFERENT THESE DIFFERENT
01:25:35:00	01:25:36:00	OPPORTUNITIES, WHAT WOULD IT
01:25:36:00	01:25:39:00	LOOK LIKE FOR US AS A CITY TO
01:25:39:00	01:25:40:00	PROMOTE THESE DIFFERENT
01:25:40:00	01:25:41:00	CHALLENGES PUSHING PEOPLE TO
01:25:41:00	01:25:43:00	DIFFERENT NEIGHBORHOODS TO
01:25:43:00	01:25:46:00	ENGAGE AND YEAH AND I I JUST
01:25:46:00	01:25:47:00	GET NERVOUS WHEN
01:25:47:00	01:25:47:00	COUNCILOR ANDERSON STARTS
01:25:47:00	01:25:48:00	SAYING THANK YOU.
01:25:48:00	01:25:50:00	THANK YOU.
01:25:50:00	01:25:51:00	I GOT ONE MORE QUESTION THAT I
01:25:51:00	01:25:52:00	WANT TO GET IN THERE IF THAT'S
01:25:52:00	01:25:52:00	OK.
01:25:52:00	01:25:53:00	COUNCILOR ANDERSON, CAN I GET
01:25:53:00	01:25:56:00	ONE MORE JUST PLEASE.
01:25:56:00	01:25:57:00	OH MY GOD.
01:25:57:00	01:26:00:00	IT'S SO I'M JUST GOT THIS IS
01:26:00:00	01:26:01:00	NEW JOHN YOUR ENGLISH YOU KNOW
01:26:01:00	01:26:03:00	THIS IS YOUR FIRST TIME HERE
01:26:03:00	01:26:07:00	AND SO LIKE IT JUST TWO
01:26:07:00	01:26:08:00	QUESTIONS.
01:26:08:00	01:26:08:00	ONE IS AROUND THE BLACK
01:26:08:00	01:26:11:00	HERITAGE TRAIL AND JUST SOME
01:26:11:00	01:26:12:00	INVESTMENTS THAT I'D LIKE TO
01:26:12:00	01:26:15:00	SEE THERE AND THEN THE OTHER IS
01:26:15:00	01:26:19:00	AND I'LL TALK TO YOU OFFLINE I
01:26:19:00	01:26:20:00	DO HAVE SOME IDEAS AROUND
01:26:20:00	01:26:20:00	CIRCULATING SOME OF THESE
01:26:20:00	01:26:23:00	DOLLARS ACROSS THE CITY AS A
01:26:23:00	01:26:24:00	CITY WIDE CITY COUNCILOR , I DO
01:26:24:00	01:26:27:00	AGREE THAT WE DO WE COULD BE
01:26:27:00	01:26:30:00	DOING A LOT MORE TO ENGAGE FROM
01:26:30:00	01:26:31:00	BEACON HILL TO MISSION HILL
01:26:31:00	01:26:32:00	RIDERS FROM THE SOUTH AND TO
01:26:32:00	01:26:34:00	THE NORTH AND THERE'S
01:26:34:00	01:26:35:00	ACTIVITIES AND THINGS THAT WE
01:26:35:00	01:26:36:00	CAN DO TO HELP BUILD CULTURE
01:26:36:00	01:26:39:00	AND COMMUNITY ACROSS THE CITY.
01:26:39:00	01:26:40:00	SO I'D LOVE TO JUST I'M SIGNING
01:26:40:00	01:26:42:00	MY NAME FOR SOME IDEAS SHARING
01:26:42:00	01:26:43:00	THAT I HAVE FOR YOU.
01:26:43:00	01:26:45:00	BUT CAN YOU JUST TALK TO ME A
01:26:45:00	01:26:46:00	LITTLE BIT ABOUT THE BLACK
01:26:46:00	01:26:47:00	HERITAGE TRAIL VERSUS THE
01:26:47:00	01:26:49:00	FREEDOM TRAIL IN TERMS
01:26:49:00	01:26:50:00	OF FUNDING AS I FEEL LIKE THE
01:26:50:00	01:26:51:00	BLACK HERITAGE TRAIL SEEMS TO
01:26:51:00	01:26:54:00	BE THE STEPCHILD OF THE CITY.
01:26:54:00	01:26:54:00	UNDERSTOOD.
01:26:54:00	01:26:57:00	I DON'T HAVE THE EXACT NUMBERS
01:26:57:00	01:26:58:00	IN FRONT OF ME IN TERMS
01:26:58:00	01:26:59:00	OF BUDGET AND WHAT'S BEING
01:26:59:00	01:27:01:00	SPENT ON EACH.
01:27:01:00	01:27:02:00	I CAN DEFINITELY GET BACK TO
01:27:02:00	01:27:03:00	THAT INFORMATION SO I JUST WANT
01:27:03:00	01:27:05:00	TO GET THAT ON THE RECORD,
01:27:05:00	01:27:06:00	COUNCILOR ANDERSON, THAT I'D
01:27:06:00	01:27:07:00	LIKE SOME FOLLOW UP ON THE
01:27:07:00	01:27:08:00	DISCREPANCIES BETWEEN BOTH
01:27:08:00	01:27:09:00	OF THOSE THINGS.
01:27:09:00	01:27:13:00	MR WATERS, DIRECTOR WATERS, IF
01:27:13:00	01:27:14:00	YOU CAN SUBMIT THAT WITHIN THE
01:27:14:00	01:27:16:00	NEXT SEVEN BUSINESS DAYS I
01:27:16:00	01:27:17:00	REALLY APPRECIATE IT.
01:27:17:00	01:27:18:00	YOU CAN EMAIL IT DIRECTLY TO MY
01:27:18:00	01:27:20:00	OFFICE THROUGH THE
01:27:20:00	01:27:25:00	ADMINISTRATION AND I'LL GET IT
01:27:25:00	01:27:26:00	TO ME AND WILL OR TO ALL OF US.
01:27:26:00	01:27:28:00	THANK YOU, COUNCILMAN .
01:27:28:00	01:27:32:00	HERE WE'VE WE'VE BEEN JOINED BY
01:27:32:00	01:27:33:00	COUNCILOR BUT FIRST IT'S
01:27:33:00	01:27:35:00	COUNCILOR MORREAU.
01:27:35:00	01:27:36:00	YOU HAVE TO WAIT A SECOND.
01:27:36:00	01:27:44:00	NO COUNCIL LOUIJEUNE AND THEN
01:27:44:00	01:27:48:00	COUNCILOR YOU'RE A MUTE
01:27:48:00	01:27:48:00	COUNCILOR .
01:27:48:00	01:27:49:00	I KEEP ON DOING THAT.
01:27:49:00	01:27:50:00	I WANT TO THANK YOU, MADAM
01:27:50:00	01:27:53:00	CHAIR AND THANK YOU DIRECTOR
01:27:53:00	01:27:53:00	BORDERS FOR YOUR WORK.
01:27:53:00	01:27:56:00	I GUESS I'LL JUST START OFF
01:27:56:00	01:27:57:00	LIKE I JUST WANT TO CELEBRATE
01:27:57:00	01:27:58:00	THE ENTHUSIASM OF HAVING THIS
01:27:58:00	01:28:01:00	POSITION IN THIS CITY.
01:28:01:00	01:28:02:00	I GUESS I'LL ONE OF THE THINGS
01:28:02:00	01:28:05:00	I WILL PIGGYBACK ON WHAT COMES
01:28:05:00	01:28:06:00	ME HE HAS SAID RECENTLY IN MY
01:28:06:00	01:28:09:00	OFFICE WE WALK THE BLACK
01:28:09:00	01:28:09:00	HERITAGE TRAIL.
01:28:09:00	01:28:10:00	ONE OF THE THINGS THAT'S
01:28:10:00	01:28:12:00	MISSING FROM IT IS LIKE ACTUAL
01:28:12:00	01:28:13:00	MARKERS.
01:28:13:00	01:28:14:00	THERE ARE NO MARKERS ON THE
01:28:14:00	01:28:17:00	BLACK HERITAGE TRAIL COMPARED
01:28:17:00	01:28:20:00	TO THE FREEDOM TO THE FROM SO
01:28:20:00	01:28:21:00	THERE COULD BE MARKERS
01:28:21:00	01:28:21:00	SOMETHING THAT
01:28:21:00	01:28:22:00	COUNCILOR BALKINIZATION LIKE
01:28:22:00	01:28:24:00	SHE LIVES ON THE STREET THAT
01:28:24:00	01:28:25:00	HAS AT LEAST TWO OF THE SITES
01:28:25:00	01:28:26:00	FOR THE BLACK BLACK HERITAGE
01:28:26:00	01:28:28:00	TRAIL MARKERS I THINK FOR THE
01:28:28:00	01:28:29:00	BLACK HERITAGE TRAIL WOULD BE
01:28:29:00	01:28:32:00	GOOD IN MAKING THERE.
01:28:32:00	01:28:33:00	SO THERE IS THERE ARE SIGNAGE
01:28:33:00	01:28:36:00	FOR THE ACTUAL TRAIL BUT THE
01:28:36:00	01:28:36:00	LANDMARKS THEMSELVES DON'T
01:28:36:00	01:28:40:00	ACTUALLY HAVE SIGNAGE.
01:28:40:00	01:28:41:00	I SAY THIS IS PART OF THE BLACK
01:28:41:00	01:28:42:00	HERITAGE TRAIL SO THAT'S ONE
01:28:42:00	01:28:44:00	INVESTMENT THAT I THINK COULD
01:28:44:00	01:28:45:00	GO A LONG WAY IN MAKING IT A
01:28:45:00	01:28:48:00	MORE POPULARIZED TRAIL AND THEN
01:28:48:00	01:28:48:00	SECOND IS IN THE EFFORTS TO
01:28:48:00	01:28:51:00	REALLY SHARE BOSTONS HISTORY
01:28:51:00	01:28:51:00	THERE.
01:28:51:00	01:28:52:00	WE HAVE A LOT OF REALLY GREAT
01:28:52:00	01:28:55:00	ORAL HISTORIANS, A LOT
01:28:55:00	01:28:55:00	OF REALLY GREAT WALKING TOUR
01:28:55:00	01:28:56:00	GUIDES.
01:28:56:00	01:28:57:00	MY FIRST JOB HERE IN THE CITY
01:28:57:00	01:28:59:00	WAS AS A WALKING TOUR GUIDE
01:28:59:00	01:29:00:00	WHEN I WAS 14 REALLY SHARING
01:29:00:00	01:29:00:00	THE HISTORY OF BOSTON'S
01:29:00:00	01:29:10:00	NEIGHBORHOODS AND I THINK THAT
01:29:10:00	01:29:11:00	THERE'S INCREDIBLE WORK IN
01:29:11:00	01:29:11:00	SYNERGY THERE.
01:29:11:00	01:29:12:00	I'VE BEEN TALKING TO FOLKS
01:29:12:00	01:29:13:00	ABOUT WHAT WOULD IT LOOK LIKE
01:29:13:00	01:29:14:00	TO REALLY SUPPORT A LOT OF THE
01:29:14:00	01:29:14:00	WORK THAT THAT THEY'VE ALREADY
01:29:14:00	01:29:15:00	DONE AND SORT OF BUILDING OUT
01:29:15:00	01:29:16:00	THE ORAL HISTORY OF THE CITY
01:29:16:00	01:29:17:00	AND ESPECIALLY WITH THEIR BLACK
01:29:17:00	01:29:18:00	BROWN LEAD.
01:29:18:00	01:29:19:00	SO I THINK THAT COULD BE AN
01:29:19:00	01:29:21:00	INCREDIBLE PROJECT FOR OUR
01:29:21:00	01:29:22:00	OFFICE TO HELP UNDERTAKE.
01:29:22:00	01:29:23:00	AND THEN THE OTHER THINGS THAT
01:29:23:00	01:29:27:00	I MENTIONED BUT I'LL STOP THERE
01:29:27:00	01:29:27:00	BECAUSE OVERALL I'M SURE WE ALL
01:29:27:00	01:29:29:00	WOULD HAVE WANTED TO TALK ABOUT
01:29:29:00	01:29:30:00	GETTING THE ALL STAR GAME HERE
01:29:30:00	01:29:31:00	IN BOSTON AND I KNOW THAT'S
01:29:31:00	01:29:33:00	SOMETHING THAT YOU CARE ABOUT
01:29:33:00	01:29:34:00	AND THAT YOU HAVE THE CONNECT
01:29:34:00	01:29:35:00	AND THE ABILITY.
01:29:35:00	01:29:37:00	SO I JUST WANTED TO PUT THAT
01:29:37:00	01:29:38:00	OUT THERE AND THANK YOU FOR
01:29:38:00	01:29:38:00	YOUR LEADERSHIP AND YOUR WORK
01:29:38:00	01:29:40:00	AND IF THERE ARE WAYS WE CAN
01:29:40:00	01:29:41:00	SUPPORT YOU AND YOUR OFFICE AND
01:29:41:00	01:29:45:00	THIS BUDGET DEFINITELY LOOK TO
01:29:45:00	01:29:46:00	US AS PARTNERS AND ALLIES TO
01:29:46:00	01:29:46:00	GETTING THAT DONE.
01:29:46:00	01:29:49:00	BOSTON IS A FUN CITY.
01:29:49:00	01:29:50:00	IT'S A CITY THAT ATTRACTS A LOT
01:29:50:00	01:29:51:00	OF TOURISTS AND WE NEED TO MAKE
01:29:51:00	01:29:52:00	SURE THAT WE ARE ATTRACTING
01:29:52:00	01:29:53:00	THAT TOURISM TO OUR
01:29:53:00	01:29:54:00	NEIGHBORHOODS THAT HAVE A LOT
01:29:54:00	01:29:57:00	OF LIKE RICH HISTORY AND LIKE
01:29:57:00	01:29:57:00	YOU SAID, RICH DINING OPTIONS.
01:29:57:00	01:30:01:00	THANK YOU SO MUCH, COUNCIL .
01:30:01:00	01:30:02:00	HAPPY TO WORK WITH YOU OFFLINE
01:30:02:00	01:30:05:00	IN GREATER DETAIL WITH ALL THAT
01:30:05:00	01:30:05:00	YOU JUST HEARD.
01:30:05:00	01:30:06:00	THANK YOU.
01:30:06:00	01:30:19:00	THANK EXCLUSION ALSO THANK YOU
01:30:19:00	01:30:30:00	AGAIN TOMORROW YOU HAVE FOR
01:30:30:00	01:30:31:00	CUSTOMER WHAT ARE YOU HAVING
01:30:31:00	01:30:34:00	FOR.
01:30:34:00	01:30:38:00	THANK YOU MADAM CHAIR.
01:30:38:00	01:30:39:00	THANK YOU DIRECTOR WATERS FOR
01:30:39:00	01:30:40:00	BEING HERE WITH US TODAY.
01:30:40:00	01:30:43:00	I AM EXCITED TO HEAR THAT THAT
01:30:43:00	01:30:44:00	I HEAR CORRECTLY THAT YOU SAID
01:30:44:00	01:30:45:00	THAT THE BERKELEY CITY FESTIVAL
01:30:45:00	01:30:47:00	IS COMING AND IT IS IN AUGUST.
01:30:47:00	01:30:47:00	WOW.
01:30:47:00	01:30:50:00	I DIDN'T KNOW THAT.
01:30:50:00	01:30:51:00	I'M EXCITED ABOUT THAT.
01:30:51:00	01:30:53:00	THAT'S A GOOD GET FOR US.
01:30:53:00	01:30:55:00	YEAH, I WAS GOING TO SAY THAT'S
01:30:55:00	01:30:57:00	THAT'S ACTUALLY AN INCREDIBLE
01:30:57:00	01:30:58:00	AS SOMEBODY WHO HAS TRAVELED TO
01:30:58:00	01:30:59:00	OTHER CITIES TO GO TO THAT
01:30:59:00	01:31:00:00	FESTIVAL, I'M VERY HAPPY THAT
01:31:00:00	01:31:01:00	IT'S COMING.
01:31:01:00	01:31:02:00	SO I HAVE A COUPLE
01:31:02:00	01:31:02:00	OF QUESTIONS.
01:31:02:00	01:31:06:00	THERE IS AN INCREASE IN THE
01:31:06:00	01:31:07:00	FILM AS SPECIAL EVENTS LINE
01:31:07:00	01:31:10:00	ITEM FOR YOUR BUDGET.
01:31:10:00	01:31:11:00	CAN YOU TALK A LITTLE BIT ABOUT
01:31:11:00	01:31:13:00	WHAT PROJECTS ARE YOUR OFFICE
01:31:13:00	01:31:14:00	IS RIGHT NOW FOR NY TWENTY FOUR
01:31:14:00	01:31:17:00	POINT NINE TWENTY FIVE SEVEN
01:31:17:00	01:31:18:00	NINETY FOUR.
01:31:18:00	01:31:19:00	CAN YOU TALK A LITTLE BIT ABOUT
01:31:19:00	01:31:21:00	THE PROJECTS THAT ARE HOPING TO
01:31:21:00	01:31:22:00	TO TAKE ON WITH THIS FILM AND
01:31:22:00	01:31:25:00	SPECIAL EVENTS?
01:31:25:00	01:31:26:00	AND I DON'T SAY THAT ONE MORE
01:31:26:00	01:31:26:00	TIME.
01:31:26:00	01:31:28:00	IT WAS IT WAS A LITTLE HARD FOR
01:31:28:00	01:31:28:00	YOU.
01:31:28:00	01:31:31:00	CAN YOU SEE THERE IS A LINE
01:31:31:00	01:31:32:00	ITEM IN YOUR OPERATING BUDGET
01:31:32:00	01:31:35:00	FOR FILM AND SPECIAL EVENTS
01:31:35:00	01:31:40:00	THAT IS NINE HUNDRED TWENTY
01:31:40:00	01:31:41:00	FIVE DOLLARS SEVEN SEVENTY FOUR
01:31:41:00	01:31:43:00	AND I'M CURIOUS ABOUT WHAT THAT
01:31:43:00	01:31:46:00	LINE ITEM COVERS IN YOUR OFFICE
01:31:46:00	01:31:47:00	.
01:31:47:00	01:31:51:00	I KNOW THAT WE ARE WORKING
01:31:51:00	01:31:51:00	CLOSELY TO ACTIVELY STREAMLINE
01:31:51:00	01:31:55:00	THE PROCESS OF PERMITTING ALL
01:31:55:00	01:31:56:00	THOSE WHO WILL WHO WILL FILM
01:31:56:00	01:31:59:00	AND DO DIFFERENT WORK IN THE
01:31:59:00	01:32:02:00	CITY IN TERMS OF DIFFERENT
01:32:02:00	01:32:06:00	PUBLIC EVENTS.
01:32:06:00	01:32:07:00	SO I THINK SOME OF THAT WILL GO
01:32:07:00	01:32:10:00	TOWARD BETTER POSITIONING THE
01:32:10:00	01:32:14:00	CITY TO TELL THE STORY OF WHO
01:32:14:00	01:32:15:00	WE ARE, THE WORK THAT WE'RE
01:32:15:00	01:32:15:00	DOING.
01:32:15:00	01:32:21:00	I KNOW THAT SOME OF THAT HAS TO
01:32:21:00	01:32:22:00	ALSO DO WITH CAPACITY BUILDING
01:32:22:00	01:32:25:00	IN TERMS BRINGING ON PROPER
01:32:25:00	01:32:29:00	SUPPORT IN CERTAIN POSITIONS TO
01:32:29:00	01:32:30:00	ASSIST WITH THIS WORK.
01:32:30:00	01:32:33:00	BUT I CAN GO BACK IN DETAIL AND
01:32:33:00	01:32:37:00	SHARE MORE INFORMATION WITH AND
01:32:37:00	01:32:38:00	WITH THE TEAM.
01:32:38:00	01:32:38:00	GREAT.
01:32:38:00	01:32:39:00	AND PART OF THE EXTERNAL FUNDS
01:32:39:00	01:32:40:00	IS ONE HUNDRED FIFTY THOUSAND
01:32:40:00	01:32:41:00	DOLLARS FOR THE CITY HALL PLAZA
01:32:41:00	01:32:41:00	FUND.
01:32:41:00	01:32:42:00	CAN YOU FOR THE RECORD SHARE DO
01:32:42:00	01:32:45:00	YOU KNOW WHAT THE CITY HALL
01:32:45:00	01:32:45:00	PLAZA FUND COVERS THE HUNDRED
01:32:45:00	01:32:50:00	FIFTY THOUSAND DOLLARS THERE.
01:32:50:00	01:32:51:00	I WILL GET THIS INFORMATION FOR
01:32:51:00	01:32:54:00	YOU.
01:32:54:00	01:32:54:00	THANK YOU.
01:32:54:00	01:32:57:00	AND MY LAST QUESTION IS MORE
01:32:57:00	01:32:58:00	ALONG THE LINES OF WHAT I'VE
01:32:58:00	01:32:59:00	HEARD MY OTHER
01:32:59:00	01:32:59:00	COUNCILOR COLLEAGUES SHARE.
01:32:59:00	01:32:59:00	RIGHT.
01:32:59:00	01:33:02:00	THERE'S LIKE A LOT OF IDEAS
01:33:02:00	01:33:03:00	ABOUT WAYS THAT WE WANT TO
01:33:03:00	01:33:04:00	ACTIVATE THE CITY AND THEN WE
01:33:04:00	01:33:06:00	WANT TO ACTIVATE YOU AND YOUR
01:33:06:00	01:33:07:00	OFFICE.
01:33:07:00	01:33:07:00	BUT RIGHT NOW I'M LOOKING AT
01:33:07:00	01:33:08:00	THIS BUDGET.
01:33:08:00	01:33:09:00	THERE'S A THIRTEEN PERCENT
01:33:09:00	01:33:10:00	INCREASE IN THE BUDGET AND
01:33:10:00	01:33:14:00	THAT'S PRIMARILY DUE TO A NEW
01:33:14:00	01:33:15:00	POSITION RIGHT BEFORE THE
01:33:15:00	01:33:15:00	DEPUTY DIRECTOR.
01:33:15:00	01:33:18:00	AND SO WE HAVE ALL OF THESE
01:33:18:00	01:33:18:00	IDEAS.
01:33:18:00	01:33:19:00	WE'RE LIKE OH THIS IS
01:33:19:00	01:33:20:00	INCREDIBLE THAT WE HAVE THIS
01:33:20:00	01:33:22:00	POSITION HERE, ALL OF THE
01:33:22:00	01:33:22:00	THINGS THAT WE SHOULD BE DOING.
01:33:22:00	01:33:23:00	BUT THE ONLY INCREASE OF THIS
01:33:23:00	01:33:26:00	BUDGET IS FOR A STAFFING PERSON
01:33:26:00	01:33:27:00	IS LIKE NOT THERE'S NOT ANY
01:33:27:00	01:33:29:00	PROGRAMMATIC INCREASES.
01:33:29:00	01:33:30:00	AND SO I JUST WANTED TO I
01:33:30:00	01:33:32:00	WANTED TO LIFT UP THAT WE ARE
01:33:32:00	01:33:33:00	SEEING AN INCREASE FROM ABOUT
01:33:33:00	01:33:34:00	TWENTY THREE HERE BUT IT'S
01:33:34:00	01:33:38:00	PRIMARILY FOR THE NEW DEPUTY
01:33:38:00	01:33:38:00	DIRECTOR.
01:33:38:00	01:33:39:00	AND SO IF WE'RE THINKING ABOUT
01:33:39:00	01:33:40:00	ALL OF THE THINGS THAT WE WANT
01:33:40:00	01:33:41:00	THIS OFFICE TO DO, ALL THE WAYS
01:33:41:00	01:33:42:00	THAT WE THINK THAT WE'RE WELL
01:33:42:00	01:33:44:00	POSITIONED TO REALLY ACTIVATE
01:33:44:00	01:33:45:00	THE CITY, WE'RE GOING TO HAVE
01:33:45:00	01:33:46:00	TO MAKE MORE INVESTMENTS
01:33:46:00	01:33:48:00	PROGRAMMATICALLY TO THE OFFICE
01:33:48:00	01:33:48:00	.
01:33:48:00	01:33:54:00	I WILL NOT ARGUE WITH YOU.
01:33:54:00	01:33:55:00	THANK YOU.
01:33:55:00	01:33:55:00	DIRECT ORDERS.
01:33:55:00	01:33:56:00	THANK YOU, MADAM CHAIR.
01:33:56:00	01:33:58:00	NO FURTHER QUESTIONS.
01:33:58:00	01:33:59:00	THANK YOU COUNCILOR .
01:33:59:00	01:34:03:00	WHAT WE DIDN'T DO IS I HAVE TO
01:34:03:00	01:34:05:00	PRESENT THE DATA VISUALIZATIONS
01:34:05:00	01:34:09:00	ON THE NUMBERS BECAUSE IT'S A
01:34:09:00	01:34:10:00	SMALLER BUDGET.
01:34:10:00	01:34:11:00	I THINK WE STILL HAVE TIME TO
01:34:11:00	01:34:14:00	DO THAT BUT I'LL GO INTO MY
01:34:14:00	01:34:15:00	QUESTIONS FIRST AND HAPPY TO DO
01:34:15:00	01:34:17:00	THAT.
01:34:17:00	01:34:18:00	COUNCILORS FEEL IT WOULD BE
01:34:18:00	01:34:21:00	HELPFUL FOR MY QUESTIONS.
01:34:21:00	01:34:25:00	DIRECTOR BORDERS CHIEF ORTEGA
01:34:25:00	01:34:29:00	I'LL ASK FOR ARTS AND TOURISM
01:34:29:00	01:34:33:00	TOGETHER AND MY QUESTIONS FOR
01:34:33:00	01:34:37:00	YOU DIRECTOR BORDERS IS IN
01:34:37:00	01:34:37:00	REGARDS TO WHAT LAURA JUST
01:34:37:00	01:34:38:00	MENTIONED IN TERMS
01:34:38:00	01:34:41:00	OF PROGRAMMATIC, CAN YOU TELL
01:34:41:00	01:34:42:00	ME EXACTLY THE AMOUNT OF MONEY
01:34:42:00	01:34:47:00	THAT IS GOING INTO CONTRACTURAL
01:34:47:00	01:34:52:00	INTO CONTRACT OR YOUR BUDGET?
01:34:52:00	01:34:53:00	I'M TRYING TO LOOK FOR THE
01:34:53:00	01:34:53:00	BREAKDOWN NOW.
01:34:53:00	01:34:56:00	I SHOULD HAVE THE ANSWER BUT I
01:34:56:00	01:34:57:00	GUESS THE QUESTION IS CAN YOU
01:34:57:00	01:34:58:00	CAN YOU BREAK DOWN WHAT WORKS
01:34:58:00	01:35:03:00	FOR FOR MY FULL BUDGET OR FOR
01:35:03:00	01:35:06:00	THE FOR PROGRAM?
01:35:06:00	01:35:07:00	YOUR QUESTION WAS A LITTLE
01:35:07:00	01:35:07:00	UNCLEAR.
01:35:07:00	01:35:09:00	I'M SORRY FOR FULL BUDGET.
01:35:09:00	01:35:10:00	HOW MUCH DID YOU GET IN
01:35:10:00	01:35:13:00	CONTRACT AND WHAT IS IT FOR OR
01:35:13:00	01:35:13:00	PROPOSED?
01:35:13:00	01:35:14:00	I DON'T HAVE THE FULL BUDGET
01:35:14:00	01:35:17:00	PULLED UP IN FRONT OF ME BUT
01:35:17:00	01:35:18:00	I'LL BE ABLE TO GET YOU THAT
01:35:18:00	01:35:18:00	INFORMATION.
01:35:18:00	01:35:21:00	OK, WE CAN ACTUALLY KIRISHIMA
01:35:21:00	01:35:28:00	YOU STILL HERE WITH US READY
01:35:28:00	01:35:32:00	WITH YOUR PRESENTATION.
01:35:32:00	01:35:36:00	OK, SO I GUESS REALLY QUICK
01:35:36:00	01:35:37:00	DIRECTIVE BORDERS THERE IS A
01:35:37:00	01:35:39:00	THERE WAS FUNDS THAT I LAST
01:35:39:00	01:35:40:00	YEAR AN AMENDMENT PROCESS FOR
01:35:40:00	01:35:43:00	SEVENTY FIVE THOUSAND FOUR
01:35:43:00	01:35:47:00	AFRICAN EVENTS OR CARNIVÓLE AND
01:35:47:00	01:35:48:00	SPECIFICALLY THEY WERE GOING TO
01:35:48:00	01:35:51:00	GO TO WEST AFRICAN COMMUNITY
01:35:51:00	01:35:52:00	THAT WANTED TO DO A CARNIVAL
01:35:52:00	01:35:55:00	THIS SUMMER AND I KNOW THAT IT
01:35:55:00	01:35:56:00	NEEDS TO BE TAKEN CARE
01:35:56:00	01:35:56:00	OF BEFORE JUNE.
01:35:56:00	01:35:59:00	SO I'M LOOKING FORWARD TO
01:35:59:00	01:36:00:00	CONNECTING WITH YOU ON THAT
01:36:00:00	01:36:02:00	SPECIFICALLY AND THEN OBVIOUSLY
01:36:02:00	01:36:03:00	ANY WAY THAT WE CAN SUPPORT IN
01:36:03:00	01:36:04:00	TERMS OF AMENDMENTS TO LOOKING
01:36:04:00	01:36:07:00	AT CONTRACT TOTAL AMOUNTS AND I
01:36:07:00	01:36:07:00	THINK THAT'S WHERE I'M GOING
01:36:07:00	01:36:10:00	WITH THIS LIKE THERE'S NOT
01:36:10:00	01:36:11:00	ENOUGH MONEY IN CONTRACTS.
01:36:11:00	01:36:12:00	WHAT ARE WE DOING EXACTLY HOW
01:36:12:00	01:36:14:00	INTENTIONAL ARE WE BEING AND
01:36:14:00	01:36:15:00	ALLOCATING FUNDS TO MAKE SURE
01:36:15:00	01:36:18:00	THAT WE ARE ACTUALLY SUPPORTING
01:36:18:00	01:36:19:00	OUR ARTIST OR OUR COMMUNITIES
01:36:19:00	01:36:20:00	TO DOING SOME OF THE
01:36:20:00	01:36:23:00	PROGRAMMATIC STUFF THAT YOU
01:36:23:00	01:36:23:00	TALKING ABOUT.
01:36:23:00	01:36:24:00	BUT KARISHMA, IF YOU HAVE THE
01:36:24:00	01:36:27:00	PRESENTATION READY, WE'D LIKE
01:36:27:00	01:36:27:00	TO SEE THE BREAKDOWN AND I
01:36:27:00	01:36:28:00	THINK THAT WOULD HELP US WITH
01:36:28:00	01:36:36:00	MORE QUESTIONS.
01:36:36:00	01:36:37:00	ALL RIGHT.
01:36:37:00	01:36:38:00	THIS IS JUST GOING TO BE A
01:36:38:00	01:36:39:00	QUICK BREAKDOWN OF THE TOURISM
01:36:39:00	01:36:43:00	BUDGET.
01:36:43:00	01:36:45:00	SO THIS IS JUST A BACKGROUND
01:36:45:00	01:36:45:00	KIND OF IMPORTANT MISSION
01:36:45:00	01:36:47:00	OF THE CABINET GETS UNDER AND
01:36:47:00	01:36:48:00	THIS IS THE ORG CHART THAT IS
01:36:48:00	01:36:51:00	AVAILABLE IN THE BUDGET BOOK
01:36:51:00	01:36:55:00	AND THIS IS THE PERCENTAGE
01:36:55:00	01:36:56:00	OF THE FBI.
01:36:56:00	01:36:57:00	TWENTY FOUR RECOMMENDED BY
01:36:57:00	01:37:00:00	PROGRAM.
01:37:00:00	01:37:01:00	SO IF YOU CAN LOOK TO THE RIGHT
01:37:01:00	01:37:03:00	HERE IN SPECIAL EVENTS TAKES UP
01:37:03:00	01:37:04:00	FIFTY ONE POINT FIVE PERCENT AT
01:37:04:00	01:37:05:00	NINE HUNDRED TWENTY FIVE
01:37:05:00	01:37:07:00	THOUSAND DOLLARS TOURISM
01:37:07:00	01:37:08:00	ADMINISTRATION TAKES UP THIRTY
01:37:08:00	01:37:09:00	SIX POINT FIVE PERCENT AT SIX
01:37:09:00	01:37:10:00	HUNDRED FIFTY SEVEN THOUSAND
01:37:10:00	01:37:11:00	DOLLARS AND TOURISM ITSELF
01:37:11:00	01:37:12:00	TAKES A FOUR PERCENT AT TWO
01:37:12:00	01:37:12:00	HUNDRED FIFTEEN THOUSAND
01:37:12:00	01:37:15:00	DOLLARS.
01:37:15:00	01:37:16:00	AND YOU CAN SEE THAT BREAKDOWN
01:37:16:00	01:37:18:00	IN THE PIE CHART ON THE LEFT
01:37:18:00	01:37:19:00	AND THIS IS THE FBI.
01:37:19:00	01:37:23:00	TWENTY FOUR OFFICE OF TERRORISM
01:37:23:00	01:37:24:00	RECOMMENDED BY EXPENSE TYPE.
01:37:24:00	01:37:25:00	IF YOU LOOK ON THE RIGHT WE
01:37:25:00	01:37:27:00	HAVE THE HIGHEST PERSONNEL AT
01:37:27:00	01:37:27:00	FIFTY EIGHT POINT NINE PERCENT
01:37:27:00	01:37:30:00	AT ONE MILLION DOLLARS
01:37:30:00	01:37:31:00	CONTRACTUAL SERVICES AT TWENTY
01:37:31:00	01:37:32:00	POINT SEVEN PERCENT AT THREE
01:37:32:00	01:37:34:00	HUNDRED TWENTY TWO THOUSAND
01:37:34:00	01:37:35:00	DOLLARS SUPPLIES MATERIALS AT
01:37:35:00	01:37:36:00	ONE PERCENT OF EIGHTEEN
01:37:36:00	01:37:38:00	THOUSAND DOLLARS.
01:37:38:00	01:37:38:00	CURRENT CHARGES OF THREE POINT
01:37:38:00	01:37:39:00	THREE PERCENT SIXTY THOUSAND
01:37:39:00	01:37:42:00	DOLLARS EQUIPMENT AT ONE POINT
01:37:42:00	01:37:43:00	FOUR PERCENT AT TWENTY FOUR
01:37:43:00	01:37:43:00	THOUSAND DOLLARS AND OTHER
01:37:43:00	01:37:46:00	EXPENSES AT FOURTEEN POINT
01:37:46:00	01:37:47:00	SEVEN PERCENT A TWO HUNDRED AND
01:37:47:00	01:37:50:00	SIXTY THREE THOUSAND DOLLARS.
01:37:50:00	01:37:51:00	AND IF YOU STILL SEE THEM LINED
01:37:51:00	01:37:54:00	UP IN TERMS THAT PIE THIS IS A
01:37:54:00	01:37:57:00	CITY IT'S A REVOLVING FUND.
01:37:57:00	01:37:58:00	THIS IS JUST THE AMOUNT
01:37:58:00	01:37:58:00	OF MONEY THAT'S BEEN REQUESTED
01:37:58:00	01:37:59:00	THIS YEAR AND HISTORICAL
01:37:59:00	01:38:02:00	SPENDING TWENTY THREE WAS ONE
01:38:02:00	01:38:03:00	HUNDRED FIFTY THOUSAND DOLLARS.
01:38:03:00	01:38:05:00	THERE WAS NO SPENDING PRIOR TO
01:38:05:00	01:38:06:00	THAT YEAR AT LEAST IN THE FROM
01:38:06:00	01:38:06:00	FBI.
01:38:06:00	01:38:09:00	TWENTY ONE AT THE VERY LEAST.
01:38:09:00	01:38:10:00	THIS IS THE OFFICE OF TOURISM
01:38:10:00	01:38:13:00	SPENDING BY PROGRAM OVER TIME.
01:38:13:00	01:38:14:00	SO WE HAVE TOURISM
01:38:14:00	01:38:15:00	ADMINISTRATION FILM AND SPECIAL
01:38:15:00	01:38:17:00	EVENTS AND TOURISM MALEV WHICH
01:38:17:00	01:38:18:00	IS A PROGRAM AND THEN TOTAL
01:38:18:00	01:38:21:00	AMOUNT BY THOUSANDS ON THE
01:38:21:00	01:38:21:00	BOTTOM.
01:38:21:00	01:38:22:00	SO AS YOU CAN SEE HERE FROM FIP
01:38:22:00	01:38:25:00	THROUGH TO FBI BEFORE WE HAVE
01:38:25:00	01:38:26:00	APPROXIMATELY ONE HUNDRED AND
01:38:26:00	01:38:28:00	THIRTY THOUSAND DOLLAR INCREASE
01:38:28:00	01:38:29:00	IN TERMS OF TOURISM
01:38:29:00	01:38:32:00	ADMINISTRATION WE'RE PRETTY
01:38:32:00	01:38:33:00	STABLE ON FILM AND SPECIAL
01:38:33:00	01:38:36:00	EVENTS AND APPROXIMATELY ONE
01:38:36:00	01:38:37:00	HUNDRED AND TEN THOUSAND
01:38:37:00	01:38:40:00	DOLLARS IN TOURISM INCREASE.
01:38:40:00	01:38:41:00	SOMETHING TO NOTE HERE IS THAT
01:38:41:00	01:38:43:00	THERE WAS A DECREASE IN TOURISM
01:38:43:00	01:38:44:00	ADMINISTRATION FROM ONE POINT
01:38:44:00	01:38:44:00	FOUR MILLION DOLLARS TO FIVE
01:38:44:00	01:38:47:00	HUNDRED THOUSAND FROM TWO TO
01:38:47:00	01:38:51:00	THREE.
01:38:51:00	01:38:52:00	THIS IS TOURISM ADMINISTRATION
01:38:52:00	01:38:55:00	SPENDING OVER TIME BY EXPENSE.
01:38:55:00	01:38:56:00	SO WE SEE PERSONNEL SERVICES,
01:38:56:00	01:38:56:00	CONTRACTUAL SERVICES, SUPPLIES,
01:38:56:00	01:38:58:00	MATERIALS, CHARGES
01:38:58:00	01:38:59:00	OF OBLIGATIONS.
01:38:59:00	01:39:00:00	EQUIPMENT IN THE FOLLOWING
01:39:00:00	01:39:02:00	SLIDE WILL ACTUALLY SEE HOW
01:39:02:00	01:39:03:00	MUCH THAT REDUNDANCY YEAR ON
01:39:03:00	01:39:06:00	YEAR JUST I WANT TO DIRECT YOUR
01:39:06:00	01:39:07:00	ATTENTION TO THE RIGHT OR
01:39:07:00	01:39:08:00	YOU'LL SEE THE LOGIC IN TERMS
01:39:08:00	01:39:10:00	OF YOU KNOW, LOU IS REFOUGHT
01:39:10:00	01:39:11:00	UNLIKELINESS FOR FLIGHT TWENTY
01:39:11:00	01:39:15:00	FOUR AND HERE WE HAVE THE
01:39:15:00	01:39:18:00	CHANGE IN TERMS OF DOLLARS SO
01:39:18:00	01:39:19:00	WE SEE THAT FROM NY TWENTY TWO
01:39:19:00	01:39:23:00	TO TWENTY THREE TO TWENTY FOUR
01:39:23:00	01:39:23:00	THERE'S AN INCREASE OF ONE
01:39:23:00	01:39:24:00	HUNDRED THIRTY THREE THOUSAND
01:39:24:00	01:39:26:00	DOLLARS IN PERSONNEL FIVE
01:39:26:00	01:39:27:00	THOUSAND DOLLARS AND
01:39:27:00	01:39:27:00	CONTRACTURAL NINE THOUSAND
01:39:27:00	01:39:30:00	DOLLARS AND ZERO AND SUPPLIES
01:39:30:00	01:39:30:00	AND MATERIALS ZERO DOLLARS AND
01:39:30:00	01:39:31:00	FOR DOCTORS AND ALL THE
01:39:31:00	01:39:35:00	PATIENTS AND EQUIPMENT IF YOU
01:39:35:00	01:39:38:00	WANT TO THE TWO POINTS I WOULD
01:39:38:00	01:39:39:00	DIRECT YOUR ATTENTION TO IS
01:39:39:00	01:39:40:00	THAT FOR TWENTY THREE TO FOUR
01:39:40:00	01:39:43:00	TWENTY OR CHANGE AND THAT FBI
01:39:43:00	01:39:44:00	TWENTY ONE TO FLY TWENTY FOUR
01:39:44:00	01:39:46:00	CHANGE IN CASE YOU WERE
01:39:46:00	01:39:47:00	WONDERING ABOUT KIND OF A
01:39:47:00	01:39:48:00	HOLISTIC VIEW OF THE CABINET OR
01:39:48:00	01:39:50:00	THE DEPARTMENT ITSELF AND THEN
01:39:50:00	01:39:51:00	THIS IS JUST BY PERCENTAGE
01:39:51:00	01:39:54:00	AGAIN SOME OF THESE PERCENTAGES
01:39:54:00	01:39:55:00	ARE GOING TO LOOK VERY HIGH
01:39:55:00	01:39:56:00	THAT TWELVE PERCENT BUT THAT'S
01:39:56:00	01:39:58:00	ENTIRELY BECAUSE WE'RE LOOKING
01:39:58:00	01:39:59:00	AT JUST DIFFERENCES IN TERMS
01:39:59:00	01:40:02:00	OF STARTING ABOUT AND THEN WE
01:40:02:00	01:40:06:00	HAVE FIELDMAN SPECIAL SPENDING
01:40:06:00	01:40:07:00	OVER TIME BY EXPENSE AS YOU CAN
01:40:07:00	01:40:10:00	SEE HERE IT'S BROKEN DOWN BY
01:40:10:00	01:40:11:00	THOSE EXPENSE TYPES AS WELL AND
01:40:11:00	01:40:14:00	THEN ON NEXT SLIDE WE'LL SEE
01:40:14:00	01:40:15:00	KIND OF WHAT THAT CHANGES
01:40:15:00	01:40:16:00	THOUGH IN TWENTY THREE TWENTY
01:40:16:00	01:40:17:00	FOUR WE HAVE A TWENTY SIX
01:40:17:00	01:40:18:00	THOUSAND DOLLAR DECREASE IN
01:40:18:00	01:40:21:00	PERSONNEL EXPENDITURE, NOT ONE
01:40:21:00	01:40:22:00	THOUSAND DOLLARS INCREASE IN
01:40:22:00	01:40:26:00	CONTRACTUAL SERVICES, ONE
01:40:26:00	01:40:26:00	THOUSAND DOLLAR INCREASE IN
01:40:26:00	01:40:27:00	SUPPLIES AND MATERIALS AND KIND
01:40:27:00	01:40:29:00	OF THIRTY OR TWENTY TWO
01:40:29:00	01:40:30:00	THOUSAND DOLLAR INCREASE IN
01:40:30:00	01:40:33:00	EQUIPMENT AND THIS IS JUST
01:40:33:00	01:40:34:00	BROKEN DOWN BY PERCENTAGE JUST
01:40:34:00	01:40:34:00	SO THAT IT'S A LITTLE BIT
01:40:34:00	01:40:37:00	EASIER TO KIND OF SEE HOW WE'RE
01:40:37:00	01:40:38:00	MOVING FROM YEAR ON YEAR IN
01:40:38:00	01:40:41:00	TERMS OF TOTAL LINE ITEM THEN
01:40:41:00	01:40:45:00	THIS IS TOURISM SPENDING OVER
01:40:45:00	01:40:45:00	TIME BY EXPENSES.
01:40:45:00	01:40:47:00	YOU CAN SEE HERE THIS THERE'S A
01:40:47:00	01:40:48:00	HUNDRED THOUSAND DOLLAR
01:40:48:00	01:40:49:00	INCREASE IN PERSONNEL SERVICES
01:40:49:00	01:40:52:00	AND THE REMAINDER THE LINE
01:40:52:00	01:40:53:00	ITEMS TO BE RELATIVELY STABLE
01:40:53:00	01:40:54:00	AND IN OUR NEXT SLIDE YOU WILL
01:40:54:00	01:40:56:00	SEE THAT IN TERMS OF FISCAL
01:40:56:00	01:41:00:00	YEAR TWENTY ONE FISCAL YEAR
01:41:00:00	01:41:01:00	TWENTY FOUR INCREASES WE SEE
01:41:01:00	01:41:01:00	ONE HUNDRED THOUSAND DOLLAR
01:41:01:00	01:41:04:00	INCREASE IN PERSONNEL SERVICES
01:41:04:00	01:41:04:00	AND THIRTY THOUSAND DOLLAR
01:41:04:00	01:41:08:00	INCREASE IN OTHER EXPENSES AND
01:41:08:00	01:41:12:00	THIS JUST BY PERCENTAGE OF THIS
01:41:12:00	01:41:13:00	IS JUST A CHANGE IN TERMS
01:41:13:00	01:41:15:00	OF PERCENTAGE AND THEN THIS IS
01:41:15:00	01:41:19:00	JUST A BREAKDOWN
01:41:19:00	01:41:19:00	OF DEPARTMENTAL HISTORY VERSUS
01:41:19:00	01:41:20:00	EXTERNAL FUNDS EXPENSE TYPE.
01:41:20:00	01:41:23:00	SO IN THE LEFT WE HAVE AN
01:41:23:00	01:41:24:00	EXPENSE TO THE TOP TWO EXPENSE
01:41:24:00	01:41:27:00	TYPES ARE THE ONLY TWO THAT HAD
01:41:27:00	01:41:28:00	EXTERNAL FUNDS AND RENTAL
01:41:28:00	01:41:28:00	HISTORY.
01:41:28:00	01:41:30:00	SO THE TOP THE TOP EXPENSE
01:41:30:00	01:41:31:00	RIGHT IS SPECIAL EXPENDITURES
01:41:31:00	01:41:35:00	OR SPECIAL APPROPRIATIONS AND
01:41:35:00	01:41:36:00	THE SECOND IS CONTRACTED
01:41:36:00	01:41:36:00	CONTRACTED SERVICES AND SO WE
01:41:36:00	01:41:38:00	SEE SIXTY THREE THOUSAND
01:41:38:00	01:41:39:00	DOLLARS OF THE OPERATING FUND
01:41:39:00	01:41:42:00	FOR A SPECIAL APPROPRIATION AND
01:41:42:00	01:41:43:00	AT ONE HUNDRED THOUSAND DOLLARS
01:41:43:00	01:41:43:00	FROM EXTERNAL FUNDS AND WE SEE
01:41:43:00	01:41:46:00	THREE HUNDRED FORTY FIVE
01:41:46:00	01:41:46:00	THOUSAND DOLLARS OUT
01:41:46:00	01:41:47:00	OF OPERATING EXPENDITURES FOR
01:41:47:00	01:41:50:00	CONTRACTED SERVICES AND FIFTY
01:41:50:00	01:41:51:00	THOUSAND DOLLARS OUT
01:41:51:00	01:41:51:00	OF EXTERNAL FUNDS.
01:41:51:00	01:41:57:00	I THINK THAT IS IT FROM THANK
01:41:57:00	01:42:01:00	YOU KARISHMA.
01:42:01:00	01:42:06:00	HAPPY TO SHARE THAT BREAKDOWN
01:42:06:00	01:42:07:00	WITH YOU AS WELL.
01:42:07:00	01:42:09:00	DIRECTOR PAUL IS ABSOLUTELY
01:42:09:00	01:42:13:00	CHIEF ORTEGA ARE YOU STILL WITH
01:42:13:00	01:42:14:00	US?
01:42:14:00	01:42:18:00	YES, IS IT WOULD YOU BE ABLE TO
01:42:18:00	01:42:24:00	SEND ME IN BY EMAIL OR WHATEVER
01:42:24:00	01:42:25:00	WHEN YOU HAVE IT A BREAKDOWN
01:42:25:00	01:42:28:00	OF YOUR CONTRACT AND GRABS IN
01:42:28:00	01:42:32:00	TERMS OF DEMOGRAPHIC LOCATIONS
01:42:32:00	01:42:35:00	IN AMOUNTS FOR ARTS AND CULTURE
01:42:35:00	01:42:35:00	?
01:42:35:00	01:42:36:00	YES, WE CAN DO THAT.
01:42:36:00	01:42:37:00	THANK YOU SO MUCH.
01:42:37:00	01:42:40:00	AND THEN SAME WITH MURAL'S
01:42:40:00	01:42:41:00	BREAKDOWN OF LOCATION AND THE
01:42:41:00	01:42:44:00	ARTISTS DEMOGRAPHICS AND YES,
01:42:44:00	01:42:48:00	THANK YOU SO MUCH I THAT'S FOR
01:42:48:00	01:42:51:00	ME THAT'S ALL THE QUESTIONS I
01:42:51:00	01:42:52:00	HAVE.
01:42:52:00	01:42:53:00	THE FLOOR IS OPEN FOR MY
01:42:53:00	01:42:53:00	COUNCIL COLLEAGUES.
01:42:53:00	01:42:56:00	VARIS OF HAND I CAN CALL YOU
01:42:56:00	01:42:56:00	FOR FURTHER QUESTIONING.
01:42:56:00	01:42:59:00	WE'VE BEEN JOINED BY
01:42:59:00	01:43:00:00	COUNCILOR VALETTA.
01:43:00:00	01:43:01:00	I SEE YOU ON CAMERA.
01:43:01:00	01:43:03:00	I'LL ALLOW YOU TO GO FIRST WITH
01:43:03:00	01:43:04:00	YOUR QUESTIONS.
01:43:04:00	01:43:05:00	CHIEF ORTEGA ARTS I KNOW THAT
01:43:05:00	01:43:08:00	YOU HERE EARLIER I'M SORRY THAT
01:43:08:00	01:43:08:00	YOU MISSED YOU ACTUALLY SENT ME
01:43:08:00	01:43:09:00	A MESSAGE THAT YOU HAD
01:43:09:00	01:43:11:00	SOMETHING IMPORTANT TO GO TO
01:43:11:00	01:43:12:00	AND I GOT IT TOO LATE BUT THANK
01:43:12:00	01:43:14:00	YOU SO MUCH.
01:43:14:00	01:43:15:00	WE WELCOME YOU BACK.
01:43:15:00	01:43:19:00	SO CHIEF ELLIOTT ORTEGA FROM
01:43:19:00	01:43:22:00	ARTS AND CULTURE JOHN WATERS,
01:43:22:00	01:43:23:00	DIRECTOR OF TOURISM
01:43:23:00	01:43:23:00	ENTERTAINMENT.
01:43:23:00	01:43:24:00	YOU HAVE THE FLOOR
01:43:24:00	01:43:27:00	COUNCIL CLUTTER.
01:43:27:00	01:43:28:00	THANK YOU SO MUCH AND I
01:43:28:00	01:43:30:00	APPRECIATE INDULGENCE.
01:43:30:00	01:43:32:00	I DID HAVE TO RUN AT THREE
01:43:32:00	01:43:32:00	O'CLOCK RIGHT AS MY QUESTIONING
01:43:32:00	01:43:35:00	WAS ABOUT TO HAPPEN.
01:43:35:00	01:43:36:00	SO I DO APPRECIATE THIS SECOND
01:43:36:00	01:43:38:00	OPPORTUNITY AND I WILL BE BRIEF
01:43:38:00	01:43:39:00	AND THANK YOU CHIEF AGAIN FOR
01:43:39:00	01:43:40:00	YOUR WORK.
01:43:40:00	01:43:43:00	THANK YOU TO TO JOHN AS WELL.
01:43:43:00	01:43:44:00	DIRECTOR YOU DIRECTOR CHIEF I
01:43:44:00	01:43:46:00	WANT TO DIRECTOR I WANTED TO
01:43:46:00	01:43:47:00	GET YOUR TITLE CORRECT DIRECT
01:43:47:00	01:43:49:00	EFFECT ON YOUR CONGRATULATIONS
01:43:49:00	01:43:50:00	.
01:43:50:00	01:43:51:00	I KNOW THAT YOU'VE ONLY BEEN IN
01:43:51:00	01:43:52:00	FOR ABOUT TWO TWO MONTHS TWO
01:43:52:00	01:43:54:00	WEEKS, WHATEVER IT IS BUT
01:43:54:00	01:43:54:00	WELCOME.
01:43:54:00	01:43:55:00	THANK YOU.
01:43:55:00	01:43:58:00	SO REALLY EXCITED TO BE WORKING
01:43:58:00	01:43:59:00	IN PARTNERSHIP WITH THE OFFICE
01:43:59:00	01:44:02:00	OF ARTS AND CULTURE IS THE
01:44:02:00	01:44:02:00	CHAIR.
01:44:02:00	01:44:03:00	I APPRECIATE ALL OF THE
01:44:03:00	01:44:06:00	QUESTIONING FROM MY COLLEAGUE.
01:44:06:00	01:44:07:00	THANK YOU TO THE CHAIR FOR
01:44:07:00	01:44:07:00	ASKING FOR DEMOGRAPHIC DATA AS
01:44:07:00	01:44:10:00	WELL ON EVERYTHING THAT WE'RE
01:44:10:00	01:44:11:00	DOING JUST TO ENSURE THAT WE
01:44:11:00	01:44:13:00	HAVE EQUITABLE DISTRIBUTION
01:44:13:00	01:44:14:00	OF RESOURCES AND WHERE WE'RE
01:44:14:00	01:44:17:00	CREATING VIBRANT HEALTHY
01:44:17:00	01:44:17:00	COMMUNITIES THROUGH THE ARTS
01:44:17:00	01:44:21:00	AND CULTURE AND UPLIFTING
01:44:21:00	01:44:22:00	ARTISTS WHERE WE CAN ESPECIALLY
01:44:22:00	01:44:25:00	EMERGING ARTISTS.
01:44:25:00	01:44:26:00	SO I KNOW THAT WE HAD A
01:44:26:00	01:44:26:00	CONVERSATION IN REGARDS TO
01:44:26:00	01:44:29:00	REHEARSAL SPACES IT'S BEEN
01:44:29:00	01:44:30:00	BROUGHT UP AND JUST ITS ROLE IN
01:44:30:00	01:44:33:00	MAINTAINING AND GROWING THE
01:44:33:00	01:44:34:00	CREATIVE ECONOMY IN THE CITY
01:44:34:00	01:44:35:00	AND THERE WAS A POLICY POSITION
01:44:35:00	01:44:36:00	OF NO NET LOSS OF CULTURE
01:44:36:00	01:44:39:00	SPACES IN THE CITY OF BOSTON
01:44:39:00	01:44:40:00	AND SOME OF THE PROPOSED
01:44:40:00	01:44:44:00	POLICIES TO KEEP ARTISTS IN
01:44:44:00	01:44:44:00	PLACE INCLUDED MORE PREDICTABLE
01:44:44:00	01:44:45:00	COMMUNITY BENEFITS AND
01:44:45:00	01:44:47:00	MITIGATION EXPECTATIONS FOR
01:44:47:00	01:44:48:00	DEVELOPMENT PROJECTS, CITY
01:44:48:00	01:44:51:00	ACQUISITION FOR SPACE AND LAND
01:44:51:00	01:44:52:00	FOR ARTISTS AND CULTURAL USE
01:44:52:00	01:44:55:00	AND THEN CITY ZONING REFORM
01:44:55:00	01:44:56:00	JUST TO ENABLE MORE CULTURAL
01:44:56:00	01:44:56:00	USES.
01:44:56:00	01:44:59:00	SO I'M WONDERING HOW YOUR
01:44:59:00	01:45:00:00	BUDGET REFLECTS THOSE POLICY
01:45:00:00	01:45:02:00	THOSE PROPOSED POLICIES AND AND
01:45:02:00	01:45:05:00	I GUESS THE DOLLAR AMOUNTS FOR
01:45:05:00	01:45:09:00	EACH ONE OF THOSE AND YES.
01:45:09:00	01:45:13:00	AND THOSE WERE ALL CULTURAL
01:45:13:00	01:45:17:00	SPACE RELATED TO OK SO THAT OUR
01:45:17:00	01:45:21:00	BUDGET REFLECTS THAT WITHIN THE
01:45:21:00	01:45:22:00	CONTRACTED SERVICES LINE WHICH
01:45:22:00	01:45:23:00	IS WHERE ALL OF OUR KIND
01:45:23:00	01:45:24:00	OF GRANTS WE PROGRAM DOLLARS
01:45:24:00	01:45:25:00	ARE AND THAT'S WHERE WE HAVE
01:45:25:00	01:45:28:00	FOUR HUNDRED THOUSAND DOLLARS
01:45:28:00	01:45:29:00	ALLOCATED FOR THE NEXT ROUND
01:45:29:00	01:45:32:00	OF THE CULTURAL SPACE FUND
01:45:32:00	01:45:33:00	WHICH WOULD START IN NY TWENTY
01:45:33:00	01:45:36:00	FOUR AND WE'RE WRAPPING THAT
01:45:36:00	01:45:37:00	FIRST ROUND NOW THAT'S THE
01:45:37:00	01:45:40:00	PROGRAM THAT WE'RE PILOTING SO
01:45:40:00	01:45:41:00	WE'RE LOOKING TO CONTINUE THAT
01:45:41:00	01:45:42:00	NEXT YEAR AND THAT'S WHERE
01:45:42:00	01:45:44:00	THAT'S REPRESENTED IN OUR
01:45:44:00	01:45:45:00	BUDGET CURRENTLY WE ALSO HAVE
01:45:45:00	01:45:47:00	SOME FUNDING SET ASIDE WITHIN
01:45:47:00	01:45:48:00	CULTURAL PLANNING FOR TECHNICAL
01:45:48:00	01:45:48:00	ASSISTANCE.
01:45:48:00	01:45:52:00	WE TALKED A LITTLE BIT EARLIER
01:45:52:00	01:45:52:00	ABOUT HAVING WORKSHOPS OTHER
01:45:52:00	01:45:55:00	THINGS TO INCREASE FOLKS
01:45:55:00	01:45:56:00	CAPACITY TO ORGANIZE AROUND
01:45:56:00	01:45:59:00	THESE ISSUES OR ACCESS
01:45:59:00	01:46:00:00	DIFFERENT KINDS OF DEVELOPMENT
01:46:00:00	01:46:01:00	COSTS OR OTHER SORTS OF THINGS
01:46:01:00	01:46:02:00	THAT THEY MIGHT NEED IN THE
01:46:02:00	01:46:03:00	MOMENT OF DEALING WITH WITH A
01:46:03:00	01:46:04:00	SPACE CRISIS.
01:46:04:00	01:46:07:00	SO SO ALTOGETHER THAT'S
01:46:07:00	01:46:11:00	PROBABLY ABOUT HALF A MILLION
01:46:11:00	01:46:11:00	DEDICATED TO CULTURAL SPACE
01:46:11:00	01:46:15:00	THAT'S AND THAT'S INCLUDED IN
01:46:15:00	01:46:15:00	CONTRACTUAL YES.
01:46:15:00	01:46:17:00	OK, GREAT.
01:46:17:00	01:46:19:00	AND I KNOW YOU AND I HAVE
01:46:19:00	01:46:19:00	TALKED ABOUT A CITY WIDE
01:46:19:00	01:46:22:00	FUNDING MECHANISM FOR FOR
01:46:22:00	01:46:22:00	CULTURAL SPACE AND PROJECTS AND
01:46:22:00	01:46:26:00	I AM REALLY EXCITED ABOUT THAT
01:46:26:00	01:46:27:00	WORK TOO OFTEN I THINK IN
01:46:27:00	01:46:29:00	DEVELOPMENT PROJECTS CERTAIN
01:46:29:00	01:46:30:00	PRIORITIES GET PITTED AGAINST
01:46:30:00	01:46:30:00	EACH OTHER.
01:46:30:00	01:46:33:00	IT'S EITHER AFFORDABILITY OR
01:46:33:00	01:46:34:00	RESILIENCY OR AFFORDABILITY AND
01:46:34:00	01:46:35:00	ARTS AND CULTURE, ARTS AND
01:46:35:00	01:46:38:00	CULTURE AND WHATEVER IN ARTS
01:46:38:00	01:46:38:00	AND CULTURE PREDOMINANTLY JUST
01:46:38:00	01:46:39:00	TENDS TO GET THE BACK SEAT AND
01:46:39:00	01:46:41:00	THAT'S SOMETHING THAT WE REALLY
01:46:41:00	01:46:45:00	NEED TO TO TO BE PROACTIVE AND
01:46:45:00	01:46:45:00	WORK AGAINST IT.
01:46:45:00	01:46:46:00	SO I DO LOOK FORWARD TO HAVING
01:46:46:00	01:46:49:00	ADDITIONAL CONVERSATIONS WITH
01:46:49:00	01:46:50:00	YOU AND YOUR STAFF TO ESTABLISH
01:46:50:00	01:46:53:00	THAT CITYWIDE FUND AND UTILIZE
01:46:53:00	01:46:53:00	ZONING TO PRIORITIZE LIGHT
01:46:53:00	01:46:57:00	INDUSTRIAL USES AND AND REALLY
01:46:57:00	01:46:58:00	JUST BE CREATIVE WHEN IT COMES
01:46:58:00	01:47:00:00	TO TRYING TO FIND AS MUCH
01:47:00:00	01:47:01:00	REVENUE AS POSSIBLE TO
01:47:01:00	01:47:04:00	ESTABLISH THIS FUND WHICH WOULD
01:47:04:00	01:47:05:00	BE THE FIRST OF ITS KIND IN THE
01:47:05:00	01:47:05:00	CITY OF AUSTIN.
01:47:05:00	01:47:06:00	SO LOOK FORWARD TO THOSE
01:47:06:00	01:47:08:00	CONVERSATIONS AND ANY OTHER WAY
01:47:08:00	01:47:09:00	THAT I CAN BE HELPFUL THROUGH
01:47:09:00	01:47:10:00	THIS BUDGET PROCESS, PLEASE LET
01:47:10:00	01:47:12:00	ME KNOW.
01:47:12:00	01:47:13:00	BUT THAT'S THAT'S MY IN CHAIR.
01:47:13:00	01:47:13:00	THANK YOU SO MUCH.
01:47:13:00	01:47:15:00	THANK YOU.
01:47:15:00	01:47:16:00	COUNCIL I KNOW THAT
01:47:16:00	01:47:19:00	COUNCILOR MEJIA COUNCILOR ROLE
01:47:19:00	01:47:20:00	HAD MORE QUESTIONS EARLIER.
01:47:20:00	01:47:23:00	I'M NOT SURE IF WE WROTE THEM
01:47:23:00	01:47:24:00	DOWN.
01:47:24:00	01:47:27:00	CHIEF, DID YOU HAVE A RESPONSE
01:47:27:00	01:47:28:00	TO I THINK IT WAS
01:47:28:00	01:47:31:00	COUNCILOR MHERE WHO HAD A
01:47:31:00	01:47:32:00	QUESTION WELL I'M SORRY I HAD A
01:47:32:00	01:47:35:00	QUESTION ABOUT OUR CURRENT
01:47:35:00	01:47:39:00	CHARGES AND ANOTHER LINE AND I
01:47:39:00	01:47:40:00	CAN'T REMEMBER WHAT THE OTHER
01:47:40:00	01:47:43:00	BUDGET LINE WAS BUT NEITHER DO
01:47:43:00	01:47:44:00	YOU WANT TO SAY SOMETHING ABOUT
01:47:44:00	01:47:46:00	OUR OUR CURRENT CHARGES?
01:47:46:00	01:47:46:00	SURE.
01:47:46:00	01:47:47:00	SO OUR CURRENT CHARGES
01:47:47:00	01:47:50:00	BASICALLY OUR MEMBERSHIP.
01:47:50:00	01:47:54:00	SO WE HAVE A COUPLE OF OFFICE
01:47:54:00	01:47:55:00	MEMBERSHIPS THAT WE HAVE LIKE
01:47:55:00	01:47:58:00	WE HAD PROFESSIONAL DEVELOPMENT
01:47:58:00	01:47:58:00	.
01:47:58:00	01:47:59:00	WE STILL BE OUT OF THAT OUR
01:47:59:00	01:48:02:00	MEMBERSHIP ARE SUITABLE WHICH
01:48:02:00	01:48:05:00	IS OUR GRANT APPLICATION
01:48:05:00	01:48:05:00	PLATFORM.
01:48:05:00	01:48:06:00	WE'VE BEEN USING THAT FOR LIKE
01:48:06:00	01:48:16:00	ALMOST LIKE TEN YEARS.
01:48:16:00	01:48:18:00	WE'LL FLOW OUT OF THAT LINE
01:48:18:00	01:48:18:00	COMES OUT OF OTHER LICENSES
01:48:18:00	01:48:19:00	THAT WE USE TO CREATE VIDEOS,
01:48:19:00	01:48:25:00	FLIERS DO PERHAPS WE ALSO HAVE
01:48:25:00	01:48:26:00	WE PAY FOR A HOSTING OR OUR
01:48:26:00	01:48:29:00	COLLECTION MANAGEMENT SOFTWARE
01:48:29:00	01:48:29:00	.
01:48:29:00	01:48:30:00	SO THAT IS BOTH AN INTERNAL AND
01:48:30:00	01:48:33:00	SOON TO BE EXTERNAL DATA
01:48:33:00	01:48:34:00	COLLECTION OF ALL OUR PIECES
01:48:34:00	01:48:37:00	CITY OF AUSTIN AND MOST
01:48:37:00	01:48:40:00	RECENTLY WE PROCURE A TEXTING
01:48:40:00	01:48:41:00	SOFTWARE AND THIS WAS
01:48:41:00	01:48:45:00	RECOMMENDED BY SOMEONE HERE
01:48:45:00	01:48:45:00	LAST YEAR TO WISH CONSTITUENTS
01:48:45:00	01:48:48:00	SO WE HAVE ABOUT TWENTY THREE
01:48:48:00	01:48:52:00	HUNDRED PHONE NUMBERS THAT WE
01:48:52:00	01:48:52:00	CAN USE TO TEXT FOLKS WHEN
01:48:52:00	01:48:55:00	THERE'S AN OPPORTUNITY COMING
01:48:55:00	01:48:56:00	FROM OUR OFFICE.
01:48:56:00	01:48:58:00	NICE TO HEAR.
01:48:58:00	01:49:05:00	DID YOU HEAR THAT MAYBE
01:49:05:00	01:49:06:00	SOMETHING HERE IS LEFT THIS
01:49:06:00	01:49:07:00	BECAUSE MAYBE IF YOU'RE NOT
01:49:07:00	01:49:10:00	WITH US AND HAVE ANY FURTHER
01:49:10:00	01:49:10:00	QUESTIONS I DON'T HAVE ANY
01:49:10:00	01:49:13:00	OTHER QUESTIONS FOR YOU SO
01:49:13:00	01:49:17:00	THANK YOU EVERYONE FOR BEING
01:49:17:00	01:49:18:00	HERE AND THIS CONVERSATION I
01:49:18:00	01:49:21:00	WILL SUBMIT ANY OTHER
01:49:21:00	01:49:22:00	INFORMATION OR QUESTIONS THAT I
01:49:22:00	01:49:25:00	HAVE FOR MY COLLEAGUES OR
01:49:25:00	01:49:28:00	MYSELF TO PLEASE EMAIL THEM TO
01:49:28:00	01:49:29:00	ME AND I CAN DISPERSE THEM TO
01:49:29:00	01:49:30:00	MY COLLEAGUES OR SEND THEM TO
01:49:30:00	01:49:32:00	ALL OF US.
01:49:32:00	01:49:36:00	AND IF YOU OF COURSE HAVE ANY
01:49:36:00	01:49:37:00	PENDING QUESTIONS OR PERMISSION
01:49:37:00	01:49:38:00	TO SEND US LOOK FORWARD TO
01:49:38:00	01:49:41:00	DISCUSSING THOSE AS WELL.
01:49:41:00	01:49:41:00	THANK YOU EVERYONE.
01:49:41:00	01:49:44:00	AND WE ARE HEARING IS
01:49:44:00	01:49:44:00	ADJOURNED.
01:49:44:00	01:49:45:00	THANK YOU.
01:49:45:00	01:50:22:00	IS THANK YOU.